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Movies Posts Tagged as 'Gay Swatch'
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Everything was comfortable, a lot of it seemed sad, the cast set their acting dials high and that was a pittance. They also found a way to rebound from it. It was probably myself adjusting to it but they pulled off honoring their TV charisma. A charming fragrance that doesn't linger. 25-Jan-2020
Honoring male privilege while contesting the rules. The gay is treated as a natural conjecture that doesn't adhere to God's Plan but satiates a hungry soul. The men push God's Plan, diddle each other whenever possible and don't allow snot nosed effete city boys to put a label on it. The ending spells it out. 21-Jan-2020
The film adds no psychological perception of its theme. The director contributes affecting shots but the scares arise from unbound cruelty. 26-Dec-2019
Hot stuff (James Darrin) obsesses over dead girl. Like the drugged out haze it was written and directed in, the film lingers on aspects that make it boring. It was bold to include an interracial couple and lesbians romping freely but the sex scenes consisted of a man's back against a woman's catlike nails on repetition. Giving Barbara McNair the insufferable title song hurt her vocal chords and our ears. By the end, you'll feel as misplaced as James Darrin. 20-Dec-2019
Newlyweds get their honeymoon interrupted by voracious lesbians. It's mystery stays locked until the end, probably so we don't question how illogical it is. The protagonists keep it sexually charged and violently demeaning. 18-Dec-2019
Filching the power of a doddering and enraged queen for self preservation. The lead trio combine with the word to exact the wit, scandal and one-upmanship that exists between women. Emma Stone's ambition cuts like a hurling knife, Rachel Weisz is all-business, running from said knife and the glorious and hilarious Olivia Colman covertly catches the knife to use against whom she pleases. Olivia opens like the wounds that appear during her illness. 16-Dec-2019
Revenge boomerangs, bullying turns you serial and little boys do fucked up things. 15-Dec-2019
Violent dream pole invigorates virgin queen to the consternation of his brother and her bestie. It's an odd concoction of disbelief. A bad boy gets rehabilitated by purity, something the girl loses as soon as he smells her. The parents are of the Charlie Brown variety, they're there but you cant really understand them and they really can't be bothered. The bestie should have been gay because watching porn together and never kissing, is weird. There are two gays that pop-up but all they do is desire, deny and dance. I'm torn. We should have family fare that looks and tastes like bubblegum (with sugar) but I think the teens could use a little cement (for their foundation.) The ending played it safe for everyone but I applaud it because it was the only choice for the genre. 03-Dec-2019
Fixing anger management whilst in prison. Jack O'Connell wholly conveys a ferocious and unchained delinquent with soft edging. Ben Mendelsohn is definitely the dad you don't want raising you in prison. Rupert Friend is the therapist that wants to reform them expressing very well through character evolvement that they can also reform him. Well acted, "candy-colored," well made. A take on the anger that builds in the underprivileged man. 15-Nov-2019
It veers and continues, adds Big Bang to theorize whilst amping prior situations to add a new mystery. They rip a few pages from Halloween 2 and all the audacity from Back to the Future Part II. 27-Oct-2019
A bj amongst boys causes consternation amongst girlfriends, family and friendships. It's Brokeback High with much consideration to honesty, acceptance and meditation. The teens keep it pretty, the elders transmit concern and the whole perches confusingly, like real life. 27-Oct-2019
The angel is a pretty boy thug serial menace. The treatment is enamored of its subject, diluting his gay tendencies and celebrating every crime as a cute inspired revolution. Lorenzo Ferro keeps the character charged and the film pulsing but the consequences for heinous are overlooked. I could smell the 70s. 24-Oct-2019
It serves exactly what was on the menu: a teen romcom with knives. 24-Oct-2019
McAvoy is body jacked but his interpretive personalities are TMI agony. The film utters comic book lore without smashing any of it. M. Knight was so obsessed with exercising a singular idea (superhero or not) that the film contains no vibrant standpoint. My foundation remained unrooted. 23-Oct-2019
All the boys needed testosterone shots on vocals. Guy Ritchie has the balls to make a dream come true but has no audacity to eject it with soul. Smith is an imposing genie that computes the gay with little gumption. Mr. Massoud (Aladdin) squishes triumphantly but with too much modern awareness. Naomi Scott (Jasmine) is the only with a voice but she is too liberated in her femininity to convey the struggles of Jasmine's past. Marwin Kenzari squishes delightfully as a person but lends no voice or stature to Jafar. Ritchie brings as many things to life as he killed. 22-Oct-2019
