Movies Posts Tagged as 'Writing Reigns'
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Primrose Path (1940)
Tomboy receives her first kiss from a Tractor Daddy and it compels her to dress like a lady (tramp) and stalk him. He doesn't want a woman in his life he wants the shy saucy mouthed little girl he met. They marry, manage a cafe and are adorably happy until a family dinner with her family wrecks it. Tomboy's father is of honored intelligence with no job, lots of drink and no hope for a future. The mother is the ex famous beauty on the hill who gave up her dreams to feed her mother, two daughters, lousy husband and herself. Men with money escort them upstairs while the ladies snatch it. Grandma is a tacky invasion and the youngest is a brat spoiled by presents and groceries only an expert mother can bring. Ginger Rogers was swell proving she can do things herself, Joel McCrea was a giant worth looking up for and every character played to our sympathies. Fuck you, parents! 01-May-2021
Fallen Idol, The (1948)
Ambassador's kid has the run of the mansion and the staff whilst the parents are away. The butler is a hero to the kid because he regales him with stories of how he murdered people in self-defense, allows him treats and spends quality time. Mrs. Butler is a stern enforcer, a mother sub slapper who fries animals and is scary film fun. Butler is having an affair that the child is privy to. The lady is introduced to the boy as the butler's "niece." The three go on outings together. Boy likes niece. Boy is having fun. The boy's slip of the tongue tips Mrs. Butler. She plots. Someone dies. The boy doesn't understand when to lie or tell the truth. The boy's isolation and loneliness happens in big spaces where the adults fuss over him but don't listen to a word he says. Grand camera work boosts everything. It's a trial of a little boy who was fed a pack of lies and whose wrong perception of adult things fucked them all up. 18-Apr-2021
Young Frankenstein (1974)
Mel Brooks' enunciation play is brilliant art. The cast shred with equal parts hilarity and 100% talent. It carouses like a very funny sequel. 10-Mar-2021
Squid And The Whale, The (2005)
Parents with two boys inject a marital separation into their situations. Jeff Daniels is the bitter dad that can't forgive marital indiscretions and uses the separation to win favors with the boys by turning them against their mother. Jeff slices exasperation, vulgarity, intellectual banality and the boredom of an unloved family man into a soul. Laura Linney is the studied wife who will discuss very intimate things with her children without realizing the added pressure she's pushing on them. She wants to live the liberated life that comes from besting her competition (husband) in his writing career and shoving it in his face whilst searching anywhere else for an orgasm. Linney is at her organic best. Jesse Eisenberg is the teen who is not yet a dork, kinda cute but is still creepy. He's on a sexual plight that has been curbed because of his parents' public history. He is the reason for the title and even though he's a dick, his heart sells it. Owen Kline is chilly as the kid masturbating and smearing his cum all over school, calling his dad "assman," telling mom she's ugly, cursing, laying out panties and becoming an alcoholic. Everyone is so busy competing for the other's love that love never comes. A child wants to make a parent proud as much as they want to best them. Anna Paquin is daddy's student who awakens men's desires by being a pixie and writing explicit stories about her vagina. May the best dad or son win. It's frankness felt liberating, the script was witty and smart, it went by too fast and Billy Baldwin whipped his hair back and forth. 25-Oct-2020
Miracle Worker, The (1962)
Wild child with disabilities gets reformed by teacher whose demons compel her to impart self reliance. The film's effectiveness relies on protagonist nerve and muscle. Duke and Bancroft, not only slap it, punch it and break it they receive it, just as well. The psychology was that a child that inflicts pain must undergo it to better understand their crime. All the parental rules we dethroned, helped erect the special intelligence of an unidentified child. At end of story, the combatants celebrate the characters and, I hope, each other for a job well-done.
