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Movies Posts Tagged as 'Fatigue'
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A Quiet Place: Day One: (2024) 
A movie where silence is golden only resonates with "good face" actors. Lupita is characterized as an unpleasant doom manipulator. The cat that doesn't meow really pissed me off. By making the cat mute they missed out on fresh ideas and unforgettable scenes. Hounsou was relegated to extra. The action repeats but it doesn't refresh. More monster exposition would have added coherence and sustainability. What is their backstory? What happened to the crying babies? Deaf people who can talk? The rules of the game were acknowledged rather swiftly and the setups were obvious and corny. Pizza, really? 08-Jan-2025
The A.I. was too sparkly and bubbly. Action was stagnant. I had to look up the actors names to remember who was in it, even though I just watched it. The tension it built should have burst the story into the air but it got stenched with TV type trite that makes a farting sound. 30-Nov-2024
The child did extraordinary things, quoted words not associated with children and plagiarized previous strokes. The last minute saves were so expected that emotional attachment got lost. Melissa Barrera gave Faith from Buffy vibes. Dan Stevens was blank. The first surprise is like everything before it. Once the cat is out of the bag the movie falls into WB TV status. Yes, it was a surprise but a sucky one. 28-Nov-2024
They made us wait forever to see the man with the sculpted buns, they mimicked the mythology instead of enacting it, the lack of words made it easier to hide but hard to understand. They took a sample of what often occurs with a man beast and concocted a film. Samples can't describe the complete picture. It moves slow, the child is soulless, the wife doesn't matter, and daddy is one-note. Daddy is goofy happy and abusively angry. I recommend that Kit and his buns of stone make a better movie elsewhere. 31-Oct-2024
Late Night With The Devil (2023)
In order for the premise to thrive, the guests must shine. The little girl was inspired by the Scary movie franchise. The host had the most but was overshadowed by ponderous material. Support did not attempt to break a stereotypical shell to elicit empathy or further their characters. It didn't intrigue me, convince me or frighten me. (My mother wins most awesomemest possession of a devil in realtime.) It's almost impossible to recreate magic that only happens once in a lifetime. 22-Oct-2024
Food can be an orgasmic delight or a fatal mistake. The film runs with it but keeps making U-turns to nonsensical scares. The premise felt fresh but lazy. I thought up cooler things to do with food to scare besides making it icky. Ms. DeBose restrained herself esp. her face. Her close-ups didn't convey much because her face was speaking a foreign tongue. I had no idea what she was thinking. Once again, the bombardment of one subject doesn't match the progression of the film. The script should never read like a resume. It shouldn't end like one either. Isn't the last line about hobbies and likes? 09-Oct-2024
X-corist, Amyty and Geist are the main ingredients that make up this film. It's three interwoven white stories rewritten for black people. Andra Day portrayed a monster with minimal happy days. She was constantly confrontational, inconsistent and influenced. If it weren't for dames Monique and Close, I would have left. I don't think anybody can play an old hillbilly slut better than Glenn. Evil Glenn was appetizing and distinguished. Monique created a believable character from top to bottom and didn't fidget. A successful sequel to The Exorcist might have consisted of observing Regan's memories returning and their dire effects. Regan: Pazuzu Returns! 04-Sep-2024
Ghostbusters: Frozen Empire (2024) 
I've outgrown this franchise. Only a kid's imagination can enjoy it because the ideas no longer allow adults to unwind. There isn't much to distinguish the brother from the sister. They are still rocking Ripley curls, their gender is unidentifiable and the girl has all the brains. Carrie Coon comes off as a side of beef instead of a serious actress. Paul Rudd was floating in the multiverse. Either nobody wanted to be in the same frame as Bill Murray or he really wasn't there. He was missing in many key shots. Patton Oswalt didn't sound like a mythical bird and cannot replace Rick Moranis. Ernie, Annie and Dan are safe. Movie ghost technology hasn't evolved since Casper and reviving a demon doesn't satisfy the theme. It had no whimsy, imagination or heart. 24-Jul-2024
