Everything stale is reyclable. The desperation to depict a bygone era is unflattering but the actors revive tired stereotypes with charisma and star watt. Sandra Bullock is reserved and ditzy, Channing is too old to model but the right age to fuck and Daniel Radcliffe sucks. 14-Aug-2022

When Predator removes his cloak and mask, its cool. He is a Jamaican space bear with gadgets. A historical portrait of Native American life and how futurism disrupts it. It was clever establishing the unthinkable. Director kept it sturdy and crawling. The heroine was crafted with moxy, determination and brawn. It can proudly stand aside the first. 08-Aug-2022

Making the audience cum doesn't make it good. As soon as the last drip is swallowed, it's forgotten. 23-Jul-2022

When we were growing up he was a fixture and an idea that sexually ambiguous people exist but to our family they were just closeted gays. Walter Mercado was a creation of a person that wanted to reflect passion, joy and pain. Audiences were passionate about his joy but never questioned his pain. In the end, we get to see why. "He was the last virgin in Puerto Rico." 24-Jun-2022

The action sequences were fantastic, daddy Bond exhibited sausage and skills. Having muscles didn't hurt. I couldn't decide if the villain was ridiculous because of the actor or the writing. Sap killed the end. Bond doesn't need to announce what he's going to do. It kills the surprise. 24-Jun-2022

It depicts our shortcomings in a sanitized environment. There is no outside telling us we suck so we are in a safe space. It paced itself naturally as not to impose. The cast was pleasantly supportive. The writing pondered some truth but resolved most of it with prom com magic. My Fire Island experience was rated XXX for rampant sex, sissy violence and "fuck you" friends. Family Shmamily. 05-Jun-2022

The mood is retro energized to soothe us into an 80's coma. There are three sexes applied to Bizarro Chalamet and I can't get over it. Daddy Rudd endured the right cosmetic procedure because he's yummy gay again except he was stupid, useless and shoed. The wall between the generations discouraged charisma amongst the replacements. There was a don't touch me vibe with babies helming a gimmick that keeps the franchise alive but old movie stars resentful. Why do possessed lizards change their outfits willy nilly but man has to suffer in shreds? The first half works because we presume the artist will add a great spin to propel the magic and replace original mistakes. He makes it more of the same. Reitman copies the spins with advanced tech but he doesn't sign off on it. 20-May-2022

The film epitomizes what Hollywood has become. Every hand must be held and head patted, no matter their importance. New and shit are not synonymous with good. Someone put something in their drinks because they were wheezing in and out of accents and it was 100% contagious. It was a Gucci movie made by Soviets. None of the Italian performers generated a complaint that their families didn't sound like that? Gaga clutches her star watt with brilliance, outrageousness and hysterics. Ridley Scott found his niche, upgrading a Wayans production to mastery. 13-May-2022

The film needed a script doctor. The younglings have endured enough ugly world to be acting like babies. They turned Dr. Strange into a goofball with quips. They took away Spider-man's scathing witticisms and replaced them with awkward and cute. Electro is only as good as his paycheck and its effect. Sandman shook. Dock Ock was a fond memory. The boys came back, all grown up, giving us the feels. I wish Aunt May had not given a shit. She had no backbone. The younglings were greater than their material. They needed a drip of Willem Dafoe to stay great because they looked exhausted. Tech was brilliant comic book magic served on a flying carpet. 02-May-2022

Interracial girl struggles with her identity as a negro. Her career options are minimal and love opportunities arise from worst circumstances. God made her white and she needs to embrace it. She leaves her family and hut to explore buildings, money, pretty men, clothes, food and such. She ignores her nature and becomes the body she possesses, a woman with great choices and big mistakes. A Ken Doll makes her forget where she was born and she forgets about her family. The film has anger, insight, respect and hilarity. My favorite scene happens at a fancy business event where she dances like a black girl and the white guests notice. 28-Apr-2022

