It depicts our shortcomings in a sanitized environment. There is no outside telling us we suck so we are in a safe space. It paced itself naturally as not to impose. The cast was pleasantly supportive. The writing pondered some truth but resolved most of it with prom com magic. My Fire Island experience was rated XXX for rampant sex, sissy violence and "fuck you" friends. Family Shmamily. 05-Jun-2022

The film needed a script doctor. The younglings have endured enough ugly world to be acting like babies. They turned Dr. Strange into a goofball with quips. They took away Spider-man's scathing witticisms and replaced them with awkward and cute. Electro is only as good as his paycheck and its effect. Sandman shook. Dock Ock was a fond memory. The boys came back, all grown up, giving us the feels. I wish Aunt May had not given a shit. She had no backbone. The younglings were greater than their material. They needed a drip of Willem Dafoe to stay great because they looked exhausted. Tech was brilliant comic book magic served on a flying carpet. 02-May-2022

Ann-Margret plays a girl who advances in the fashion industry because of hard work and drop dead gorgeousness. Father and son heads offer her the opportunity to become a Paris buyer when the original gets married. Father and son dispute her capabilities but acknowledge that beauty can surpass it. Louis Jordan is the Paris client with sexual arrangements to the previous buyer. There is little proof that Margret's character impresses at her job because she spends most of her time in Paris, drinking, partying, flirting, dancing, singing and clobbering boys who want to go further than a kiss. The most beautiful boy in the world, Chad Everett, the hottest tongue in France, Louis Jordan and the slub who accepts leftovers, Richard Crenna, are the men vying for Lady Margret's baby's breath. Ann's character is written with confused sensibilities. She riles the men up then 2x4s them later. She wants to live a fantasy without all that icky stuff, like sex. The ex-buyer getting married on short notice without telling her french lover/client gets no clarification. Edie Adams was unfortunately a short lived thing disrespected in the film's best storyline. Margret dolled up in fashion chic and hit the dance floor to Count Bassie and Mongo Santamaria like a sexual beast. Edits and choreography are a mess but Lady Margret's magnitude never lets up. The fashion is creative, the only laughs are violent, the idea that a girl becomes a woman if she gets married is primitive, when men exclaim that a girl is too young to fuck, they mean right now. 26-Apr-2022

A scary Christmas tree disrupts the holiday of a royal court by suggesting a game. The tree will sacrifice its life if the hero taking it, returns the kindness a year later. The bastard son who has only been acknowledged this Christmas, volunteers. He becomes a celebrated knight who downed a beast that will eventually down him but is enjoying the best year of his life. The fairytale has no significance. Magic appears without explanation. The voyage is gorgeously dull. The director casts some beautiful shadows and illuminates good acting but confirming that all mistakes in life repeat themselves is depressing. 16-Mar-2022

Menopausal shipping magnate dumps his business and distances himself from family because he wants to re-marry. The wife is a young Gloria Swanson playing a celebrated actress ready to retire with the old rich man of every woman's dream. She had money and success but wanted security. Adolphe Menjou was too cute and proper to put down but mama Swanson deserved to fuck his boring beautiful son. The film is split in three. Intro fears, adaptation, immigration, saving the planet and regretting it. Swanson and Menjou quarrel about masculinity and woman's liberation while receiving modern advice from the son and sweet wife. The event is Desi Arnaz as a stowaway on their honeymoon cruise where they decide to rescue him and offer him a lifestyle only the elite could afford. He can sing, shave and fuck like a bandit and he's pretty too. He deserved to fuck everybody including senior and junior. Swanson deserved to put him on her plate. Desi's accent was very light and we got to experience him how Lucy saw him. A beautiful ham. Its heart was distant, the comedy avoided the soul but the pretense was fun. 14-Mar-2022

Super daddy, a chunk (of meat) and his mini spar through time travel to end time travel. Sci-fi is comic book, action is diverting, writing is pensive but the three leads hold it together. The boy mimicked an asshole just like Ryan Reynolds would. Mark Ruffalo is a war torn daddy born to parent an asshole. The wattage, the funny, the adorable and the sweet were all there. 13-Mar-2022

Scripting black people to complain about cops and confederate flags is not thoughtful. Killing all the black actors anyway, is not giving a shit. Making me confused about female sexuality is a useless gay time thing. Leatherface is nothing without family dependability. He was the icing on the family cake. A family that celebrated meat, farming and death. Icing without cake is a blob. 22-Feb-2022

The inestimable is the most hurtful. Brian Bonsall played Mikey, a throwaway child with trust, jealousy and psychotic issues. The actor had the smarts of an adult aware of its value. Everyone loves "new" adorable thing until it becomes codependent and angry. The conversations are the same as today, which freaked me out. "We're still talking about the same shit with the non-resolutions." Mikey is presented as an adoptive boy trying to adjust to a family that has suddenly enforced rules. They must die, the most inept investigators can't solve it and adorable little Mikey is psychoanalyzed for PTSD after secretly killing them. The psychiatrist frees him into the adoption system with an "all he needs is love" diagnosis and Mikey moves on to the next stupid family. Mikey has learned that electricity and water don't mix, you can hit real balls with bats, cops can't solve anything, mothers just stand there screaming while you're stabbing them to death and to remove the bullets from adult guns and disconnect their phones so they can't fight back. Empty guns waving in the dark. Elementary school sports training consisted of coaches deciding which boy would be a "skin" or a "shirt" for no apparent reason other than to be a pervert. Telling certain kids and not others to strip is insulting and absolutely gay. His favorite teacher becomes suspicious of the boy's monstrous tendencies when he adds marbles to her "marble game." A box is designated for the kids to drop marbles they earn for good deeds. The more marbles of goodness you inherit the quicker you can fill it so its doors burst open and you can receive a prize. She investigates his history but his adoption file is closed and the witnesses are minimal. There is no living thing that is safe when Mikey gets pissed. Will he spare no one? Kids dragging adult dead bodies, killing cats, feeding frogs to sharks, setting up the boyfriend and using a bow and arrow to kill are hilarious. Everything looks TV safe and appealing, the deaths are LOL and Bonsall keeps on giving. He is the conservative cunt that arises when successful families keep pushing the same subject without advancing. Mikey is the child liberated from bullshit. Baby boy is my new "Carrie."

