Movies Posts Tagged as 'Loud'
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Feminine Touch, The (1941)
Sex war rom com served by master wits (Don Ameche, Rosalind Russell, Van Heflin and Kay Francis.) Ameche and Rosalind defy lack of chemistry but Heflin and Francis uplift the back end. The logic stipulates that men classify a woman's worth by the amount of selected howlers sniffing at her door. All the woman wants is for her man to grow a pair and punch the howlers sniffing at her door. 06-Feb-2019
Period of Adjustment (1962)
The utters of Fonda and Hutton chanted high. Tony Franciosa kept the octaves low and his charisma forward. John McGiver sets and Mabel Albertson resists becoming the in-law stereotype. They glorified it. Lois Nettleton steals it because she could.
Marriage is deemed a terror, everyone screams their heads off until a surprise gift changes it. It has a loud message but you can still hear it.
Unfortunately, George Roy Hill's absurdity didn't allow Tennessee to be tragic. It's what the writer did best. 03-Jan-2019
Fist Fight (2017)
Instead of expounding on the challenges of education they blast the ridiculousness of adult immaturity. The overload of stereotypes swats the funny. 23-Nov-2018
Confessions of a Pop Performer (1975)
It's a constant pile-up you can't stop watching. 25-Sep-2018
Jumanji: Welcome to the Jungle (2017)
The three main try their utmost to realize but the production can't best the original's mediocre entanglements. Sigh. Not even a titdance from Dwayne. 04-Sep-2018
2 Fast 2 Furious (2003)
Candied environment, matching toy cars and boy tramp stampede. It doesn't get more boyly than this. 30-Aug-2018
Escape From L.A. (1996)
Russell's suit is glove-fit but the macho bluster keeps it stupid. 17-Jul-2018
Hardbodies 2 (1986)
It forgets what a hardbody is and the penance for the exploitation of beauty is extreme nonsense. 11-May-2018
Justice League (2017)
It will continue to embarrass for as long as production is allowed to churn arid cornpop. They can't orchestrate a thrilling action sequence, the costumes don't befit a hero and it certainly doesn't flatter the artists (everyone clunks around) and the villain seems extracted from an outdated RPG. Cavill wakes up to serve us what's left of the Superman character and Amy Adams and Diane Lane are the only Amazons. Most of the artists left their joy elsewhere.
It needs to look at its animation for inspiration. 14-May-2018
No Escape (2015)
The lengths a man will go to provide for his family. The actors are emotionally fit, the action roars and the suspense is panic-induced but the saves are miraculous. You can't generate a strike without balls. 01-May-2018
Turbo: A Power Rangers Movie (1997)
Party City Live. 23-Apr-2018
Office Christmas Party (2016)
There are moments where saccharin and fraternity are cast aside to serve impish amusement, like Aniston snapping to a bratter to go fuck herself, but it's mostly underwritten sitcom blather incapable of boosting their TV Q. 23-Dec-2017
Battlefield Earth (2000)
As soon as Travolta opens his mouth to spit fey Shakespearean New York, the attention-span for the story disappears. While you wait for Travolta to stop putting us on you start noticing that the character's rubber hands bend and lay inappropriately, the Eiffel Tower boots adds clunk and slump to their walk and that their pouches swell at attention. I left before any of it made it to my bloodstream. 21-Dec-2017
Magnificent Seven, The (2016)
There is no magnificence.
The actors playact while embodying minute swagger.
The writers fudge a story whose heft relied on outlaws braving to protect a Mexican village that couldn't help themselves from marauders. The victims are mostly white christians which wafts of self-service. Though the cast is inclusive we are not privy to anything more from them than a diversity stamp.
The director lends no distinction or heroism to the action, has no sense of panoramic beauty and no credibility in the western genre. If you let the music tell half the story, your task remains incomplete. 20-Dec-2017
The fondness evaporates like the wave it rolled in. The males are directed to reach a pitch that only dogs can hear while sexism and adolescence occupy the vigor in their stance.
The beauty and a drip of magic are found underwater esp. when Darryl Hannah sadly conveys the predicaments of being special and the awkwardness in trying to be a woman.
Allen Bauer's (Tom Hanks) betrayal at discovery of Madison's (Darry Hannah) etherealness is absurd and painful. Why would a man condemn a love interest he's been fantasizing about since childhood? 20-Nov-2017