Ann-Margret plays a girl who advances in the fashion industry because of hard work and drop dead gorgeousness. Father and son heads offer her the opportunity to become a Paris buyer when the original gets married. Father and son dispute her capabilities but acknowledge that beauty can surpass it. Louis Jordan is the Paris client with sexual arrangements to the previous buyer. There is little proof that Margret's character impresses at her job because she spends most of her time in Paris, drinking, partying, flirting, dancing, singing and clobbering boys who want to go further than a kiss. The most beautiful boy in the world, Chad Everett, the hottest tongue in France, Louis Jordan and the slub who accepts leftovers, Richard Crenna, are the men vying for Lady Margret's baby's breath. Ann's character is written with confused sensibilities. She riles the men up then 2x4s them later. She wants to live a fantasy without all that icky stuff, like sex. The ex-buyer getting married on short notice without telling her french lover/client gets no clarification. Edie Adams was unfortunately a short lived thing disrespected in the film's best storyline. Margret dolled up in fashion chic and hit the dance floor to Count Bassie and Mongo Santamaria like a sexual beast. Edits and choreography are a mess but Lady Margret's magnitude never lets up. The fashion is creative, the only laughs are violent, the idea that a girl becomes a woman if she gets married is primitive, when men exclaim that a girl is too young to fuck, they mean right now. 26-Apr-2022

When Almodovar embraces Hitchcockian ambience it is sublime but when he attempts a Spielbergian signature it deprives the film of a punch. Two mothers, both strangers share a common thread that conflicts with their lives. Even though the outcome is easy to determine, the presentation is a shivering buildup. Penelope Cruz maintains her hold until Almodovar gives up. Her mother doesn't crumble as the film's psychology implies. She wraps it up without a challenge. The ending is part Schindler's List and part Indiana Jones/Jurassic Park. I welcome a latin Spielberg inspiration with cheeky heroes and dinosaurs but I can't forgive a spanish mother that doesn't wreck. A spanish mother is the T-Rex of emotion. 23-Apr-2022

It's an incomplete thought. A woman realizes her culture by being left behind to be parented by a rich white family. The interracial harmony was a plus. The actors didn't make calls to their agents after every scene. They were in it. The idea that the man you loved was lying about his parents and abandons you to their care is frightening. The atmosphere was established, the actors were prepared but the story didn't succumb to its repression. All was safe, all felt long and none of it felt warranted. I wanted to hear the screams of agony and the main fucking the shit out of that pretty butler to get the fuck out of there. That's what real people do. They don't waste time wondering. 20-Apr-2022

The Batman is the only character that suits up. How lonely for him. He's always the freak. The support enact realistic iterations of characters that lit up Batman's mythology to absolutely no effect. The Riddler is a demented teen who was brought up by an unfunny father who worked the mines. The riddles were blah. There is no Riddler without a tight body suit, a tight body and demented cynicism. Daddy Farrell wasted a lot of time in makeup, creating art out of a role that doesn't belong. He is not penguin. I didn't see any top hats, monocles or bullet umbrellas. Michelle Pfeiffer's reign as the best film Catwoman cannot be extinguished. Zoe is an everyday gorgeous girl not a cat. Her cowl is just as cheap and unintelligible as I expected. Her lack of meow hurts. Commissioner Gordon was a lackey. Everything was eeeeewww and he was always waiting for Batman to finish things up for him. Daddy Turturro knew exactly what the director wanted and gave it to us. Alfred and Bruce's interaction was rude. The parental bond was cold. Why hire an Aunt Harriet if she's not going to be an Aunt Harriet? That might have been fun. Oops. Sorry. Fun not allowed. The Twins were cute. Robert Pattinson is the glue you want to stick to because he makes you ponder how his beautifully broken humanity can create life from something he hates. I saw love in Zoe's face when she looked at him. I saw panty dropping aloofness register from his. Batman's narration doesn't mesh with toxic revenge. The moments he celebrated were my cringe. This isn't Batman. He doesn't laud himself or others. He's a lonely motherfucker that hates the world because he lost mommy and daddy to crime and got stuck in a mansion with a pervy butler. Batman's detective work failed from a lack of gadget magic. Yeah! Rich angry fucks love gadgets. Matt Reeves strikes potent pictures but was entrapped by a franchise that is petrified of its origins. The man/woman who gives us comic book Batman with realistic choices will become King of The World. What's the point of hiding in the shadows if everyone can hear you? 18-Apr-2022

Infernal ghosts. Mother devastated by the loss of her adult son thinks her new home is invaded by his spirit. Malevolence is underfoot and the whole town is on call. The mythology is a curse with an alloted time that makes little sense. The ghosts need a family to feed off so violence doesn't overwhelm the town. The scares are cool within a limited reality, the actors suffer from too many acting classes and the sense is lost within its limitation. 12-Apr-2022