All Posts Tagged as '2010s'
Welcome to Errattic! We encourage you to customize the type of information you see here by clicking the Preferences link on the top of this page.
In The Tall Grass (2019)
What kills most of King's cinematic depictions is how mumble and jumble detract from realistic scares. 22-Jan-2020
Dolemite Is My Name (2019)
Murphy uses the best of his abilities to bring to life a man whose fame exceeded greatness. I understood Dolemite's reference in history but it thrived only because it depicted. Murphy was ready to challenge himself but you can only claim that from superior talent. The laughs mostly fell on Snipes who appeared Blanche DuBoised, emoting every character he ever played and Da'Vine Jone Randolph who supplied great testosterone relief. 21-Jan-2020
Wound, The (2017)
Honoring male privilege while contesting the rules. The gay is treated as a natural conjecture that doesn't adhere to God's Plan but satiates a hungry soul. The men push God's Plan, diddle each other whenever possible and don't allow snot nosed effete city boys to put a label on it. The ending spells it out. 21-Jan-2020
Witcher, The (2019-)
Daddy is something else but it was the ladies that kept me glued. 18-Jan-2020
Of course, I'm disquieted by the froggish whisper of the Witcher but he delivers comitted action moves and steady alpha charisma. Interspersed characterization maintains the show's freshness. (Is it part of its mythology that all pretty twinks get killed?) 15-Jan-2020
Unsettling, The (2019-)
It does not unsettle because there is no intrigue, sharp scare edits or anything besides Holly Taylor to give a damn about. 13-Jan-2020
The Transylvanian brogue keeps the flies and the viewers away. I was not going to spend more than three hours listening to it. 13-Jan-2020
We watch for the shiny new tech (even if it appears unfinished.) 09-Jan-2020
Moving your heritage forward when the rigidity of spiritual devoutness devours the best gifts in life. It respects as much as it questions, it upsets as much you care. The laughs are far to come but land uproariously. It paints the truth and enforces it. 07-Jan-2020
Lost In Space (2018-)
Season 2 served so much syrup it almost drowned the pancakes. The Robinson's catastrophe meter wriggled so much I wondered why they're not in pieces. Am I supposed to notice that the robot has a big ass? The action rumbles, throttles and shakes you down. Big-screen treatment for a TV mindset. Dr. Smith is a hoot bitchier, the actors are scratching their posts and I'm still in. 05-Jan-2020
Even though the orangutan inspired robot invalidates its predecessor the show succeeded in modern interpretation. There's papi squish, mama force, baby hutzpah and multicultural opportunity. Constructive sci-fi action and Parker Posey's iteration of Dr. Smith as the ultimate lying bitch are its standouts. 29-Jun-2018
Leave it to California ("the Hellmouth") to turn a serial into a romantic victim. The pyschology was bi-polar and the disentanglements were happenstance and charred. I'm not excited to see a third season. 31-Dec-2019
The thrill of the cum trampled by a kick in the balls. The delicacies of love entrenched by intrinsic mind bending. Badgley steals the crown structuring the depth of his humanity and indignation. 20-Apr-2019
If you can make me laugh through a funk, you're a winner.
Andrew Scott's voice makes underwear blubber. His awareness at Fleabag's asides were adorably funny. The priest brought sexuality, abandonment, modernity and fulfillment.
Everything Olivia Colman touches is funny elite.
Brett Gelman is a slimelord.
Claire is whom I cheer for and Sian Clifford has achieved "great sparring partner status."
The writing is wicked, the ideas are bursting for the new age and it knows when to apply heart.
I wait for the day when Fleabag breaks down walls to give Ms. Waller-Bridge the legendary acting status she deserves.
(S2E3 was responsible for my LOLs. Award drama was priceless.) 29-Dec-2019
When they express heart over hate, it soars. 10-Dec-2019
I can't imagine a more wicked performer to bitch about life and eviscerate men. 09-Dec-2019
In This Corner Of The World (2016)
Ambitious and lovingly detailed account of a war torn life. The audacity of surviving when so much has perished. 28-Dec-2019
Marvelous Mrs. Maisel, The (2017-)
The calibre still flickers.
The formalization of Shy Baldwin played diligently.
Sterling K. never hurts.
Luke Kirby squishes like a troublemaker that can't see beyond a certain time.
Tony Shalhoub and Marin Hinkle represent its class and the race to catch up to a new world before it changes again.
Michael Zegen, great nips, awesome accent and a big dreamer.
I didn't understand why Zachary Levi was getting another chance but he proved me wrong. The gorgeous giant had something to say and it was great. He left Shazam on a CGI set.
Alex Borstein, representing everything we want to see in the world, slaughtered like a butcher.
Rachel Brosnahan plays the titular with the knowledge that her ambition may not enhance her personal life but she's got to do it.
Soul searching, family values, friendships, fame, failure and a point of view. Fuck you Palladinos. (I mean that lovingly.) 27-Dec-2019
I think Amy-Sherman Palladino and Mr. Palladino have turned me bi-cranial. I can't hate them because they keep saying what I'm thinking. Mazel.
The addiction starts right away but the spell is cast in the middle of season 2. There's Gilmore flash wit, character peak and writing punctuation. I may not have swayed in season 1 but I'm swaying now. 18-Sep-2019
No matter how cute, when a dog spends most of its time yipping and yapping we are incapable of seeing its soul. The writing punctures, the music helps and everyone is professional but I have to wonder if that's all there is. When we insert the sensibilities of our present to make the past more tolerable we are erasing the essence of time that brought it to life. 16-Sep-2019
Midnight Kiss (2019)
Gays garnering the right to be slaughtered on film like they're straight brethren. Writing representation is limited to watching half a season of Drag Race, the eye candy is squirmy and the serial getup has no sex appeal or fright. 27-Dec-2019
Postcards From London (2018)
Whores assessing that man needs art to turn on. It's an excuse for filmic art to celebrate human art (Harris Dickinson) but it doesn't know how. 03-Jan-2020