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All Posts Tagged as 'Good Acting'
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Everything was comfortable, a lot of it seemed sad, the cast set their acting dials high and that was a pittance. They also found a way to rebound from it. It was probably myself adjusting to it but they pulled off honoring their TV charisma. A charming fragrance that doesn't linger. 25-Jan-2020
Its second season gained confidence, borrowed too many scenarios from prior shows without adding a twist of their own and blended too much do goodness and sentimentality. Almost every love relationship arc included a threesome and every reality was punished. Aimee's bus dilemma was its strongest but it should have questioned whether it was a big deal because the friends made it so. The actors and the education are still on point but I believe the show traded in its balls for eggs. 24-Jan-2020
Misfits auditing, recognizing, practicing and adapting. When the concept grows on you, it tugs in all the right places. 25-Apr-2019
Honoring male privilege while contesting the rules. The gay is treated as a natural conjecture that doesn't adhere to God's Plan but satiates a hungry soul. The men push God's Plan, diddle each other whenever possible and don't allow snot nosed effete city boys to put a label on it. The ending spells it out. 21-Jan-2020
Hitchcock nods of creepiness, Keaton's subtle conniving intruder and Griffith's stalwart inquisitor, keep it tense. 15-Jan-2020
In every corner hangs beautiful art and on every wall there is a story...and a story...and a story. I wanted to hang onto the modern fable that was going to rip into our hearts not the cloak and dagger fantasy that could have been its own film. Hugh Jackman was most guttural. The film's complexity overshadowed the simplicity of life. 14-Jan-2020
It's a high art profile of a Batman villain directed by Friday The Thirteenth. Margret brings her heroine to life by embodying the excited frustration of her realistic innocence for magic. Her character is underwritten and suffers from "who cares" but she was in it. Hopkins is our favorite crazy man whose practice and natural talent always have a way of invading its space. It is not a clean performance. He hits as many times as he bounces but what he lands is electric. A film, that in time, might grow into something. 11-Jan-2020
Season 2 served so much syrup it almost drowned the pancakes. The Robinson's catastrophe meter wriggled so much I wondered why they're not in pieces. Am I supposed to notice that the robot has a big ass? The action rumbles, throttles and shakes you down. Big-screen treatment for a TV mindset. Dr. Smith is a hoot bitchier, the actors are scratching their posts and I'm still in. 05-Jan-2020
Even though the orangutan inspired robot invalidates its predecessor the show succeeded in modern interpretation. There's papi squish, mama force, baby hutzpah and multicultural opportunity. Constructive sci-fi action and Parker Posey's iteration of Dr. Smith as the ultimate lying bitch are its standouts. 29-Jun-2018
Leave it to California ("the Hellmouth") to turn a serial into a romantic victim. The pyschology was bi-polar and the disentanglements were happenstance and charred. I'm not excited to see a third season. 31-Dec-2019
The thrill of the cum trampled by a kick in the balls. The delicacies of love entrenched by intrinsic mind bending. Badgley steals the crown structuring the depth of his humanity and indignation. 20-Apr-2019
If you can make me laugh through a funk, you're a winner.
Andrew Scott's voice makes underwear blubber. His awareness at Fleabag's asides were adorably funny. The priest brought sexuality, abandonment, modernity and fulfillment.
Everything Olivia Colman touches is funny elite.
Brett Gelman is a slimelord.
Claire is whom I cheer for and Sian Clifford has achieved "great sparring partner status."
The writing is wicked, the ideas are bursting for the new age and it knows when to apply heart.
I wait for the day when Fleabag breaks down walls to give Ms. Waller-Bridge the legendary acting status she deserves.
(S2E3 was responsible for my LOLs. Award drama was priceless.) 29-Dec-2019
Andrew Scott's voice makes underwear blubber. His awareness at Fleabag's asides were adorably funny. The priest brought sexuality, abandonment, modernity and fulfillment.
Everything Olivia Colman touches is funny elite.
Brett Gelman is a slimelord.
Claire is whom I cheer for and Sian Clifford has achieved "great sparring partner status."
The writing is wicked, the ideas are bursting for the new age and it knows when to apply heart.
I wait for the day when Fleabag breaks down walls to give Ms. Waller-Bridge the legendary acting status she deserves.
(S2E3 was responsible for my LOLs. Award drama was priceless.) 29-Dec-2019
When they express heart over hate, it soars. 10-Dec-2019
I can't imagine a more wicked performer to bitch about life and eviscerate men. 09-Dec-2019
Back to the future for love. The outline leaves you screaming for more but the two leads grind so intently, they keep you posted. 25-Dec-2019
The movie where JLo snatched her talent back. The ladies are gloriously scintillating as the caper is fermented. 22-Dec-2019
The catastrophe of Lost has been redeemed.
Blue is a gorgeous color.
Only Jeremy Irons could snugly fit that suit or that character.
Tim Blake Nelson is trailer park satisfaction.
The greatest thing James Wolk did was strip. His accent almost cut me, it was so sharp.
Lady Trieu was grunge girl effervescence.
It completed, catapulted, respected and reinvented. Brilliant!
15-Dec-2019
Blue is a gorgeous color.
Only Jeremy Irons could snugly fit that suit or that character.
Tim Blake Nelson is trailer park satisfaction.
The greatest thing James Wolk did was strip. His accent almost cut me, it was so sharp.
Lady Trieu was grunge girl effervescence.
It completed, catapulted, respected and reinvented. Brilliant!
15-Dec-2019
I'm excited and afraid. 09-Dec-2019
Acquiring empathy for a dad you hate by reliving his memories was invigorating. (Don't fuck it up!) 03-Dec-2019
Jean Smart and Regina King are glorious. Jeremy Irons is a fantastic beast. The creators name drop comic book fantasy without delivering it. Junk is created for the masses but art heightens its subject. Uncertainty makes the audience walk out. 09-Nov-2019
Why in-laws don't have an official holiday celebration. It quick starts with ease and foreboding with Samara Weaving transitioning from blushing bride to Harley Quinn but it fails to stay on track and the payback doesn't live up to its promise. If the groom had been unaware and a convincing price tag applied to the hunt it would have curtailed the buffoonery. 15-Dec-2019
Environment enacts revenge for interference. The chills are comprised of adorable baby in danger distress. 11-Dec-2019
I miss the glamour of Hollywood. It's a dead art because we think that celebrating beauty diminishes the underwhelming. A film is a dream. When I dream, I want to go to heaven. I don't want to dream about Martha down the street with her torn robe, washing dishes. Everything is a little bigger and a lot more perfect. We have professionals who can transport us to a shinier world that we might want to emulate. It's a waste of superbeings! I'd watch no classic movie ever if the creators hadn't turned fabulous into an art. We know it's fake, they're not portraying crack addicts and drab sucks. 09-Dec-2019
It celebrates the act of divorce like it's a novelty few of us have experienced. Driver and Johanssen rip through an earsplitting script that offers little insight, poetry or pizzaz. The Gods and Goddesses come down to earth to portray us with little celestial beauty to trim the boredom. Laura Dern knows. 09-Dec-2019
