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All Posts Tagged as 'Disappointment'
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S1E5. Is it really a choreographed dance sequence if we hardly see the legs of the dancers moving? I can get children to do that in their high chairs. Liev Schreiber's character hit a sour note when he sang, became vain and when he sang again at the beach, because the script had no words. He's either miscast, or yucking it up. When Lady Nic was in the kitchen talking to the Blunt chick, her marker indicated she was talking to her from our right but she was to the left. Who was Nic talking to? The script was so thin I could only zip through words. Direction had no perception as to what people need as opposed to what they want. I didn't care for the victim. She spoke on a platform instead of speaking from the heart. 10-Sep-2024
S1E4. It follows its previous achievement like a spiritual intervention. Lady Nic sparkles but has little action. Eve Hanson is an Emily Blunt snoop. I don't understand why she would have liberty to expose private family pieces. Of course, Scooter can come on me bucketfuls but why is he there? Dakota is livening up and I like it. Benji chose to become Frankenstein over Dracula because he knew his monster only liked girls. Liev Scrheiber fits a sexual attraction but not a breathing husband. Subjects are limited, the wait is cumbersome, it's going to cheat but Lady Nic looked Barbie doll great. 08-Sep-2024
X-corist, Amyty and Geist are the main ingredients that make up this film. It's three interwoven white stories rewritten for black people. Andra Day portrayed a monster with minimal happy days. She was constantly confrontational, inconsistent and influenced. If it weren't for dames Monique and Close, I would have left. I don't think anybody can play an old hillbilly slut better than Glenn. Evil Glenn was appetizing and distinguished. Monique created a believable character from top to bottom and didn't fidget. A successful sequel to The Exorcist might have consisted of observing Regan's memories returning and their dire effects. Regan: Pazuzu Returns! 04-Sep-2024
Batman: Caped Crusader (2024-) 
Serious recreation without inserting creative personality entertainment. Catwoman in a dress is just a drag queen with no sense. Madame Penguin felt gimmicky and in-comprehensive. It's a drastic change of character without a strong backstory to explain it. Couldn't she become The Hen? The Headless Horseman storyline was enough to make the Scoobies snicker. I thought Batman would be more realistic about it. Batman would never tolerate a fat Alfred wheezing into his ear pieces. They turned Harley Quinn into a deck of cards. The ones we never play with. There was not enough clay on Clayface. He's skin and bones and not squishy at all. It toes the line between realism and magic when all it needs is costumes, gadgets and genius. 04-Sep-2024
I understand the importance of the man who did something incredible for his country. A race to be the first superpower to create the best weapon science has to offer. Robert Downey had problems looking sincere being white in a black and white picture. His cranium didn't look right. Jesse Plemons and Matt Damon should play brothers and Ben Affleck must play the hated stepbrother. Daddy Josh was a beholding sight. Florence Pugh showed up to fuck and flip her acting light switch on and off, again. The wind did a better job of styling Emily's hair than the stylist. That's what beautiful hair is supposed to look like. Emily's acting switch was constant. Her story didn't expand. There was more that I wanted to know about her but I was being hypnotized by psychedelics and uniforms. You can't be suspended for three hours and not fall down throughout. There wasn't much keeping it afloat. No action and little surprises. It felt professionally cold. Really, what's an atomic bomb movie without Godzilla, destroying cities? Were moviegoers using Barbenheimer to sleep?
22-Jun-2024
22-Jun-2024
S1E1. It blew me away like someone rejecting sex, with a wave of their hand. True stories don't have to try so hard. The ingredients were flame broiled and the tiny portions of reality chicken were blended. Ms Gunning enacted the written word but could not inflect a believable, funny or endearing persona. Did Gadd concoct an Amytiville or is he telling it wrong? Either way, the errors were enormous. I understood the first greet and meet because he felt sorry for her. By the second day it would take me five minutes to realize this is no good. I definitely wouldn't comp her another drink that she doesn't drink. (Wrong! Big people always thirsty.) He comped her throughout their relationship. I presume it came out of his till. I'd have as little interaction with her as possible and give her polite social distance. Gadd got everything he deserved for having a life that anyone could steal. He flirted and sexually harassed his tormentor because he thought it was funny and sane. That stuff only works on the internet, not face to face. The makers don't want us to ponder who any of the real people are because they don't exist? Even though some random looked her up in 1995 and obtained her life history? Is he a stalker+? Did he used to be fat? And maybe, that too!? He's suspicious and not funny, at all. 25-Apr-2024
Johnny Flynn did not make me understand why anybody would envy Dickie's life enough to steal it. Dakota Fanning was misused. She never really progressed past her harsh demeanor. She needed the director to shake the professionalism out of her. She was supposed to be the heart and the meat of the story but there was little proof the character had any. I would have air horned her when she couldn't say Dickie with a straight face. Why were the details so repetitive and why did I have to look up Caravaggio to understand what the killer was all about? Because, besides talking to dead people, it's complicated. Inspector Ravini added a shot of testosterone to the murky blunders. He was a beautiful respite from Ripley's underwhelming reactions. Unfortunately, the Lucy episode betrayed him. The idea that Scott could play both characters in front of an expert investigator, whilst sporting a goatee and messy hair and not get found out was a slap in the face of the entire investigation and series. Even Ricky wasn't that stupid. Ripley never got to spaz out. Bummer. Dickie was never pictured in the papers when they thought he was missing and when he was wanted for murder. The cops didn't go door to door with a picture of Dickie asking the hotel clerks if they've seen this man. Why? Woodbine showed up again for no reason other than to fill his quota. He also kept his eyes mostly closed. Comprehension did not seem feasible at that point. 19-Apr-2024
