S1E4. Evan Peters takes us inside a gay serial killer's monster bubble and he gives the impression that his art will be popping iteration balloons for years to come. Niecy Nash is that bossy bitch neighbor that's always in people's business that no one wants to hear but gets politically redeemed by being the right amount of bossy. Nash holds the note a second too long but her character sings. Richard Jenkins used craft in telling the story of a parent that feels pain for raising a monster. Michael Learned reminded me of mama Walton but later, vanquished it. She embodies the bitter old woman that supports you to be whomever you want as long as its made up at church. Did she inspire his racist thoughts? The show obsesses over bloody squishy things instead of sexy, kinky things. I hope it switches. Man's true nature is exposed during sex. At that time, the community agreed that he was scary as fuck because we would have fucked him...and died. Only a victim can describe a monster and only a monster can describe his family. The series proclaims that mothers should not have children if they are mentally suffering, a weird child best ignored is not a happy child, a grown father dissecting animals with his gay kid encourages human devastation, daddy keeps encouraging human devastation because he can't beat his wife and cops get punished for being sensitive to gays. Evan's thought process is to lay blame on the parents and make himself accountable for the joy that chaos brought him and because only fucked up parents can create such a fucked up kid. 23-Sep-2022