Errattic
Home About Us All Fuctasia_(NSFW) Games Gay+ Health/Food Movies Music Musings Photos_(NSFW) TV Wisps Preferences
Home Page > Current Page
Top Tags
1980s1990s
2000s
2010s
2020s
Accidental Watch
Action
Action Fun
Animation
Art Devoid
Bad Acting
Bad Chemistry
Brutal
By the Numbers
Camp
Chemistry
Classic
Cliche
Comedy
Comic Book
Conspiracy Theory
Corn
Crapfun
Creepy
Crime Drama
Cultural
Cute
Daddy Squish
Dance
Director Movement
Director's Art
Director's Slice
Director's Touch
Disappointment
Drama
Ear Prick
Early Exit
Elegance
Enthusiastic
Eye Gouge
False Action
Fantasy
Fatigue
Foreign
Fun
Funny
Funny, Sort of
Gay
Gay Swatch
Good Acting
Great Acting
Heart Writ
History
Horror
Hot Swatch
Indecipherable
Kool Effects
Lesbian
Macho Posing
Manipulation
Mat
Mean Spirited
Music Swings
Mystery
Oncer
Over the Top
Political
Political Satire
Predictable
Preposterous
Pretty
Psychological
Relationships
Repetitive
Revenge
Romance
Sap
Scary
Sentimental
Shrill Act
Silly
Sports
Star Watt
Stupid Funny
Suspense
Sweet
Tacky
Tedium
Timid
Touching
Tough
Trans
Twisty
Weird
Wit Crack
Wit Snit
Words Spoke
Writ Thoughtful
Writ Tight
Writ w/Possibilities
Login
Create ProfileLogin
This site does not claim credit for images, videos, or music, except where noted.
Movies Posts Tagged as 'Writ w/Possibilities'
Rating key:
Welcome to Errattic! We encourage you to customize the type of information you see here by clicking the Preferences link on the top of this page.
Bigelow juggled personalities and situations like a master. White House experts are tasked with securing lives when catastrophe strikes without alarming the outside world. The castmates shared a vision that usurped suspense and did well by it. The thrill becomes exhausted when the finale refuses to enact it. I understand the choice but the audience doesn't get to say goodbye to invested characters. 10-Jan-2026
The camera substituting for the presence was a great idea. It unsettles whilst causing anticipation. The household consists of interracial parents having preference for their teenage son and or daughter. The gender divide was lightly explained and suffered from awkward dialogue that did not strengthen character purpose. The scares were organic but weren't enough to create a classic horror. The presence has no I.D. It meanders slowly on repetitive angst but it doesn't get to the heart of it. It was drama. The no character close-ups put me on edge. If they would have only added them for the climax it would have jumpstarted some fear. It was curious, well acted, unique and experimental. The ending fit. It was the middle that sabotaged it. 06-Jan-2026
I watched ready to be disappointed but I was not. It was made for a future generation to fuss over and dissect. Pattinson is a beaten man who has to keep dying in order to survive. His accent and softness humanized Mickey 17 and convinced me to follow him. Pattinson's flashlight stayed on throughout even while twinning. Ruffalo's villain was way over the top. Naomi Aaki pumps the heart and kicks the ass. It's original, bonkers, nerdy and funny but the film lacked space. The supporting cast could have used it. I never stopped caring. 30-Dec-2025
Robot malfunctions when man's animal instincts unleash and cause chaos. I admire the film for triggering my imagination. The environment is fresh but by exploring only the sympathetic sex, the general message becomes exclusive. Why not make it a male robot that is programmed heterosexual and misinterprets male seduction as hostile? That's a spin that a robot could misinterpret. Violently. There is a lack of tech in a movie about artificial intelligence. My capacity to accept that robots can have feelings and act exactly like humans is too far out. AI glitches. The companion could have been a little more robotic. Half the fun in watching human actors play synthetics is their interpretation. Acting like themselves does not convince anyone that it's a robot. A robot's personality progression should be gradual and the enlightenment, godly because a human programmed it. I think having the robot become more human as the humans become more robotic could have amped things up. 23-Dec-2025
The message is sweet but the idea that adults understand what children dream of is questionable. The obsession with food is gross and teaches kids to be unkempt and nauseating. A town full of talking, walking junk food "on the street" is not a banner for hygiene or a wet dream. I'm old-fashioned. Kid stories should be thoughtful, incisive, imaginative, realistic and responsible. Teach them something they can use! Food being a big part of a child's dream wish list signifies worst things than a nightmare. The art was pleasant, the voices fit and I wasn't unnerved...much. 19-Dec-2025
They had an opportunity to strip the persona of a legendary actor and explore his reality but what caused it is more important than knowing why he acted that way. It's not his fault that the notion that a celebrity can create happy families is not attainable because absence and success are prevalent. The trip to establish a bond is fruitless. Clooney gave it as much as the script wrote but didn't add anything fresh to his repertoire. Sandler noticed that and added depth to his support. I wished it had been told by his point of view because Clooney's character was too self-involved. The Christmas Carol flashbacks added nothing. At one point, I thought, "hey, another character named Tim but younger." I must have drifted. Flashbacks are nothing without a ghost to guide you. 08-Dec-2025
Fantastic Four: First Steps (2025) 
Thing's eyes got lost under heavy make-up and his mouth movements were hesitant. The beard. I didn't know bricks can grow hair? Fantastic held back. Torch had no life. Very little reminded me of the 60s. Sue Storm's hair was droopy instead of groovy. The baby plot line needed work and Shala-Bal didn't amaze or intimidate. They didn't sprinkle the magic evenly. It was a countdown to a finale that didn't deliver fantastic. Galactus was robbed. Supe capabilities were constrained. 06-Nov-2025
The ritual that is supposed to bring one back from the dead is in another language that is not translated until the end. Well, then why the fuck did it take so long? Unbalanced mother inherits 2 siblings, a hormonal teenager with wet problems and a mostly blind baby sister that has a need to be acknowledged. Boy wants to run with his sister but in 3 months he can do it legally. He just needs to put up with his foster mother's psychosis. The atmosphere is constantly tight. The actors delivered more than the script gave them. Gross is not a metaphor for fright, the ritual is not logical, the actions are less so, I didn't understand Ollie's diet and I didn't appreciate all the red. 28-Oct-2025
