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Movies Posts Tagged as 'Great Acting'
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As soon as Brendan's eyes opened wide and lit like a bulb, I knew the character's representation was safe. Withering is an earth occurrence and examining it won't kill us any faster. When you wither you have no other option but to reflect on your life and try to make amends to people that deserved your love. One of Aronofsky's best abilities is creating horror with mood, drama and raw emotion. As dark as his art is, he doesn't want to jumpscare, he wants to haunt. The main's routines, fears, lies, talents and regret are highlighted in shadows, realism and good writing. Fraser owns the fatsuit because when he was young I thought he was a beauty that gleamed so sadly. It's not the shape of a man but the soul. The cast support like a perfect theater troupe. Aronofsky is beyond facades. 20-Oct-2023
Somebody Up There Likes Me (1956) 
Rocky was a criminal with a violent streak that learned to harness his rage and become a boxing champion. A boxer fights until he is bested and the beast subsides. The story is decisive and instructive. Newman found the soul the tribute demanded. The supporting cast shook like broadway during an earthquake. The show must go on. The fighting was desperate and raw. The soul was accurately apparent and the film strived for perfection. 17-Jul-2023
Invitation to a world we know little about, so they can explain themselves in high educated detail. Before an understanding of what the music fuck they are talking about, the film shuts us out. Tar created a family, success, working friends, an orchestra and a roomful of prizes and adoration. The director spent more time educating us about the mad professional rather than explain why her private life was so robotic. Mapping a character's career to establish how their mind works keeps audience attention until the snooze button pops up. An orgasmic technical achievement to its creator but it was bupkis to the people they were trying to reach. There was a lascivious side to Tar that was lightly explored. Lady Blanchett was the interest, the talent and the launch. I would have quit earlier had she not convinced me that I would witness art. She is art. Most of her gestures were off base. Her conducting shocked me. Are we supposed to cut in before the next instrument? Tar gets accused of misconduct, her sexual proclivities locked in a bottle unlike her rage. Cate was privy to a character's truth and conveyed it to the camera. Brava! 13-May-2023
Horror In The High Desert (2021) 
I don't know if I would have reacted so strikingly if I knew that it wasn't what it was. I think blind is the proper way to see it and befits the mock ending. The acting is the accuracy that sells the illusion. The words and direction built interest, tension and fright. Giving the villain an excuse was a misstep because it lets the cat out of the bag. It kicked Blair Witch's ass. 20-Apr-2023
It masters everything but importance. 19-Feb-2023
Kurosawa's imagining of Macbeth was intoxicating. He lingered until we felt the character's desperation. The background was still and intimidating. The actors wore silent film faces with impassioned speak. Toshiro Mifune was a beast royale as MacBeth. Isuzu Yamada was fabulously haunting as his Lady. The rustle of her dress, the scary predictions, the make-up and bouts of violent madness. She was a favorite thing. Deaths were choreographed with coherent math and geography. Inspiration is achieved. Masterpiece recreation is impossible because the best things in it happened by accident. 28-Mar-2022
Creature with a grand imagination, magnificent capabilities and childlike inspired nobility is plucked out of isolation so he can partake of suburbia after his inventor dies. Depp's Edward is everything you don't expect. He is joyous and wondrous, living things he always envisioned but never realized and tempted by the evil that is a suburban housewife. Suburbia is welcoming, at first. Kathy Baker is splendiferous as a woman too hot to trot with. Michael Anthony Hall played himself marvelously. Dianne Wiest is a beautiful heart murmur. Alan Arkin schlepped. Vincent Price is a well deserved gay horror queen. Suburbia is where Karens are born, the religious take flight and nature goes to shit. Edward unites the community, becomes a hero but is deflated by a bully. A misconstrued wrongdoing leads to cancellation. He's no longer adorable but Frankenstein. There are plot holes. He eats which means he poops. How does he clean his butt? How does he pee? A hole in a water mattress makes the entire bed drain. Putting a teddy on it doesn't stop it from leaking. If Edward eats food is it necessary for his survival? Does the town receive free giant blocks of ice during the holidays? The inventor created a boy but had difficulty with hands? It doesn't matter. The music is magical, Wynona Ryder did the best by doing the least and Tim Burton is a master of creativity. He creates a place I want to live in, minus the people. I am Edward Scissorhands. 24-Aug-2021
We become childlike again with machinations in our heads, dependent on and annoying the people we once cared for and inheriting a worn brain that keeps timing out of a complicated existence. The director assimilates what the disease feels like and with good writing, affords it various scenarios. The actors are masterclass. 28-Jun-2021
Mother returns home after cosmetic surgery. She is burdened with twin boys, bandaged, tired, snarly and in need of recuperation. The boys are lonely and constantly interrupting her beauty rest which makes her upset and overreactive. The boys become convinced that the woman hiding under the bandages is not their mother. She's more violent than usual. The boys test her extensively and unbearably. They want to prove she's a fraud. "Misery" mayhem is top notch, direction has balls and the cast is deadly. 17-Jun-2021
Owl And The Pussycat, The (1970)