A rom-com is conversion therapy for those who don't believe in fairy tales. I saw a handheld camera at the beginning and almost blacked out but then something cute happened. It moved like Grease and had the aroma of a pink lady. It kept me in with mixed results. The music had word limitations and they repeated nonsensical lines that make only cartoon baby sharks squeak. Was no thesaurus available when the music was written? The mean girls were lame and avenged by dorky plans. The cast was bubbly. The lesson was that anybody can be a mean girl. You fix her by allowing her to steal someone else's hot dick to fuck and hope she never calls you again. 10-Jun-2024
There's Something In The Barn (2023)
The director didn't add scope to cramped spaces. The set-up was an opportunity to marry into the Gremlins family but the creatives were inspired to make schlock. It was nice to have a boy do something in a movie besides being written out. The thing in the barn is not a CGI wonder or a Chucky miracle. It was old and dusty, like the script. I hope they hired some little people, at least. The film confuses weird with scary. The action sequences were frozen, the comedy was foggy and horror didn't show up. 01-Apr-2024
Shots were placed strategically, playing P.I.M.P. on rotation filled the house with dread and the dog tore up his scenes. The lead played it one-sided which gave away the outcome. There was no Bette Davis conniver in her spirit. The film never strays from repeating the same story from different angles. It becomes exhausting to sit through. It needed to give the audience a break from the same subject. The clues fell so easily on the writer's lap that no surprises were forthcoming. They coerced the kid to pick a side but the director didn't. 22-Mar-2024
Oh. Emma ruined the word squishy for me. 08-Mar-2024
The whore of Frankenstein. The direction was stylish and the visuals were artistic but the script needed punching. The backstory was more interesting than the Frankenstein repeat. I wanted less of that. None of the actors clicked in the setting and Ruffalo's mumbly accent was troubling. TG he got naked. Emma Stone played the recovering retard like anyone would. She was okay but she didn't ignite the fire that would make men want to imprison her. Ramy's wedding pants were awful. I couldn't identify with a woman who is allowed a smooth awakening because she is trapped in a make believe world. She didn't know the value of a dollar, a meal, a man, rent, a closet, bordello gangbangs and logic. Stepping out on the town in lingerie would have been disastrous and mind altering in the real world. She is not a hero. She is like every other woman trapped in a setting that a man built. 08-Mar-2024
It doesn't get worst than this. There were only two funny bits, the drowning dog and the girl's hair. 08-Mar-2024
The performances were award worthy and the men, ass ripping but the story remained too abstract to give the film much punch. There wasn't enough information about how the outside world worked to care what occurred in small spaces. My brain exploded when Saiorise's character deduced that maybe we were looking down at the sky. That would mean that earth was upside down. I couldn't grasp the idea of looking down to find my blue clouds and sunshine. The end adds it all up but the director did not distribute enough interesting bits throughout. Entertainment was Pet Sematary inspired. 06-Jan-2024
Lack of clarity and character purpose slows a movie about a female child molester. The boy was thirteen, she got caught, went to jail, became pregnant and married the victim. Natalie Portman is the actress that arrives 20 years later to witness the aftermath and understand the feelings involved in a messy woman's choices so she can better portray her in an upcoming film. The couple believes it might bring redemption but it's not clear what Portman's true intentions are. Julianne Moore settles on a safe space where the husband, children and neighborhood are trapped within the woman's bubble of fantasy and control. She never thought she did anything wrong except cheat on her husband. Boy grows up and remembers feelings that were not kosher, his dependence on his wife gives him no place to run to and he needs to blast it to any one that can help him understand. Charles Melton's abused boy is a frozen fuckboy in a bubble of his own that conveyed not much more than the script. Melton pauses and clamps trying to act through something that's keeping him away. The beautiful score is unsettling and builds to nothing. Moore has a few moments, Portman gave us brilliant seconds but the styles never coalesced. The script mumbles and only hints at evoking feeling. When a woman is a victim of abuse, her story is always front and center. If the man is the abuser he has to register as a sex offender, not live by schools or children, be destroyed for life and never be the lead in his own story. Why didn't this victim get the same respect? 03-Dec-2023
