Movies Posts Tagged as 'Great Acting'
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Owl And The Pussycat, The (1970)
Lady Barbra plays a hooker with aspirations. George Segal is the bookish wannabe writer whose life she upends. He rats on her for soliciting, she gets evicted and moves in. He inherits a lot of sexual frustration and mental exasperation. Nobody gay bashes like Streisand. (She can bash me all she wants as long as I win her over with my charming personality. That's how you make friends.) She's representing a full fledged character that served the writer well. Why not. If everybody were the same we'd all be Trump. Segal and Streisand are brilliantly funny, introspective, sexy, beautiful and artistic. The words are grand, it flows, we care and it means something. There is a point in your life where you realize that you will never amount to more than what you are. You can at least try to enjoy it with someone in the same boat. 25-Mar-2021
Young Frankenstein (1974)
Mel Brooks' enunciation play is brilliant art. The cast shred with equal parts hilarity and 100% talent. It carouses like a very funny sequel. 10-Mar-2021
Little Girl That Lives Down The Lane, The (1976)
Girl home alone. Dying dad bestows his daughter home security and life skills that would allow her to survive until adulthood. Alexis Smith plays the ultimate Karen whose landlady suspicions arise at a most inconvenient time and whose spats with Miss Jodie are powerhouse. (The slap was everything.) Martin Sheen was so realistically slimy as a predator that I had to imagine it was his spawn's "Charlie character" from Two & Half Men. When you acquire power from self reliance, self love and luck, only the broken and the animals will be able to understand you. Miss Jodie doesn't quiver, exudes superior knowledge, bitches like an equal and demands the respect of a girl who wants to live in the house that daddy paid for. 04-Oct-2020
Guess Who's Coming To Dinner (1967)
White liberal tolerance is tested when daughter brings a black man home to marry. Sidney Poitier represented the culture as a man in love with a soul of a different pigmentation that he deserved to engage with. His idea for racial harmony and hopefully acceptance, was to lay the weight and fate of the marriage on white daddy's heart. The script was respectful and contemplative, hitting points from the heart and establishing strong voices for each character. Isabel Sanford hooted as the maid who has lost control of her household and the family she wove herself into. Katherine Hepburn's use of props and legend added quotes to her character, Spencer Tracy's suffering was real, Sidney Poitier had enigmatic charisma with everybody, Dorothy Houghton was a familial delicacy, Beah Richards was luminous and Roy Glenn was growling. It's greatest case isn't about racism but a parent's fear that their child is not choosing the safest life. My favorite speech is Poitier talking to his dad about who owes who. The father who demands payment and racial solidarity for the sacrifices of rearing him or the son who wants release for a choice he didn't make? The father may limit himself by being all about black but the son just wants to be a man. 26-Sep-2020
One Flew Over The Cuckoo's Nest (1975)
There is a threshold of high mentality professionals cannot consume or understand so they isolate, daze and shun the unwell from reality thinking it will make them better but they're just keeping them away from us. The insane asylum is the "soccer mom" equation incorporated as rehabilitive juice. If you keep the child's mind busy life wont hurt it. Nurse Ratched is neither monster or killer. She represents the woman in charge who will do what it takes to chase the crazy out of these fuckers and get herself a promotion. She does her job better than any man or human. Her hate for men keeps her in check as long as she can control them. Louise Fletcher is etched in subtlety. She's discernible, rational and a doctor's prescription. Her murderous thoughts are a delirious read. She spends a short time in the film but her character wafts through every room, corridor and human being begging for a moment's joy. Jack daddy legend is in it to disrupt it and kill her perfect employment record. He is a man with ownership rights and a threat to her profession. He has no mental issues that would require him to be there except that he hates work and wants to coast in a nut house. He is chaos and destruction but not insane. He hates life but he can survive it. He will inhale only the convivial parts of it. Booze, parties, women and trouble. He pretends, he awakens, parades his heart with glee and makes a team of his followers. Jack is there to free them of their haze and enlighten them with the cool parts of reality. But sadness breaks out and explosions erupt endangering their mental situation. Jack smiles, hates the world, speaks our language, slays our speech, breaks our hearts and is one of the funniest sarcastic mother fuckers of all time. Excellent across the board. 21-Sep-2020
Star 80 (1983)
The tragedy of beauty versus beast. The purpose of beauty is to inspire us. If it touches you, you are beautiful in return. It's that perfect thing that exists like a God smack to the earth. The men want to devour it, the women prefer to absorb it and forget it but the younglings want to marry it at first sight. The sculptor who attempts to shape it, before full bloom, will burn his hands on the coffin he molds around it to keep it safe. A woman will always wake up. Beauty belongs to the world not encapsulated by a man who thinks he's just as beautiful because he licensed it. Fosse snips from Citizen Kane and gives it the hutzpah the classic lacked. Fosse's mastery is beauty, movement, thrill and dash. Eric Roberts gets inside our heads and makes us understand that hot greasy ass motherfucking psycho crooked legged cowboys with great hair have feelings. Fosse resoundingly echos him. Mariel Hemingway is neither thunder or lightning. She is a cloud of beauty that doesn't need announcement. Mariel's innocence allows the tragedy to happen and unfold. It has an ending Tarantino wouldn't touch and the original footage is brutal, salacious and true. Absolutely psycho. 12-Sep-2020
Anna Lucasta (1958)
Anna is the the daughter of father faith and sometimes antagonistic family. She turns to teen prostitution when her father kicks her out just for holding hands with a boy. Established and clawing her way through life she reaches a dead end and is granted one last opportunity to reconcile with family and hopefully marry a man with prospects. She is forgiven but never forgotten. Daddy is allergic to whores, goes into panic when his daughter touches him, drinks and hits anyone in disagreement and sabotages Anna's chances for happiness. Eartha Kitt purrs and roars like the exquisite feline of legend, Sammy Davis Jr. was seriously brutal and heartrending and the cast added vibrations to the words. No nonsense representation. 15-Aug-2020
Go Tell It On The Mountain (1985)
Exploring the unity a church provides to a community struggling to stay afloat.