Lady Barbra plays a hooker with aspirations. George Segal is the bookish wannabe writer whose life she upends. He rats on her for soliciting, she gets evicted and moves in. He inherits a lot of sexual frustration and mental exasperation. Nobody gay bashes like Streisand. (She can bash me all she wants as long as I win her over with my charming personality. That's how you make friends.) She's representing a full fledged character that served the writer well. Why not. If everybody were the same we'd all be Trump. Segal and Streisand are brilliantly funny, introspective, sexy, beautiful and artistic. The words are grand, it flows, we care and it means something. There is a point in your life where you realize that you will never amount to more than what you are. You can at least try to enjoy it with someone in the same boat. 25-Mar-2021
Mel Brooks' enunciation play is brilliant art. The cast shred with equal parts hilarity and 100% talent. It carouses like a very funny sequel. 10-Mar-2021
Little Girl That Lives Down The Lane, The (1976) 
Girl home alone. Dying dad bestows his daughter home security and life skills that would allow her to survive until adulthood. Alexis Smith plays the ultimate Karen whose landlady suspicions arise at a most inconvenient time and whose spats with Miss Jodie are powerhouse. (The slap was everything.) Martin Sheen was so realistically slimy as a predator that I had to imagine it was his spawn's "Charlie character" from Two & Half Men. When you acquire power from self reliance, self love and luck, only the broken and the animals will be able to understand you. Miss Jodie doesn't quiver, exudes superior knowledge, bitches like an equal and demands the respect of a girl who wants to live in the house that daddy paid for. 04-Oct-2020
Guess Who's Coming To Dinner (1967)
White liberal tolerance is tested when daughter brings a black man home to marry. Sidney Poitier represented the culture as a man in love with a soul of a different pigmentation that he deserved to engage with. His idea for racial harmony and hopefully acceptance, was to lay the weight and fate of the marriage on white daddy's heart. The script was respectful and contemplative, hitting points from the heart and establishing strong voices for each character. Isabel Sanford hooted as the maid who has lost control of her household and the family she wove herself into. Katherine Hepburn's use of props and legend added quotes to her character, Spencer Tracy's suffering was real, Sidney Poitier had enigmatic charisma with everybody, Dorothy Houghton was a familial delicacy, Beah Richards was luminous and Roy Glenn was growling. It's greatest case isn't about racism but a parent's fear that their child is not choosing the safest life. My favorite speech is Poitier talking to his dad about who owes who. The father who demands payment and racial solidarity for the sacrifices of rearing him or the son who wants release for a choice he didn't make? The father may limit himself by being all about black but the son just wants to be a man. 26-Sep-2020
One Flew Over The Cuckoo's Nest (1975)
There is a threshold of high mentality professionals cannot consume or understand so they isolate, daze and shun the unwell from reality thinking it will make them better but they're just keeping them away from us. The insane asylum is the "soccer mom" equation incorporated as rehabilitive juice. If you keep the child's mind busy life wont hurt it. Nurse Ratched is neither monster or killer. She represents the woman in charge who will do what it takes to chase the crazy out of these fuckers and get herself a promotion. She does her job better than any man or human. Her hate for men keeps her in check as long as she can control them. Louise Fletcher is etched in subtlety. She's discernible, rational and a doctor's prescription. Her murderous thoughts are a delirious read. She spends a short time in the film but her character wafts through every room, corridor and human being begging for a moment's joy. Jack daddy legend is in it to disrupt it and kill her perfect employment record. He is a man with ownership rights and a threat to her profession. He has no mental issues that would require him to be there except that he hates work and wants to coast in a nut house. He is chaos and destruction but not insane. He hates life but he can survive it. He will inhale only the convivial parts of it. Booze, parties, women and trouble. He pretends, he awakens, parades his heart with glee and makes a team of his followers. Jack is there to free them of their haze and enlighten them with the cool parts of reality. But sadness breaks out and explosions erupt endangering their mental situation. Jack smiles, hates the world, speaks our language, slays our speech, breaks our hearts and is one of the funniest sarcastic mother fuckers of all time. Excellent across the board. 21-Sep-2020
The tragedy of beauty versus beast. The purpose of beauty is to inspire us. If it touches you, you are beautiful in return. It's that perfect thing that exists like a God smack to the earth. The men want to devour it, the women prefer to absorb it and forget it but the younglings want to marry it at first sight. The sculptor who attempts to shape it, before full bloom, will burn his hands on the coffin he molds around it to keep it safe. A woman will always wake up. Beauty belongs to the world not encapsulated by a man who thinks he's just as beautiful because he licensed it. Fosse snips from Citizen Kane and gives it the hutzpah the classic lacked. Fosse's mastery is beauty, movement, thrill and dash. Eric Roberts gets inside our heads and makes us understand that hot greasy ass motherfucking psycho crooked legged cowboys with great hair have feelings. Fosse resoundingly echos him. Mariel Hemingway is neither thunder or lightning. She is a cloud of beauty that doesn't need announcement. Mariel's innocence allows the tragedy to happen and unfold. It has an ending Tarantino wouldn't touch and the original footage is brutal, salacious and true. Absolutely psycho. 12-Sep-2020