Autopsy Of Jane Doe, The (2016)
The autopsy is comprehensive, the actors are aligned and the corpse is an eerily beautiful masterpiece. The mumbo jumbo is handled scientifically which excludes genius insanity being the harbinger of truth and sets some practical scares for us. 27-Mar-2020
The society is comprised of envy, maintenance, labor, guts and unification. Images remain in your head, long after you've dismissed them. The story is absolutely unique, the actors are natural and the suffering for/from abundance touches every base. Trimming would have propelled a much stronger impact but I couldn't stop watching every minute of its extensive length. 23-Mar-2020
Joaquin Phoenix is brilliant frightening insanity. The film weeps artistry and reflects on the development of poor mental health and the society that impedes its betterment. The swamp of darkness does not allow our villain joy. I believe that had he had a dance partner (Batman), the movie would have found some. 02-Feb-2020
Irishman, The (2019)
The film punched a hole in the walls I had built being a mobster's kid which I only recently realized. It deftly displayed the inner workings of what my father's life was as opposed to how I experienced it.
The more the legends stripped to the third layer the more astonishing the outcome. Pacino roared, DeNiro resolved, Pesci divested, Romano rattled, Maniscalco (pants daddy) plundered and Jim Norton was uncanny. The women were prescribed little voice yet supplied haunting images.
Scorcese realized the gangster of today and allowed him to pay for his regrets. 28-Nov-2019
Old feeble men playing dress up. The intensity of the work is evident as is the three hour sacrifice to honor the best of it but most of it is unwarranted. The pros are welcome faces and the force is evident. I'm halfway in and I want to record my experience in parts. The history is concentrated and the genre is foolproof. While I've had highs with many of these men, it feels like they never moved forward or learned from their mistakes. Where's the now gangster? Scorcese masters the downfall of every criminal hero he builds yet the audience always ends up glorifying him. 27-Nov-2019
Can You Ever Forgive Me? (2018)
The quest for survival does not always entail good judgment. Melissa immerses herself in a character that is designed to grate, frustrate and devour and supplies her with a humanity we can sympathize with. We ride happily along as she eviscerates the establishment that pulled the pedestal from under her because she wouldn't play the game. The support is top notch and the writing barks. 05-Sep-2019
New York is golden and all else is diamond. It allows you to believe that love always happens.
(Dude, Cher's in it.) 06-Jun-2019
A Face In The Crowd (1957)
"Bad News" becomes overnight sensation. Andy keeps his character insufferable, Patricia Neal tastefully shifts from intelligent administrator to emotionally duped and Kazan imprints it with raw emotional tremor. It still reverberates because we still apply the same politics without accepting its downfall. 28-Jan-2019
Big Sick, The (2017)
Its not outrageous in comedy but its perceptive in family relations and love. It argues stereotypes, parenting and choices convincingly and it presents the actors amiably. Kumail Nanjiani espouses his culture with nods to old traditions while embarking on new ones as an American. Zoe Kazan demonstrates love with a minimum drop of physicality and Ray Romano splatters all the isms that make him classic. 01-Aug-2018
A Raisin In The Sun (1961)
Our predecessors left us an honest slice of life art to authenticate their struggles and to cultivate resolution for their successors. The players are fierce and representative, the writing/directing excels in depiction and respect and the past allows us to retrospect and opine our future. Respect. 31-May-2018
Baby Doll (1956)
Baby Doll is not a child but a 19 year old bride to a man who bought her. Her only power is sex and her unwillingness to depart with it until her 20th b'day. A battle ensues between men that present her with the opportunity to dish it to the highest bidder.
Tennessee creates strong women whose vulnerability lies with the man who takes it. Baby Doll grows up but the system is incapable of providing her self sufficiency.
Williams is still a master of blatant provocation as Kazan is compelled to art.
Baker is raw talent with Grade A movie star presence. Wallach is gripped masher. Karl Malden plays the husband like the insecure man who has to buy love in a very expensive world. Mildred Dunnock's character power is stupidity because if the men notice her they'd be displeased. Ms. Dunnock is given a moment to showcase and she doesn't disappoint. I felt the burnout.
Like all big dick contests, one cock wins, it spirals into violence as white man burdens the town with his privilege.
The author decided not to cap it with a conclusion because we get to decide it.
I was watching a part of history that is no longer applicable because the men in our present, would like to revert to that.