Every time Quaid did anything on screen I balked. He was an obnoxious asshole providing disgusting chews and bringing the vibe down. All men window dressed and were not awarded the opportunity to become nothing more than buffoons. The guy with the hairy ass was an exception. The ladies were put through hell but the performances kept them alive. The writing would have succeeded further if it wasn't so questionable. How did she pay for The Substance, what happened to the maid, why didn't she have friends or family, why did she tell the neighbor that the original had moved out but still comes and goes every other week, how could she run when she couldn't walk and why did no one realize it was a mask? I saw Kubrick (the halls and bathroom,) Rosemary's baby (claustrophobic spaces,) and Brian De Palma (the Carrie finale.) The director exhibited art but yucked up the ending. It went too far and became unbearable. There is only so much red paint we can take. It accomplished uniqueness and conversation. 10-Oct-2025
It was unique in prioritizing emotional impact. Young boy is being indoctrinated by his community. A hunt will open his eyes and a kill will make him a man. The rules are established during his training and dead mythology was properly explained. Goals, powers and limitations prepared us. Human escape was suspenseful, the town was slightly defined, the bonds were on and off, credibility began to wallow and the "last minute saves" were unwelcome. A character in a difficult situation has the responsibility to save themselves and gift the audience a survival skill. Dad was a gorgeous asshole that got blamed for everything. Boy forgot he too was a man. A bedridden mother goes on an adventure to cure her mental illness. Dude, she's bedridden! I don't understand how the son could go on such a quest after an intense first hunt. Watching parent cheating sex does not make you fearless. The doctor was an unnecessary paradox. The showdown was sour, the actors were wasted and cliches dissolved reasoning. The boy went on a quest to do something dangerous that he could have calmly done at home. 24-Sep-2025
It promises a lot that it doesn't deliver. It celebrates itself before we get a chance to absorb any of it. Beating Superman like a desperate housewife does not bring humanity to his persona and establishing himself as a victim of puny super abuse is not consistent with his mythology. Gunn did not utilize kryptonite because it limited action but embraced creating sun out of everything. It's a willing cast except for the Clarks. They were very hillbilly stupid. The big bad was existential with a personal vendetta and no superpowers to start a fight. The last half goes silly, corny and festive. Fillion's silver bowl hair distracted from his personality. It was also ugly. Mr. Terrific made most of his time by being cool whenever possible, Hawkgirl was miscast as a girl. She's a woman. A Gorilla Grodd would have introduced freshness to the tired and true. A drunk Supergirl was irresponsible and out of place. Does Clark also fuck Lois in the air? The film is just an introduction. 21-Sep-2025
The big bad was neither big or bad, it was dangerous. The film is under the illusion that if we can get to the heart of evil before it erupts that it won't. Maybe the reason we dissect villains is because evil has no explanation. Pugh drives the movie and gets us feeling things. The actors realized that they needed to be a team in order to become one and they were. I even liked the shitty Captain America. I watch comic book adaptations anticipating magic is realized as legendary characters are brought to life. Limited powers means limited accessibility. Spy action and admits ground the film in basics and hopeful logic. The funny failed most of the time because it killed characterization. A villain is not a threat if a stint in rehab can fix them. The ending was episodic TV right before cancellation. 29-Aug-2025
As scary as the little fucker was, the monkey's structure was undefined. I got most of the gist but a lot of it was fogged up. If it can destroy towns why didn't it do it in the first place? How does the monkey choose who to kill and when it stops? The attacks were coordinated but sense killed a lot of it. It excels in the least likeliest of places: a solid story, emotional balance, talent and imagination. I wanted to stay in their lives and deconstruct the monkey. Theo James wasted no emotion or thought in his performance and was very effective. The young twins blew me away. I didn't know it was one actor portraying both. When they were onscreen together I kept thinking, "they must be fraternal because they don't look that much alike." It was impressive. It had all the elements to elevate itself but the monkey's mythology was weak and very Final Destination. 08-Aug-2025
I tried reading the book of "Wicked" and found I couldn't latch on to an emotional core because it was too busy describing things. I remember a description of a clock that I couldn't imagine, irking me the most. I did not finish the book but I finished the movie. The movie played like an antsy child that won't sit. I wanted to admire all the technical work but it was too busy setting up the next song to have much impact. More dwarves, less songs equal better character development. I couldn't understand Elphaba's evil turn. I didn't know she was a PETA. Wouldn't Glinda be the sensitive one and a people pleaser? Why is she called good when she's so self absorbed? Erivo owns the part but is not given the opportunity to act. Her voice is great but I wanted more character depth. Grande impressed and scared the beejesus out of me when she delivered a Kristin Chenowith performance. Her mimicry was outstanding. It's cheerful, harmless and colorful but it's not Oz or Kansas. 06-Aug-2025
Final Destination: Bloodlines (2025) 
It plowed through like a Tetris puzzle piece dropping on "expert" mode without "life saves." The 60's was fun disaster puff with repeat appeal. Mapping is what the movie is all about and it does very well concocting ways to desecrate life. The winks work better than the clues. Audience involvement is half the fun and fooling us is even better. Tony Todd acted with his last breath and anointed himself the ultimate Candyman. 02-Aug-2025
