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Everything etched to perfection, less the comprehension to make us care. 06-Apr-2020
An expectant mother with a virulent special needs child, becomes overwhelmed until she meets and hires a kindly filipino grandmother who claims to have cured her own. The treatment consists of communicating with him in her native tongue, pampering him like a favorite child and emotionally distancing him from his natural mother. The boy recuperates, learns to speak filipino and clamps himself onto the mother (nanny) he desperately needs. Mother has her discomforts, daddy is relieved and the household finds much needed bliss. Mother marches along, suspending her doubts and chalking the old woman's takeover as relief. As soon as madre decides to use an app translator to discover what the nanny is communicating to her son, the mama wars begin. Daddy is gaslighting, mama is hallucinating and racial political correctness is straining. The film makes a point that the intent to make everyone legitimate renders safety mute even whey they act stereotypically. It's a nail-biter I don't recommend to expectant mothers... unless they want to drop early. 02-Apr-2020
I don't do well with first-person because its film rolling on inanimate objects (people included) that are restricted. A fantastic one connects what we see with what we imagine. A disappointing one makes a straight beeline across a rudimentary device. The creep in question is just an exasperating real estate agent with constant jabber and little realization. The one behind the camera could have offset the other's nonsense with the snappy quips his screams intimated. The axe received the most character development. The "s" word comes to mind but I refuse to use it. 01-Apr-2020
It makes sense in the confines of the story but it's pretty preposterous without a big world picture. It's vile, claustrophobic and exhausting. 30-Mar-2020
Couples rule in a post cruel world. If you don't find a mate they turn you into an animal. Its royal art of weirdness with little justification and a vivid imagination. Colin inherits a comedian's edge, puncturing the establishment in a catatonic state and making us laugh and cheer. Rachel Weisz keeps the heart of the film beating and Yorgos is crazy. 29-Mar-2020
Band of vagabonds get punished by nazis for playing crappy rock or because they witnessed a crime. Sir Patrick Stewart was hired to class up the film and the "n" word. Anton Yelchin's heroism is a John Connor (Terminator) facsimile with substandard realization. The film lost me as soon as the punk picks up his phone to call the police for a kill that wasn't directed at him. What is the purpose of nazis if there is no racial conflict? (They don't need the props.) They were dim and disoriented and anything but scary. It stalls, it repeats, it celebrates and I believed very little of it. 28-Mar-2020
Autopsy Of Jane Doe, The (2016) 
The autopsy is comprehensive, the actors are aligned and the corpse is an eerily beautiful masterpiece. The mumbo jumbo is handled scientifically which excludes genius insanity being the harbinger of truth and sets some practical scares for us. 27-Mar-2020
Instead of a body switch Mr. Reiner chose partial possession which is one of the most improbable storylines attempted ever. We want no change in anything but the story. The pros (Martin and Tomlin) don't embarrass easily because it makes sense that great comedy training includes stupidity. Martin freights most of it and freewheels in an agitated state that unnerves us but never hinders us from lapping up his star charm. Lily didn't feel like an equal because she was stuck in a mirror for most of it but her adorable cheekiness and one liners hit. The dance was still cute. 25-Mar-2020
Silliness about a resurrected vamp raping a mod chick that dies delivering his baby. The baby ages into a superhero hunk with little gift of gab and limited supernatural powers. The fair lady hired to scream, couldn't. Fast forward to the fight scene which has Thor mashing a tired Michael Morbius with no effects and generating loads of laughs. 24-Mar-2020
The society is comprised of envy, maintenance, labor, guts and unification. Images remain in your head, long after you've dismissed them. The story is absolutely unique, the actors are natural and the suffering for/from abundance touches every base. Trimming would have propelled a much stronger impact but I couldn't stop watching every minute of its extensive length. 23-Mar-2020
House of the Devil, The (2009) 
Quarantined and babysitting who knows what in strangers' creepy mansion is as nailbiting as it gets. Money can put any Spidey sense to bed but it can't help you. West's film strengths are character and suspense but the wrap up was easy, predictable and not scary. 22-Mar-2020
Seven Brides For Seven Brothers (1954)
Men were men, maintaining the environment and women were the foundation of the home. Women complain and acquiesce; men do and expect. It was a time for falling immensely in love at first sight.. hearing about her... smelling her... he's fuckin' big. The cavemen are fuckable, idiotic and tamable. Except for the main and a purring pussycat the brides are an indistinguishable group. They desired less but they connived, demanded and bended it to their advantage like a future President. It's joyous to a fault especially when kidnapping little girls. The music no longer vibrates like it did but the hoofing was athletic muscularity. 20-Mar-2020
Killing Of A Sacred Dear, The (2017) 
Doctor feels responsible for causing the death of a teenage boys' father. He befriends him and his mother and integrates him into his own. The boy is a psychotic Jesus whose God has been bested by a doctor playing at God. Colin Farrell adds beautiful whisper to his lilt, calming us, confusing us and surprising us. Barry Keoghan is a vengeful prince ravaging the establishment and scary as fuck. Alicia Silverstone sucks good hands. Raffey Cassidy and Sunny Sulgic supply the perfect endorsement for burdening yourself with care one minute and smacks, the other. Nic holds it tight for the first hour, being logical and abiding but by the last hour she's tongue lashing and bitch slapping her character to heaven. Yorgos Lanthimos kept it artistic, chillingly precise, musically gripped and the giant balls to give us an OMG ending. 18-Mar-2020
Dead Kids (Strange Behavior) - (1981)
Controlling kids for kills. Bursting with ideas that the master had no idea how to cohesively cobble together. The kills are interesting because they are clumsy like real life. Fiona Lewis' donut bun steals the whole thing. 18-Mar-2020
I did a double take when I realized the film wasn't set in the cheesy 60's gothic era. The women are dead ringers for the pristine beauty of that time and the daddies are porn succulence. The witch is a backwards feminist, desperate for love and domination, except her potions and sex stratagems only work precoital. Love turns men into quivering slobbering mush and she becomes vexed and resentful. The film is experimental, nonsensical and devoid of magic. 15-Mar-2020