PS: dudes, if she wants childrenx and you don't, show her this movie. Repeated viewing depends on her voracity for children and disdain for the film. Keep it downlow. We don't want to damage her. Keep it stealthily in the background and don't stop watching it. Make it a top ten of all time. Yeah, it's crap but its better than having a baby. 21-Feb-2022

A talented cast is assembled to remake a classic remade too many times with bigger bluster. A downfall of blockbusters but not of little films. They can sneak in some truth without being punished. It's a parody that attempts to bring circumstances, thoughts and decisions to the shenanigans. Idina has grade A moments in song and in soul sharing. Billy brought his showmanship. The prince passed the "inferno" test with a flip and a voice. We waited for Minnie Driver to awake and when it happens, it is fitting. 007 hits his marks like a gunslinger. Cabello looks like a waitress from different eras in all of her guises but she can sing, act, charm and have fun. I had fun. It belongs to a future cult. 13-Feb-2022

Stupid horror flex in another language with cute twinx. Nope. 11-Feb-2022

There are beautiful patches stitched to murder, carnivals and mentalists. AHS killed carnivals and mentalists are bullshit. The film squirts beauty of everything that's interestingly slight. Bradley Cooper's Stanton starts as an Eastwood Quiet Man and evolves into a charming egotistical salesman, like a virus. Don't sleazy salesman jabber all the time? When did he acquire it? He's so damn quiet. There are no spins to copied thoughts. It was a reenactment without approach. Toni Collette was gearing up for more. She gave daddy squish Bradley a deserved bath and finished him off like a gay would. I rewound 5 times then fell asleep. Toni deserved reciprocation. Cate Blanchett is an Eternal unharmed by copper platters. She is gold lame shimmering in every era with Lucille Ball regrets and Faye Dunaway determination. It needed to either move faster or interject some cool things in between. I expected more. 05-Feb-2022

Non-movie illustration of why "Oscar So White" is still so prevalent. Candyman is stripped of sensual ferocity, opinion and reason. His myth is re-written and implied by puppetry because the talent wasn't inspired to showcase it. The scares couldn't unhinge a cockroach. The deaths are remote with closeup shots of thick red Kool-aid. The violence is hesitant because most black people are petrified of supernatural violence. It scratches the ghetto but refuses to live in it because black people don't want to return there. Whites have gentrified the ghetto and blacks are mad as hell because they weren't given enough time to make their home livable. "Welfare knocked on my door before I had a chance to straighten up." "Bitch, you know white people can't watch good land go to waste." Blacks with dedication and drive enjoy the gentrified lifestyle while critiquing their hosts and avoiding the nasty parts of their neighborhood. This is all supposed to tie in with a confusing Candyman revenge backstory. The candy was uninspired. It should have looked scrumptious and colorful. It looked like granny's recycled Christmas candy. Only fat kids pick that shit up. It wasn't woke enough to have Colman Domingo fuck Candyman. The film required more gays so Candyman could kill the two. Too bad. In what world are there more cops in the neighborhood than community? 31-Jan-2022

Red Notice fulfills "land of magic" type escapism. The writers created an intriguing caper and an enigmatic cast to play act it. Gal Gadot can act. Well. Daddy King Rock delighted in being the brunt of a joke, constantly, in fabulous fashion. Dickwad Reynolds steals it by being a cantankerous benevolent criminal who is also Deadpool. The director took advantage of its DCU historical significance and developed some solid characters. Heart tug. 11-Jan-2022

I can't identify with a child that wakes his parents up so daddy can walk him to the latrine which is terrifyingly one block away. To piss. Why didn't he just piss in any corner of the house except where mama hangs laundry? It debates whether parents should compromise a boy's sensitivity by forcing him to become a man if the times deem it necessary. It's a future where woke people are forced to eat animals named Fluffy to survive. Suicidal grandpa daddy grants himself an early reprieve by getting a conscious in between bouts of "I don't give a shit! and "I want to die!" Daddy did not deserve a vacation. Mother madness is spooky with minimal slaps and torture towards children. She did good with killing animals, though. I didn't understand it. "The monster is made of trees, branches and bad lighting, maybe. You imagined the whole thing. You're just like us. Nuts." The child riled us up but the director couldn't grant us a reason for any of it. 08-Jan-2022

Venom is nothing without that spider boy splitting his ass in half. How fortunate that Tom Hardy has a dick-breaking ass. Venom's and Tom's duality don't combine. There are attempts to bring them together but talking to green screens is all it is. I imagined a wraparound as opposed to a pop out. I was aghast at how youthful and beautiful Mira Sorvino looked then realized with humiliation that it was Michelle Williams. Michelle got rid of the haughty accents, loosens up and shakes her sourpuss. Reid Scott was a supportive adorable dunce. I thought Stephen Graham was a Walhlberg doing a bad imitation of a better Wahlberg. Woody Harrelson was channeling an old white woman from the 1950's out on her last stroll. Go nuts, daddy! The film has no purpose except to destroy and sell but it has stupid entertainment value. I liked Asian Venom, they gave us a hint at Lady Venom and didn't dare realize a Drag Queen Venom. Why not? 07-Jan-2022