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Movies Posts Tagged as 'Daddy Squish'
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It's faithful to the psychology of its origins, someone brilliantly decided the actors should play characters instead of costumed heroes and its presentation feels like a team Burton aside. I would trade two investigators for a Krave The Hunter, a Blade or Felicia Hardy/Black Cat to up the flavor and sensuality. An MCU R-rated Batman opportunity best not lost. 13-Sep-2022
Natalie Portman's linebacker is not the gayest thing about the movie, a bodyless rock pining for another rock is. Are you kidding me? I want to see Thor's beautiful ass fucked by Zeus. 12-Sep-2022
Fullmetal Alchemist The Revenge of Scar (2022) 
I was enthralled with the animated version because the mythology was expansive and well explained. The leads were cute and courageous. An alchemy accident causes two brothers to drastically change and adapt to auto survival skills through a shady world. The Big Bads were vibrant, the fights creative. The live version lets us remember and appreciate the spectacle without superceding it. 21-Aug-2022
Doctor Strange In The Multiverse... (2022)
Making the audience cum doesn't make it good. As soon as the last drip is swallowed, it's forgotten. "I fucked whom?" 23-Jul-2022
The action sequences were fantastic, daddy Bond exhibited sausage and skills. Having muscles didn't hurt. I couldn't decide if the villain was ridiculous because of the actor or the writing. Sap killed the end. Bond doesn't need to announce what he's going to do. It kills the surprise. 24-Jun-2022
Ghostbusters: Afterlife (2021)
The mood is retro energized to soothe us into an 80's coma. There are three sexes applied to Bizarro Chalamet and I can't get over it. Daddy Rudd endured the right cosmetic procedure because he's yummy gay again except he was stupid, useless and shoed. The wall between the generations discouraged charisma amongst the replacements. There was a don't touch me vibe with babies helming a gimmick that keeps the franchise alive but old movie stars resentful. Why do possessed lizards change their outfits willy nilly but man has to suffer in shreds? The first half works because we presume the artist will add a great spin to propel the magic and replace original mistakes. He makes it more of the same. Reitman copies the spins with advanced tech but he doesn't sign off on it. 20-May-2022
The film needed a script doctor. The younglings have endured enough ugly world to be acting like babies. They turned Dr. Strange into a goofball with quips. They took away Spider-man's scathing witticisms and replaced them with awkward and cute. Electro is only as good as his paycheck and its effect. Sandman shook. Dock Ock was a fond memory. The boys came back, all grown up, giving us the feels. I wish Aunt May had not given a shit. She had no backbone. The younglings were greater than their material. They needed a drip of Willem Dafoe to stay great because they looked exhausted. Tech was brilliant comic book magic served on a flying carpet. 02-May-2022
Interracial girl struggles with her identity as a negro. Her career options are minimal and love opportunities arise from worst circumstances. God made her white and she needs to embrace it. She leaves her family and hut to explore buildings, money, pretty men, clothes, food and such. She ignores her nature and becomes the body she possesses, a woman with great choices and big mistakes. A Ken Doll makes her forget where she was born and she forgets about her family. The film has anger, insight, respect and hilarity. My favorite scene happens at a fancy business event where she dances like a black girl and the white guests notice. 28-Apr-2022
Ann-Margret plays a girl who advances in the fashion industry because of hard work and drop dead gorgeousness. Father and son heads offer her the opportunity to become a Paris buyer when the original gets married. Father and son dispute her capabilities but acknowledge that beauty can surpass it. Louis Jordan is the Paris client with sexual arrangements to the previous buyer. There is little proof that Margret's character impresses at her job because she spends most of her time in Paris, drinking, partying, flirting, dancing, singing and clobbering boys who want to go further than a kiss. The most beautiful boy in the world, Chad Everett, the hottest tongue in France, Louis Jordan and the slub who accepts leftovers, Richard Crenna, are the men vying for Lady Margret's baby's breath. Ann's character is written with confused sensibilities. She riles the men up then 2x4s them later. She wants to live a fantasy without all that icky stuff, like sex. The ex-buyer getting married on short notice without telling her french lover/client gets no clarification. Edie Adams was unfortunately a short lived thing disrespected in the film's best storyline. Margret dolled up in fashion chic and hit the dance floor to Count Bassie and Mongo Santamaria like a sexual beast. Edits and choreography are a mess but Lady Margret's magnitude never lets up. The fashion is creative, the only laughs are violent, the idea that a girl becomes a woman if she gets married is primitive, when men exclaim that a girl is too young to fuck, they mean right now. 26-Apr-2022
