Movies Posts Tagged as 'Daddy Squish'
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I don't do well with first-person because its film rolling on inanimate objects (people included) that are restricted. A fantastic one connects what we see with what we imagine. A disappointing one makes a straight beeline across a rudimentary device. The creep in question is just an exasperating real estate agent with constant jabber and little realization. The one behind the camera could have offset the other's nonsense with the snappy quips his screams intimated. The axe received the most character development. The "s" word comes to mind but I refuse to use it. 01-Apr-2020
Lobster, The (2015)
Couples rule in a post cruel world. If you don't find a mate they turn you into an animal. Its royal art of weirdness with little justification and a vivid imagination. Colin inherits a comedian's edge, puncturing the establishment in a catatonic state and making us laugh and cheer. Rachel Weisz keeps the heart of the film beating and Yorgos is crazy. 29-Mar-2020
Green Room (2015)
Band of vagabonds get punished by nazis for playing crappy rock or because they witnessed a crime. Sir Patrick Stewart was hired to class up the film and the "n" word. Anton Yelchin's heroism is a John Connor (Terminator) facsimile with substandard realization. The film lost me as soon as the punk picks up his phone to call the police for a kill that wasn't directed at him. What is the purpose of nazis if there is no racial conflict? (They don't need the props.) They were dim and disoriented and anything but scary. It stalls, it repeats, it celebrates and I believed very little of it. 28-Mar-2020
Autopsy Of Jane Doe, The (2016)
The autopsy is comprehensive, the actors are aligned and the corpse is an eerily beautiful masterpiece. The mumbo jumbo is handled scientifically which excludes genius insanity being the harbinger of truth and sets some practical scares for us. 27-Mar-2020
All Of Me (1984)
Instead of a body switch Mr. Reiner chose partial possession which is one of the most improbable storylines attempted ever. We want no change in anything but the story. The pros (Martin and Tomlin) don't embarrass easily because it makes sense that great comedy training includes stupidity. Martin freights most of it and freewheels in an agitated state that unnerves us but never hinders us from lapping up his star charm. Lily didn't feel like an equal because she was stuck in a mirror for most of it but her adorable cheekiness and one liners hit. The dance was still cute. 25-Mar-2020
Grave Of The Vampire (1972)
Silliness about a resurrected vamp raping a mod chick that dies delivering his baby. The baby ages into a superhero hunk with little gift of gab and limited supernatural powers. The fair lady hired to scream, couldn't. Fast forward to the fight scene which has Thor mashing a tired Michael Morbius with no effects and generating loads of laughs. 24-Mar-2020
Killing Of A Sacred Dear, The (2017)
Doctor feels responsible for causing the death of a teenage boys' father. He befriends him and his mother and integrates him into his own. The boy is a psychotic Jesus whose God has been bested by a doctor playing at God. Colin Farrell adds beautiful whisper to his lilt, calming us, confusing us and surprising us. Barry Keoghan is a vengeful prince ravaging the establishment and scary as fuck. Alicia Silverstone sucks good hands. Raffey Cassidy and Sunny Sulgic supply the perfect endorsement for burdening yourself with care one minute and smacks, the other. Nic holds it tight for the first hour, being logical and abiding but by the last hour she's tongue lashing and bitch slapping her character to heaven. Yorgos Lanthimos kept it artistic, chillingly precise, musically gripped and the giant balls to give us an OMG ending. 18-Mar-2020
Dead Kids (Strange Behavior) - (1981)
Controlling kids for kills. Bursting with ideas that the master had no idea how to cohesively cobble together. The kills are interesting because they are clumsy like real life. Fiona Lewis' donut bun steals the whole thing. 18-Mar-2020
Love Witch, The (2016)
I did a double take when I realized the film wasn't set in the cheesy 60's gothic era. The women are dead ringers for the pristine beauty of that time and the daddies are porn succulence. The witch is a backwards feminist, desperate for love and domination, except her potions and sex stratagems only work precoital. Love turns men into quivering slobbering mush and she becomes vexed and resentful. The film is experimental, nonsensical and devoid of magic. 15-Mar-2020
I Am Jonas (2019)
Allowing youthful discretions to define the gay fuck-up you become in life. The boys (young and old) are peak representation and the film strives to be authentic. 14-Mar-2020
Infiltrating a religious sect to save a sibling. The premise barely sustains itself and Dan Stevens' idea of macho heroism is to grunt like a gorilla and squawk like a duck. He is so inspired to erase his Downton starter that what he erects is stiff overcompensation. The only thing the film gets right is torture and a weirdly coincidental female tree. 11-Mar-2020
A vague bad trip made sillier by insignificant EFX. Even though his American accent was flawless, McGregor was clamping down so hard on his own that he lost his squishiness. Ryan Gosling hadn't found his squish yet... he was a serious actor. His blank stares were very blank. They gave little credence to Naomi Watts' character except to provide her great face at the end. 08-Mar-2020
Girl On The Third Floor, The (2019)
Haunted shenanigans. Cocky daddy tats gets slimed as the whorehouse he's renovating turns on him. The film's second half reveals how to be worthy of it. 02-Mar-2020
Best Friends (1982)
Independent woman reaches high anxiety whilst reluctantly marrying her partner of five years. She believes marriage kills love and he's too venerable to start over. After a quickie marriage they embark on an in-law and family tour which reflect the weirdly mechanical influences the villagers brandish.
As much as Goldie and Burt appeared incompatible, their individual magnetism blind us into believing. Ron Silver delivers enthusiastic squishiness to the funniest bits.
It's a good companion to "Marriage Story."
It focused mainly on the topic of marriage which wears out.
The dialogue is written so we can understand them but not them, each other.
It refuses to answer its question.
It's breezy to watch. 29-Feb-2020
I admire that it sheds light on the trials of a black muslim and the extra life limitations its religion bestows.
The crime was evolving into a story black Americans could relate to from a culture worth defining but ran out of gas.
The mystery is pretty tight.
The magic pushes it forward as much as it pushes it under.
Well done, I was in it and it got its point across...
but at end...
...it was hard to feel anything.
Respect. Keep cranking them. 27-Feb-2020