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Maestro (2023)
Bradley Cooper is an uncanny Leonard Bernstein. The nose is art even though it makes Bradley nasal. Carey Mulligan is taught and achieving. She is the wife that halts her personal goals to stroke his. The genius is obsessed with calculating music and all boys pretty. The wife accepts and waits. Cooper positions the camera at different angles to add distraction to incomplete scenes. The film intellectualizes its subject and limits its margin. Dialogue is careful not to apply too many emotions to our lead for fear that they may not be true. It also, makes his actions appear nippy. Lovers come in and out of their lives without much exposition except beauty and sex. Mulligan is the film's disposition, Cooper is its center, the cast puts on an haughty appearance, everything is lush but the man remains an enigma. 22-Dec-2023