When Almodovar embraces Hitchcockian ambience it is sublime but when he attempts a Spielbergian signature it deprives the film of a punch. Two mothers, both strangers share a common thread that conflicts with their lives. Even though the outcome is easy to determine, the presentation is a shivering buildup. Penelope Cruz maintains her hold until Almodovar gives up. Her mother doesn't crumble as the film's psychology implies. She wraps it up without a challenge. The ending is part Schindler's List and part Indiana Jones/Jurassic Park. I welcome a latin Spielberg inspiration with cheeky heroes and dinosaurs but I can't forgive a spanish mother that doesn't wreck. A spanish mother is the T-Rex of emotion. 23-Apr-2022
Kurosawa's imagining of Macbeth was intoxicating. He lingered until we felt the character's desperation. The background was still and intimidating. The actors wore silent film faces with impassioned speak. Toshiro Mifune was a beast royale as MacBeth. Isuzu Yamada was fabulously haunting as his Lady. The rustle of her dress, the scary predictions, the make-up and bouts of violent madness. She was a favorite thing. Deaths were choreographed with coherent math and geography. Inspiration is achieved but masterpiece recreation is impossible because the best things in it happened by accident. 28-Mar-2022
A scary Christmas tree disrupts the holiday of a royal court by suggesting a game. The tree will sacrifice its life if the hero taking it, returns the kindness a year later. The bastard son who has only been acknowledged this Christmas, volunteers. He becomes a celebrated knight who downed a beast that will eventually down him but is enjoying the best year of his life. The fairytale has no significance. Magic appears without explanation. The voyage is gorgeously dull. The director casts some beautiful shadows and illuminates good acting but confirming that all mistakes in life repeat themselves is depressing. 16-Mar-2022
Menopausal shipping magnate dumps his business and distances himself from family because he wants to re-marry. The wife is a young Gloria Swanson playing a celebrated actress ready to retire with the old rich man of every woman's dream. She had money and success but wanted security. Adolphe Menjou was too cute and proper to put down but mama Swanson deserved to fuck his boring beautiful son. The film is split in three. Intro fears, adaptation, immigration, saving the planet and regretting it. Swanson and Menjou quarrel about masculinity and woman's liberation while receiving modern advice from the son and sweet wife. The event is Desi Arnaz as a stowaway on their honeymoon cruise where they decide to rescue him and offer him a lifestyle only the elite could afford. He can sing, shave and fuck like a bandit and he's pretty too. He deserved to fuck everybody including senior and junior. Swanson deserved to put him on her plate. Desi's accent was very light and we got to experience him how Lucy saw him. A beautiful ham. Its heart was distant, the comedy avoided the soul but the pretense was fun. 14-Mar-2022
Like Batman I focused on a minor detail that should have gotten someone fired and the picture burnt. Ms. Crawford's leg looks beat up. Is it make-up? Is it black nail polish? Did she fall down a flight of stairs? Are those surgery scars? Is that why she's sitting? Was she secretly dirty? It looks awful. 14-Mar-2022
Should you expect payback for endorsing a genius? The film ponders it and applies solutions. John Garfield was born to play broke hot daddies with genius and obsessive compulsions. Joan Crawford always "manned up" to cure them. Ms. Crawford was almost comical until she put on a pair of glasses and blossomed into a bona fide artist. It was classic thespian. The parents' interjection seemed appropriate to the traditions of a hard working family. The family worked to establish a genius and survive. Mama and papa were the mama and papa that lucky children got. Papa looked out while mama cared a lot. Flashbacks were insightful. Ms. Crawford was fashionably tailored to her specifications. The story happens. Oscar Levant was the wisecracking loser that coasted from genius because he failed on his own. He spoke the uncomfortable words the "damned" never listened to because he wasn't "hot." Funny. 04-Mar-2022
Super daddy, a chunk (of meat) and his mini spar through time travel to end time travel. Sci-fi is comic book, action is diverting, writing is pensive but the three leads hold it together. The boy mimicked an asshole just like Ryan Reynolds would. Mark Ruffalo is a war torn daddy born to parent an asshole. The wattage, the funny, the adorable and the sweet were all there. 13-Mar-2022
