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In The Tall Grass (2019)
What kills most of King's cinematic depictions is how mumble and jumble detract from realistic scares. 22-Jan-2020
Witcher, The (2019-)
Daddy is something else but it was the ladies that kept me glued. 18-Jan-2020
Of course, I'm disquieted by the froggish whisper of the Witcher but he delivers comitted action moves and steady alpha charisma. Interspersed characterization maintains the show's freshness. (Is it part of its mythology that all pretty twinks get killed?) 15-Jan-2020
Unsettling, The (2019-)
It does not unsettle because there is no intrigue, sharp scare edits or anything besides Holly Taylor to give a damn about. 13-Jan-2020
The Transylvanian brogue keeps the flies and the viewers away. I was not going to spend more than three hours listening to it. 13-Jan-2020
Moving your heritage forward when the rigidity of spiritual devoutness devours the best gifts in life. It respects as much as it questions, it upsets as much you care. The laughs are far to come but land uproariously. It paints the truth and enforces it. 07-Jan-2020
Lost In Space (2018-)
Season 2 served so much syrup it almost drowned the pancakes. The Robinson's catastrophe meter wriggled so much I wondered why they're not in pieces. Am I supposed to notice that the robot has a big ass? The action rumbles, throttles and shakes you down. Big-screen treatment for a TV mindset. Dr. Smith is a hoot bitchier, the actors are scratching their posts and I'm still in. 05-Jan-2020
Even though the orangutan inspired robot invalidates its predecessor the show succeeded in modern interpretation. There's papi squish, mama force, baby hutzpah and multicultural opportunity. Constructive sci-fi action and Parker Posey's iteration of Dr. Smith as the ultimate lying bitch are its standouts. 29-Jun-2018
Leave it to California ("the Hellmouth") to turn a serial into a romantic victim. The pyschology was bi-polar and the disentanglements were happenstance and charred. I'm not excited to see a third season. 31-Dec-2019
The thrill of the cum trampled by a kick in the balls. The delicacies of love entrenched by intrinsic mind bending. Badgley steals the crown structuring the depth of his humanity and indignation. 20-Apr-2019
If you can make me laugh through a funk, you're a winner.
Andrew Scott's voice makes underwear blubber. His awareness at Fleabag's asides were adorably funny. The priest brought sexuality, abandonment, modernity and fulfillment.
Everything Olivia Colman touches is funny elite.
Brett Gelman is a slimelord.
Claire is whom I cheer for and Sian Clifford has achieved "great sparring partner status."
The writing is wicked, the ideas are bursting for the new age and it knows when to apply heart.
I wait for the day when Fleabag breaks down walls to give Ms. Waller-Bridge the legendary acting status she deserves.
(S2E3 was responsible for my LOLs. Award drama was priceless.) 29-Dec-2019
When they express heart over hate, it soars. 10-Dec-2019
I can't imagine a more wicked performer to bitch about life and eviscerate men. 09-Dec-2019
Marvelous Mrs. Maisel, The (2017-)
The calibre still flickers.
The formalization of Shy Baldwin played diligently.
Sterling K. never hurts.
Luke Kirby squishes like a troublemaker that can't see beyond a certain time.
Tony Shalhoub and Marin Hinkle represent its class and the race to catch up to a new world before it changes again.
Michael Zegen, great nips, awesome accent and a big dreamer.
I didn't understand why Zachary Levi was getting another chance but he proved me wrong. The gorgeous giant had something to say and it was great. He left Shazam on a CGI set.
Alex Borstein, representing everything we want to see in the world, slaughtered like a butcher.
Rachel Brosnahan plays the titular with the knowledge that her ambition may not enhance her personal life but she's got to do it.
Soul searching, family values, friendships, fame, failure and a point of view. Fuck you Palladinos. (I mean that lovingly.) 27-Dec-2019
I think Amy-Sherman Palladino and Mr. Palladino have turned me bi-cranial. I can't hate them because they keep saying what I'm thinking. Mazel.