The protagonist is a teenage stepson born out of lust and into parents of mighty faith and little activity. The boy envisions his place in a white world that bestows him educational merit and Hollywood allure. Stepdaddy preacher has white resentment and believes the boy must learn the word of Jesus and disavow all the teachings of the white man so he can claim his benefits afterlife.
Great arguments ensue about what is a sin, enjoyment and a life. Boys don't want to be socked in a church when there is adventure, sex and violence to be had. Fear of community misrepresentation causes the parents to lock children in. (It seems we are always in one prison or other.)
Paul Winfield is the man of sin whose only recompense is Jesus. Blindsided and stubborn he fights to be the master of a household that's always revolting. His authority is frightful, his words are probable and his weapon is God.
The shading of the past to inculcate the steps of the future was tight. When the female actors revolt and exorcise their demons, crazy hungry talent is displayed. The boys were humble with pride.
The end is an exorcism that doesn't coerce any answers but that may be its point. No one knows shit. 21-Jul-2020
Miracle Worker, The (1962)
Wild child with disabilities gets reformed by teacher whose demons compel her to impart self reliance. The film's effectiveness relies on protagonist nerve and muscle. Duke and Bancroft, not only slap it, punch it and break it they receive it, just as well. The psychology was that a child that inflicts pain must undergo it to better understand their crime. All the parental rules we dethroned, helped erect the special intelligence of an unidentified child. At end of story, the combatants celebrate the characters and, I hope, each other for a job well-done.
Others, The (2001)
Children and the help, quarantined with a compulsive mother obsessed with the idea of being as great as God. It's made of Hitchcock walls, star quality is legend of old and the understated score unnerves. It's refined spookery. Nic is powerhouse mama alleviator and authoritarian, putting the kids sweetly to bed, one minute and wanting to chop their heads off, the next. The ending is ruined once you know it but the lesson still rings true. Nothing ever is as it seems. 27-Apr-2020
No Way Out (1950)
Black doctor cares for two supremacist thugs. Race riot ensues when one dies. The movie is forthright and balanced with chills of emotions. Poitier is standard upright in a younger package. Widmark splatters the screen with hate like he meant it. Linda Darnel was the damsel in distress with heroic genes. Amanda Randolph deserves loads of cuddles for being. Mildred Joanne Smith was luminous at heart. It's an everlasting battle to fight for what our greater parents started. 20-Apr-2020
Renee Zellweger's interpretation of Judy is astute, inhabiting her jittery intonations along with her childlike likabilities. Her song is pretty with limited flourish. Judy was a powerhouse vocalist that shattered through open space to tug at our hearts. The director's fail was not allowing anyone to hear what made her a legend and what would have constituted as joy. 07-Feb-2020
Joaquin Phoenix is brilliant frightening insanity. The film weeps artistry and reflects on the development of poor mental health and the society that impedes its betterment. The swamp of darkness does not allow our villain joy. I believe that had he had a dance partner (Batman), the movie would have found some. 02-Feb-2020
Favourite, The (2018)
Filching the power of a doddering and enraged queen for self preservation. The lead trio combine with the word to exact the wit, scandal and one-upmanship that exists between women. Emma Stone's ambition cuts like a hurling knife, Rachel Weisz is all-business, running from said knife and the glorious and hilarious Olivia Colman covertly catches the knife to use against whom she pleases. Olivia opens up like the wounds that appear during her illness. 16-Dec-2019
Starred Up (2013)
Fixing anger management whilst in prison. Jack O'Connell wholly conveys a ferocious and unchained delinquent with soft edging. Ben Mendelsohn is definitely the dad you don't want raising you in prison. Rupert Friend is the therapist that wants to reform them expressing very well through character evolvement that they can also reform him. Well acted, "candy-colored," well made. A take on the anger that builds in the underprivileged man. 15-Nov-2019