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To sell this movie the makers needed to convince us that the husband is a son of a prick, the mother is a third-dimensional monster with ulterior motives and the son is spoiled to rot. Thomas Jane chokes on the accent and can't set aside squishiness to convey a hardened hillbilly. Molly Parker is not illuminated for her character to spark and Dylan Schmid is a candle without a wick. Once the offense is discharged the film hibernates until its uncelebrated payback. 15-Feb-2018