The addiction starts right away but the spell is cast in the middle of season 2. There's Gilmore flash wit, character peak and writing punctuation. I may not have swayed in season 1 but I'm swaying now. 18-Sep-2019
No matter how cute, when a dog spends most of its time yipping and yapping we are incapable of seeing its soul. The writing punctures, the music helps and everyone is professional but I have to wonder if that's all there is. When we insert the sensibilities of our present to make the past more tolerable we are erasing the essence of time that brought it to life. 16-Sep-2019
Midnight Kiss (2019)
Gays garnering the right to be slaughtered on film like they're straight brethren. Writing representation is limited to watching half a season of Drag Race, the eye candy is squirmy and the serial getup has no sex appeal or fright. 27-Dec-2019
Twice Upon A Time (2019-)
Back to the future for love. The outline leaves you screaming for more but the two leads grind so intently, they keep you posted. 25-Dec-2019
A Christmas Carol (2019-)
The legend of Scrooge modernized for a realistic mind.
It could've done with some trimming but it still shined.
Guy Pearce dashes, preys and rips as Scrooge. He deduces everything and everyone but himself. His softness towards animals was clever and the "humbugs" were well-earned.
Vinette Robinson (Mary Cratchit) deserves kudos for supplying it with its heart and its threat.
Joe Alwyn had passionate battles with Scrooge that eclipsed the baby blues.
The modern is simple. Scrooge represents every blogger with a gripe that can no longer concede to ideology...the spirits are the influencers, the magic makers and the Gladys Kravitz.' "Bully that man until he burns to the ground or apologizes."
The clues unlock in gift boxes. The heart was put in all the right places. Surprising the viewer with a repetitive tradition is no easy task. Respect.
We all have a Scrooge that we are safe from, whilst we live on the other side, except it's getting harder to stay there. 22-Dec-2019
The catastrophe of Lost has been redeemed.
Blue is a gorgeous color.
Only Jeremy Irons could snugly fit that suit or that character.
Tim Blake Nelson is trailer park satisfaction.
The greatest thing James Wolk did was strip. His accent almost cut me, it was so sharp.
Lady Trieu was grunge girl effervescence.
It completed, catapulted, respected and reinvented. Brilliant!
I'm excited and afraid. 09-Dec-2019
Acquiring empathy for a dad you hate by reliving his memories was invigorating. (Don't fuck it up!) 03-Dec-2019
Jean Smart and Regina King are glorious. Jeremy Irons is a fantastic beast. The creators name drop comic book fantasy without delivering it. Junk is created for the masses but art heightens its subject. Uncertainty makes the audience walk out. 09-Nov-2019
V Wars (2019)
The process of becoming a vampire and its side effects are so swift that we are not allotted the time necessary to empathize with them. A kickass slayer (Laura Vandervoort) and some popcorn fun, liven it. 15-Dec-2019
The dialogue seems cobbled together from overused scripts. The bromance and action scintillate in a broth that may contain no nutritional value. 09-Dec-2019
I was going to complain that the corn was killing my daddies (women included) but then Daddy Michael, Daddy Athena and Christmas happened. You bastards! 09-Dec-2019
Welcome back daddies! 25-Sep-2019
Unexpected thoughtfulness. 08-May-2019
I no longer have Buffy but I still have you. The last two episodes wrung every artistic sentiment my mind could withstand. Thank you. 06-Apr-2019
The company allowed the schmuck in me to celebrate Christmas. 02-Dec-2018
The daddy (Bassett and Hines included) heroics are inventive, the pulse quickens with current thinking and our hearts get pulled. 25-Oct-2018
A great action piece can energize an attention span but plugging the acting talent to words that allow them to emote beautifully is sublime. 12-Mar-2018
We're in dire need of heroes to save us and Murphy's latest gift is ready to give them to us. Connie Britton and Peter Krause have returned to dominant form, Angela Bassett is having fun and Oliver Stark is a fragile delicacy. The stunts wallop, the words are thoughtful and inclusive and Ryan and crew are experimental ninjas. 16-Jan-2018