Intriguing premise outdone by nonsensical resolutions. 29-Oct-2025

The ritual that is supposed to bring one back from the dead is in another language that is not translated until the end. Well, then why the fuck did it take so long? Unbalanced mother inherits 2 siblings, a hormonal teenager with wet problems and a mostly blind baby sister that has a need to be acknowledged. Boy wants to run with his sister but in 3 months he can do it legally. He just needs to put up with his foster mother's psychosis. The atmosphere is constantly tight. The actors delivered more than the script gave them. Gross is not a metaphor for fright, the ritual is not logical, the actions are less so, I didn't understand Ollie's diet and I didn't appreciate all the red. 28-Oct-2025

Every time Quaid did anything on screen I balked. He was an obnoxious asshole providing disgusting chews and bringing the vibe down. All men window dressed and were not awarded the opportunity to become nothing more than buffoons. The guy with the hairy ass was an exception. The ladies were put through hell but the performances kept them alive. The writing would have succeeded further if it wasn't so questionable. How did she pay for The Substance, what happened to the maid, why didn't she have friends or family, why did she tell the neighbor that the original had moved out but still comes and goes every other week, how could she run when she couldn't walk and why did no one realize it was a mask? I saw Kubrick (the halls and bathroom,) Rosemary's baby (claustrophobic spaces,) and Brian De Palma (the Carrie finale.) The director exhibited art but yucked up the ending. It went too far and became unbearable. There is only so much red paint we can take. It accomplished uniqueness and conversation. 10-Oct-2025

It was unique in prioritizing emotional impact. Young boy is being indoctrinated by his community. A hunt will open his eyes and a kill will make him a man. The rules are established during his training and dead mythology was properly explained. Goals, powers and limitations prepared us. Human escape was suspenseful, the town was slightly defined, the bonds were on and off, credibility began to wallow and the "last minute saves" were unwelcome. A character in a difficult situation has the responsibility to save themselves and gift the audience a survival skill. Dad was a gorgeous asshole that got blamed for everything. Boy forgot he too was a man. A bedridden mother goes on an adventure to cure her mental illness. Dude, she's bedridden! I don't understand how the son could go on such a quest after an intense first hunt. Watching parent cheating sex does not make you fearless. The doctor was an unnecessary paradox. The showdown was sour, the actors were wasted and cliches dissolved reasoning. The boy went on a quest to do something dangerous that he could have calmly done at home. 24-Sep-2025

It promises a lot that it doesn't deliver. It celebrates itself before we get a chance to absorb any of it. Beating Superman like a desperate housewife does not bring humanity to his persona and establishing himself as a victim of puny super abuse is not consistent with his mythology. Gunn did not utilize kryptonite because it limited action but embraced creating sun out of everything. It's a willing cast except for the Clarks. They were very hillbilly stupid. The big bad was existential with a personal vendetta and no superpowers to start a fight. The last half goes silly, corny and festive. Fillion's silver bowl hair distracted from his personality. It was also ugly. Mr. Terrific made most of his time by being cool whenever possible, Hawkgirl was miscast as a girl. She's a woman. A Gorilla Grodd would have introduced freshness to the tired and true. A drunk Supergirl was irresponsible and out of place. Does Clark also fuck Lois in the air? The film is just an introduction. 21-Sep-2025

I thought that the human Pleakley was Jonathan Groff. After comparing butts I was less assured. Magnusson was great. My coordinates kept getting fucked up. The film succeeds with humanity, culture and respect. Animation and live art expand its universe. Is it Nani or Noni? My game says Noni whilst the new say Nani which sounds like nanny no matter how you slice it. 13-Sep-2025

The big bad was neither big or bad, it was dangerous. The film is under the illusion that if we can get to the heart of evil before it erupts that it won't. Maybe the reason we dissect villains is because evil has no explanation. Pugh drives the movie and gets us feeling things. The actors realized that they needed to be a team in order to become one and they were. I even liked the shitty Captain America. I watch comic book adaptations anticipating magic is realized as legendary characters are brought to life. Limited powers means limited accessibility. Spy action and admits ground the film in basics and hopeful logic. The funny failed most of the time because it killed characterization. A villain is not a threat if a stint in rehab can fix them. The ending was episodic TV right before cancellation. 29-Aug-2025

As scary as the little fucker was, the monkey's structure was undefined. I got most of the gist but a lot of it was fogged up. If it can destroy towns why didn't it do it in the first place? How does the monkey choose who to kill and when it stops? The attacks were coordinated but sense killed a lot of it. It excels in the least likeliest of places: a solid story, emotional balance, talent and imagination. I wanted to stay in their lives and deconstruct the monkey. Theo James wasted no emotion or thought in his performance and was very effective. The young twins blew me away. I didn't know it was one actor portraying both. When they were onscreen together I kept thinking, "they must be fraternal because they don't look that much alike." It was impressive. It had all the elements to elevate itself but the monkey's mythology was weak and very Final Destination. 08-Aug-2025

