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Movies Posts Tagged as 'Silly'
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The doll has a name but it's still beyond comprehension. The tidbits where they played with the doll's expressions was a cute opportunity that was underutilized. Making it react to things in a split second that no one is sure to see might have been fun. Owain Yeoman is a daddy water marker. Never too busy for work, the center of the universe, incompetent and not understanding of the language his son and especially his mother talks. Katie Holmes' dug sharply to give mom the suffocation of not being able to save her child from trauma and the burden of spending a lifetime treating him for it. She can't overcome her own because the kid is always reminding her of it. He was a witness. The more obsessed her son gets with the doll, the icier her mothering becomes. I wish there were a scene where she pummels it to death but no such luck. The set-up was too set, the 30's mystery cues didn't work and the next one needs to scrub the story clean. 18-Nov-2020
Dora And The Lost City Of Gold (2019) 
Latin spunk, sense of adventure, poop songs, fart swamps, cousin flirtations, CGI friends and city ineptitude. It's Dora The Explorer. The parents (Pena/Longoria) are cute but their exploration days seem limited to couch surfing for leftover Tostitos to finish off their guacamole dip. Nancy Pelosi makes the most of her cameo by surprising as a jungle witch. (I kid.) It qualifies as a most craptacular stupid thing that makes a sad heart laugh. 25-Oct-2020
Lilly James never grows into the character of Mrs. De Winter, married to a beautiful giant with the power of entitlement and a haunted past. She's a bumbler who goes head to head with a stern HOH named Mrs. Danvers whose the only person in charge. Kristin Scott Thomas sinks her teeth into a classic character that was a delightful fright but whose persona has been abbreviated to a devoted staff member. The best manipulations are designated to other characters which kills Mrs. Danvers psychosis and grants Thomas no fun. The story has been fidgeted, the lush is unimpressive, the style is non-existent, James is not the woman for the job and Hammer is a pretty package with no clue as to how to play a rich gorgeous dick. I would have preferred to see Rebecca's story play out. Mrs. Danvers could have pined for her mistress while Rebecca crushed men's spirits. Missed opportunity for some classic lesbian fun and threesomes with the Hammer. 23-Oct-2020
We Have Always Live In The Castle (2018) 
Freak sister with a penchant for magic spells lives high up on a castle with her debutante sibling who has been exonerated for poisoning the parents and a wheelchair bound uncle with mental health splits. The town (downstairs) has granted them human cancellation and have a mass crowd conniption whenever the youngest witch comes down to shop. The debutante is a 50's housewife cloned with a Stepford. They may be the same thing. I don't know. There is no emotional understanding for the characters' overreaction. A whole town, except two people, want to destroy the younglings and their handi-capped uncle. If the town were made up of Janes then maybe I can digest that, maybe. Everybody has a heart, right? Alexandria Dadderio fit perfectly into a suit that was too refined for the story. We never get to see why she's agoraphobic or a robot. Sebastian Stan is Halloween candy, playing a long lost cousin who kindly visits to fuck with them. (Like protests.) Taissa Farmiga was hired because she is accomplished at giving an out of place character its reason for living. She was one oomph away. I didn't get it. 23-Oct-2020
House That Jack Built, The (2018)
A psychologically misconstrued examination of a serial killer. If Lars had written a legible mental frame for Matt Dillon's psycho, the actor would have been highly praised. The script is basic, ignorant and fucked the space out. Von Trier lingers over every kill like it's a piece of art but all is brutal insanity. The length of the movie exhausts and the ending is an early exit regret. 12-Oct-2020
Morticia was lacking the sultriness Gomez used to devour. Gomez was lacking the passion he exhibited at the most ludicrous and divine things. Wednesday could have used a little less rich girl in her voice and a lot more bitch. Uncle Fester was destroyed. Bette Midler was the only one of the group to have seen more than one episode of the tv series and gave Grandmama her unique flair. The family is constantly trying to kill or destroy each other, ad nauseam. Somebody missed the point of The Addams Family and what they constituted. They were us fighting for our place in the world from the imagination of a mad man. The writers need to apologize to the artists for making them create the angriest animated film ever. Dude, that's coming from me. 01-Oct-2020
The desecration of humanity is unforgiving. In order to conceptualize fact based savagery onto film you have to be a little nuts. The film goes where Tarantino's wouldn't and exploits it. It doesn't feel like the 60s, the ladies never heard of the 60s, the boys are drunks, stoners and stoopids and the killers remained shadowed like Halloween supervillains. Giving an evil character personality does not grant them humanity. It gives us a clue who to run away from. Make it up and make it real. I was a fan of Sharon Tate and I felt her tragedy. When I read "that" book, I experienced haunts and nightmares, forever. How could people be so inhumane? If the writer brings up the question, he and the director need to answer it. If you're going to make it, let your balls hang real low so the audience can cut them. The crew has regular mental health issues but no psychosis or artistry. It's Lifetime violence with '40s flair. The opener sizzled only because nobody makes Miss Jane look stoopid. 19-Sep-2020
