A mother aids a teen escaping from a restrictive family with juvenile religious beliefs. Yes, all families are cults. The child with satan's tattoo ingratiates herself to the modern family but overstays her unwelcome. Mother is the most decisively written character. The child becomes an obsession because it is like her. In pain, pretending everything is honkey dory with a dash of hope that the next best thing will save her but is always fucked. Carrie is the series inspiration. It reminds you without embodying any of the traits that make the original great. Madeleine Arthur could not find the dorkiness in the character because she doesn't consider herself one. Elegant Creepmeister is what the character demanded. There was no significant difference between the before and after makeover except maybe a bath. The daughters wrought faithful feelings trying to decipher why mommy prefers to hang out with a freak. Naomi Tan was aware of everything and we feel her the most. I couldn't tell the love interest and gbf apart. I thought her love interest was gay throughout most of it. I'm a dork. The gay bestie was a letdown because he only cared about being friends if they didn't befriend others. That's not a friend, it's a husband. Sam Yaeger's daddy was interactive with audience imagination despite his thin storyline. We imagined that he was the kind of daddy that would fuck everything in his path including that old realtor and the cop. The cop took me back to Lost. Remember, the egyptian looking guy with the eyeliner? Yeah, I wanted to fuck him while studying his face. The cop investigation was weak and amateur but he sure was pretty. Penikett is a howl as a parent whose ignorant beliefs are jeopardizing the family but gettting him community clicks. His diction came very close to "wascally wabbit." The cult and action were silly but the heart was in a tight space. The study contains brilliant pieces that needed to spread out. 19-Jan-2023