I tried reading the book of "Wicked" and found I couldn't latch on to an emotional core because it was too busy describing things. I remember a description of a clock that I couldn't imagine, irking me the most. I did not finish the book but I finished the movie. The movie played like an antsy child that won't sit. I wanted to admire all the technical work but it was too busy setting up the next song to have much impact. More dwarves, less songs equal better character development. I couldn't understand Elphaba's evil turn. I didn't know she was a PETA. Wouldn't Glinda be the sensitive one and a people pleaser? Why is she called good when she's so self absorbed? Erivo owns the part but is not given the opportunity to act. Her voice is great but I wanted more character depth. Grande impressed and scared the beejesus out of me when she delivered a Kristin Chenowith performance. Her mimicry was outstanding. It's cheerful, harmless and colorful but it's not Oz or Kansas. 06-Aug-2025

It plowed through like a Tetris puzzle piece dropping on "expert" mode without "life saves." The 60's was fun disaster puff with repeat appeal. Mapping is what the movie is all about and it does very well concocting ways to desecrate life. The winks work better than the clues. Audience involvement is half the fun and fooling us is even better. Tony Todd acted with his last breath and anointed himself the ultimate Candyman. 02-Aug-2025

It excruciates its wretchedness. Kelly Reilly seemed lost especially around the eyes. Gypsies curse white people for taking their land and torturing them to bits. I grew up thinking gypsies were only Spanish but later grew to understand the concept. A curse is unleashed and a wolf man allegory with modern finesse is rebranded. The burying of teeth (obvious), frightening dreams (done to death) and scarecrow fixtures (Jeepers Creepers) did not a good mythology make. If the gypsies had such awesome power why didn't they curse them the moment they paid them to get out? The werewolves were straight out of a Hollywood closet. They went clean shaven 80's instead of hairy 70's porn star. I couldn't consider it a werewolf because it was unfamiliar and implausible. I thought Seamus had sucked McBride's dick whilst losing the way back to his room but it was a dream I had after a temporary drift off. It was well done but no fun. 25-Jul-2025

I understand that art speeds up because the present brain is scanning faster than usual but art should teach them to containl it. Relax. The buffoonery was too much. It was immature and condescending to adults. Girl interaction was a high point. Music didn't suck with some being better than others. I think there were too many. How about establishing more of the girls' purpose and desires a bit more? Art is dreamy, both sexes are cool, the story is questionable and the mythology makes no sense. 21-Jul-2025

Full of culture, history, vibrance and originality. I did twitch a little in the beginning but everyone was working so hard to tell a story that I couldn't resist. The blues were everywhere. It is unfortunate that the performance at the bar lacked the oomph the folk music got. A surprise diva would have brought down the house. Even the limited characters left a mark. The cast stripped their personas without losing watts. The cliches were rewritten to better express a different culture and they fit. Bravo to the talent for creating their own thing. 05-Jul-2025

I was not familiar with Nosferatu folklore. Couldn't finish the silent film because the romanticism got lost when they made Dracula a hideous monster. The reason Count can appear human is because he's a metaphor for the monsters living inside of us. Ugly things are not tempting or worth filming. The original movie caused a stir for being a direct knock-off of Dracula. They were supposed to burn every copy but some assholes from the future salvaged them. Having to learn new character names fucked with my memorization. Renfield has always irritated me. Every iteration of him is nasty and nuts. Maybe a female Renfield would benefit the mythology. She can crush on the Count, serve him, become jealous and overprotective esp. when he meets Mina or Lucy or whatever name changes already existed. I'd make her a witch. The mood and an obsession created a shadow atmosphere with no soul or action to back it up. Why did they make Lilly Rose look like that? She looked ready to churn butter. Adding more mumbo jumbo destroyed what the original carefully invented. The added myths are cheats with no thought process. The director diluted hunky man hotness. My ears started ringing when I heard Skarsgard's accent. Why was he speaking so slow? To fill space? Skarsgard is all monster and no personality. Covering aspects of what makes an actor shine is blasphemous. It could have been Alexa voicing it because I never felt Skarsgard's presence. He buried himself inside the character. The foretelling was exhausting. Why tell us what's going to happen next? Be quiet and show us. The shadows in Eggers art overlapped the humans creating them. 01-Jul-2025

Amy Rose and her Piko Piko Hammer were sorely missing. Unless she died somewhere I missed. Nothing tames a beast better than an "optimistic, bubbly and eager" pink thing with tits. The best nemesis for a Shadow hedgehog. Robotnick was too much and the silliness didn't stop at an itch but until you ripped your skin off. The adults were useless against AI because they had no pulse. 01-Jul-2025