The controversy is unfounded. It is a coming of age story in which a girl realizes that the the only power out of a man's stranglehold is sex. Women, men and religion are not copacetic. Daddy is legally permitted to bring home a second wife and daughter and mother must celebrate it. The girls are reflecting the American pop icons that make female freedom seem so attainable. "Look, they can twerk their asses and shake their tits in public and no one stones them. They are considered queens living in castles above the clouds and everybody loves them. Their husbands are so cute and submissive." Little girls want to be loved and secretly twerk like adults. Parenting 101. Like most of its inspiration, the talent is unjustifiable. They can't dance. (My mother would have hiked up the kid's diaper, turned it into a plastic thong and had baby jiggling her ass for candy and male applause. I did it but only when they got me drunk. No kidding.) The atmosphere is full of enthusiasm with breaths of color. Female muslim prayer is actually represented. Good performances earn it praise but its lack of warmth and resolution hurt. A woman's best weapon is silence. 11-Sep-2020
It's about repetition. People like myself have a tolerance for it. My mother kept me isolated like a special demon child that would wreck havoc onto the world if unleashed so repetition was my savior. I could visit safe lands (suburbs) inhabited by future friends (white people) and foretold accomplishments that never happened. The film is about repetition and it never stops. If the why hadn't kept me posted I would have skipped the nightmare. The clarification made sense, its' the what that didn't. 18-Aug-2020
No budget for a decent stage play less a good film but it has substantial ideas for us to ponder. Wifey woke awakens to sudden glam because daddy could do better inherited it. She is not comfortable commanding staff, feels it is beneath the help's heritage and fires them. (It's a mansion.) After an unreasonable time of daddy doing all the hard work he schemes to get her a robot. (Gay holler at the male choice.) The film does not succeed in creating the perfect robot but it creates the illusion of the perfect being. The explanation for maintaining robot/human boundaries is to not reach hoover or vibrator status or worse, love. The daddies whipped strenuous body muscle, the threesome was a two sided tango, the twist was great and it deserves off-off broadway respect. A tighter story and better effects would a Hollywood blockbuster make. 17-Aug-2020
Brittany Allen has a face you follow especially when great material meets her. Psychopathic danger presented for lesbians and personifying all women. Talking it out before every kill and expressing feelings that don't make sense has returned to cinema. The film flashes to the threat so quickly that its fallback is to drag and repeat. The director didn't shake the camera for bumps and the cutter had no guts. I admired the video twist and the cruel kill. I return to Allen because when all other characters drained, it was her face that maintained me. 11-Aug-2020
Silly girl thinks the world orbits only after she blows on it. Heroine enforces her stance by diminishing what boys think if it interferes with what she wants. Latino heart throbs with a curl, besties squish like girls, the gays are allowed to speak but of educators they peep and "anger issues" squishes with a little less muscle but enough to fuck a foreign miss. Its frivolous corn syrup contesting manhood. 10-Aug-2020
Adding angst and brood to the kid franchise is choking. The teens have troublesome history and are enrapt in familial and environmental chains. Gaining the power of a god will rehabilitate them. Lead boy steals Zac Efron's eyes, Bryan Cranston is imprisoned on a wall when daddy's veracity is letting loose and the most interesting thing Rita (the villain) did was eat a donut. Destruction is a friend but sap is not. 31-Jul-2020
Once You Kiss A Stranger (1969) 
Strangers on a Train stop at Fatal Attraction. Carol Lynley is a Peter Pan wet dream that never relents. She scares children with harpoon guns, she brawls with pet cats and she threatens old people with off-color gossip, death fascinations and frequent visits. Her mental health is homicidal. Ms. Lynley unbinds from daddy adoration and shakes her personal hate towards everyone. The daddies have expiration dates and are being coerced into reclaiming #1 status or lose thoughts of ever having a "good time,"again. Once an unknown pixie enters a married man's hotel room with her nightie on, he's fucked. The tribute is soaped up and spread out, the stunts are hilarious and the actors don't lose a beat. It stings and entertains, like mexican candy. 29-Jul-2020
Bubble couple are misled into a hellish suburban child rearing nightmare after house shopping.The setting is rife with panic and exasperation which neither characters or the presentation take advantage of. The characters don't react like real people and the story wants no resolution. Phones don't exist, no one attempts to test the gadgets in the house, time passes and the majors look the same, young "Sheldon" is triumphantly maddening, Eisenberg spends too much time digging and Poots rimming. It's about nothing. 26-Jul-2020
