Everything stale is reyclable. The desperation to depict a bygone era is unflattering but the actors revive tired stereotypes with charisma and star watt. Sandra Bullock is reserved and ditzy, Channing is too old to model but the right age to fuck and Daniel Radcliffe sucks. 14-Aug-2022

When Predator removes his cloak and mask, its cool. He is a Jamaican space bear with gadgets. A historical portrait of Native American life and how futurism disrupts it. It was clever establishing the unthinkable. Director kept it sturdy and crawling. The heroine was crafted with moxy, determination and brawn. It can proudly stand aside the first. 08-Aug-2022

Making the audience cum doesn't make it good. As soon as the last drip is swallowed, it's forgotten. 23-Jul-2022

The action sequences were fantastic, daddy Bond exhibited sausage and skills. Having muscles didn't hurt. I couldn't decide if the villain was ridiculous because of the actor or the writing. Sap killed the end. Bond doesn't need to announce what he's going to do. It kills the surprise. 24-Jun-2022

The mood is retro energized to soothe us into an 80's coma. There are three sexes applied to Bizarro Chalamet and I can't get over it. Daddy Rudd endured the right cosmetic procedure because he's yummy gay again except he was stupid, useless and shoed. The wall between the generations discouraged charisma amongst the replacements. There was a don't touch me vibe with babies helming a gimmick that keeps the franchise alive but old movie stars resentful. Why do possessed lizards change their outfits willy nilly but man has to suffer in shreds? The first half works because we presume the artist will add a great spin to propel the magic and replace original mistakes. He makes it more of the same. Reitman copies the spins with advanced tech but he doesn't sign off on it. 20-May-2022

The Batman is the only character that suits up. How lonely for him. He's always the freak. The support enact realistic iterations of characters that lit up Batman's mythology to absolutely no effect. The Riddler is a demented teen who was brought up by an unfunny father who worked the mines. The riddles were blah. There is no Riddler without a tight body suit, a tight body and demented cynicism. Daddy Farrell wasted a lot of time in makeup, creating art out of a role that doesn't belong. He is not penguin. I didn't see any top hats, monocles or bullet umbrellas. Michelle Pfeiffer's reign as the best film Catwoman cannot be extinguished. Zoe is an everyday gorgeous girl not a cat. Her cowl is just as cheap and unintelligible as I expected. Her lack of meow hurts. Commissioner Gordon was a lackey. Everything was eeeeewww and he was always waiting for Batman to finish things up for him. Daddy Turturro knew exactly what the director wanted and gave it to us. Alfred and Bruce's interaction was rude. The parental bond was cold. Why hire an Aunt Harriet if she's not going to be an Aunt Harriet? That might have been fun. Oops. Sorry. Fun not allowed. The Twins were cute. Robert Pattinson is the glue you want to stick to because he makes you ponder how his beautifully broken humanity can create life from something he hates. I saw love in Zoe's face when she looked at him. I saw panty dropping aloofness register from his. Batman's narration doesn't mesh with toxic revenge. The moments he celebrated were my cringe. This isn't Batman. He doesn't laud himself or others. He's a lonely motherfucker that hates the world because he lost mommy and daddy to crime and got stuck in a mansion with a pervy butler. Batman's detective work failed from a lack of gadget magic. Yeah! Rich angry fucks love gadgets. Matt Reeves strikes potent pictures but was entrapped by a franchise that is petrified of its origins. The man/woman who gives us comic book Batman with realistic choices will become King of The World. What's the point of hiding in the shadows if everyone can hear you? 18-Apr-2022

Oops. Laurie and Mike are not the brother and sister alluded to in Halloween 2. It was a myth and a modern waste of a great arc. 21-Mar-2022

A scary Christmas tree disrupts the holiday of a royal court by suggesting a game. The tree will sacrifice its life if the hero taking it, returns the kindness a year later. The bastard son who has only been acknowledged this Christmas, volunteers. He becomes a celebrated knight who downed a beast that will eventually down him but is enjoying the best year of his life. The fairytale has no significance. Magic appears without explanation. The voyage is gorgeously dull. The director casts some beautiful shadows and illuminates good acting but confirming that all mistakes in life repeat themselves is depressing. 16-Mar-2022

Super daddy, a chunk (of meat) and his mini spar through time travel to end time travel. Sci-fi is comic book, action is diverting, writing is pensive but the three leads hold it together. The boy mimicked an asshole just like Ryan Reynolds would. Mark Ruffalo is a war torn daddy born to parent an asshole. The wattage, the funny, the adorable and the sweet were all there. 13-Mar-2022

Apt sequel that glamorizes its predecessor and makes Leatherface a hero. It's a chill, spook and gay spectacular. 06-Mar-2022

Scripting black people to complain about cops and confederate flags is not thoughtful. Killing all the black actors anyway, is not giving a shit. Making me confused about female sexuality is a useless gay time thing. Leatherface is nothing without family dependability. He was the icing on the family cake. A family that celebrated meat, farming and death. Icing without cake is a blob. 22-Feb-2022

Villeneuve attempts putting things prettier than Chalamet on screen and lending coherence to a confusing tale. The audience drives miles before the Jedi is matched with his fate and the communities are only taxed with suffering. The film doesn't allow them any fun. Everyone is a prisoner of religious fervor and nobody takes a dump. The ending is abrupt and the action doesn't build, it stays the same. Villeneuve envisions amazing things but nothing is prettier than Chalamet. 19-Feb-2022

Wife screams rape by hubby's bestie and rival. A trial and a duel decide their fate. The respect Ridley Scott expresses to the Middle Ages is not supported by Damon, Driver or Affleck. Ben is slimmed into a Prince Joffrey outfit with vocoder voice. Driver is a ready-made Rasputin with no magical powers. Damon lost his confidence and earnestness. The men don't belong. They are wise asses of modernity and circumstance. My X-ray vision caught smirks and college campus antics. Jodie Comer had the unfortunate task of reciprocating to two male lead green screens. Why show love for another when you can keep it to yourself. Ridly Scott has a fascination with effete kings. He should make a film all about them. 21-Jan-2022

Zhao contributes "beauty of art" and serenity to the MCU. The actors are sound comic book cutouts defying gravity with little purpose. A Galactus of significance would have created the conflict that Gods favor and audiences delight in. There was a sameness to the threat, a sadness to the truth and no color for the future. 13-Jan-2022

Red Notice fulfills "land of magic" type escapism. The writers created an intriguing caper and an enigmatic cast to play act it. Gal Gadot can act. Well. Daddy King Rock delighted in being the brunt of a joke, constantly, in fabulous fashion. Dickwad Reynolds steals it by being a cantankerous benevolent criminal who is also Deadpool. The director took advantage of its DCU historical significance and developed some solid characters. Heart tug. 11-Jan-2022