E5. You can't ask a fish to play a canine. Instead of using it's time to add depth to other characters it kept depending on only one artist. It is not feasible that a person of his character would return to the scene of the crime and less feasible that nobody would care. Details that read well were ignorantly distributed. I read the original book, was entertained by the film and remembered it wasn't this boring. 17-Apr-2024
E3. Of course I'm still mad that they didn't supply any crayons for the coloring book but papito's italian accent made up for it. He added finality to certain words and made them linger with musicality. I crinkled half the book joyously laughing. I pinched him and hugged myself. 16-Apr-2024
E2. I'm losing patience. It doesn't matter what spectrum an actor falls into, when asked to play a boy, they better act like one. 14-Apr-2024
E1. Black and white can be a statement, the past and or a representation. Schindler's List was black and white so the violence wouldn't be glamorized and the subject exploited. I have no idea why this interpretation needs to be in black and white. It's insurmountable misery. The ambience is french/italian movies from the 60's that bored or didn't easily make sense. It shouldn't be noir. Paper Moon? The Little Rascals? It's not Hitchcock. If the black participants hadn't kept their eyes open, I wouldn't have noticed them. I recognized Woodbine's name after the credits. Who did he play exactly? Yes, the shadow at the bar. The mystery sweeps, the movement is slow but the leads keep you interested.
(Cutest swimsuit ever!) 13-Apr-2024
(Cutest swimsuit ever!) 13-Apr-2024
Shots were placed strategically, playing P.I.M.P. on rotation filled the house with dread and the dog tore up his scenes. The lead played it one-sided which gave away the outcome. There was no Bette Davis conniver in her spirit. The film never strays from repeating the same story from different angles. It becomes exhausting to sit through. It needed to give the audience a break from the same subject. The clues fell so easily on the writer's lap that no surprises were forthcoming. They coerced the kid to pick a side but the director didn't. 22-Mar-2024
Oh. Emma ruined the word squishy for me. 08-Mar-2024
The whore of Frankenstein. The direction was stylish and the visuals were artistic but the script needed punching. The backstory was more interesting than the Frankenstein repeat. I wanted less of that. None of the actors clicked in the setting and Ruffalo's mumbly accent was troubling. TG he got naked. Emma Stone played the recovering retard like anyone would. She was okay but she didn't ignite the fire that would make men want to imprison her. Ramy's wedding pants were awful. I couldn't identify with a woman who is allowed a smooth awakening because she is trapped in a make believe world. She didn't know the value of a dollar, a meal, a man, rent, a closet, bordello gangbangs and logic. Stepping out on the town in lingerie would have been disastrous and mind altering in the real world. She is not a hero. She is like every other woman trapped in a setting that a man built. 08-Mar-2024
It doesn't get worst than this. There were only two funny bits, the drowning dog and the girl's hair. 08-Mar-2024
A movie should fulfill its promises. It promised that somebody was going to die if they did something. They did and nothing happened. False climax. It would have added a human touch to a technical movie. I didn't understand how the powers worked. There were instances when they could have used them to get out of situations but didn't. Scenes end after every cliffhanger and we lose out on the action. No slicing and dicing. Little girl had the lamest power. I can turn off electrical devices too, so can Alexa and I don't have to touch her. The sequel did everything it did before and didn't grow. The robot dogs were impervious to electricity, but died because of it. Stepping on water when you're electric doesn't sound like a good idea. They shifted the board but kept the game the same. 03-Mar-2024
Somewhere along the way, I became disinterested. 03-Mar-2024
Michelle Keegan was salty with inner strength. Woman and child lose daddy to murder when intense family bonding goes awry. The detectives bungle, connect, bond and make us feel. Joanna Lumley exerts bitchiness and priority. The suspects were vibing. I was invested in every episode. Puzzle pieces were a reward. The final ones put my eyeballs back into my head. It would make absolutely no sense, if the director and performances weren't so great. It was like watching Dynasty: The Best Years with a moldovian massacre at the end. 14-Jan-2024
The performances were award worthy and the men, ass ripping but the story remained too abstract to give the film much punch. There wasn't enough information about how the outside world worked to care what occurred in small spaces. My brain exploded when Saiorise's character deduced that maybe we were looking down at the sky. That would mean that earth was upside down. I couldn't grasp the idea of looking down to find my blue clouds and sunshine. The end adds it all up but the director did not distribute enough interesting bits throughout. Entertainment was Pet Sematary inspired. 06-Jan-2024
The main vocals were experimenting and setting themselves apart. Actors don't have to sound like another actor's iteration but they must ponder the psychology and physicality of their characters to achieve evolution. Batman and Joker sucked. Poison Ivy passed by a hair. Joker plots to steal Christmas a la you know who, Batman is indisposed but his child can become him to save Gotham. The action was rollercoaster, the art was crude and the meaning got lost. 17-Dec-2023
Lack of clarity and character purpose slows a movie about a female child molester. The boy was thirteen, she got caught, went to jail, became pregnant and married the victim. Natalie Portman is the actress that arrives 20 years later to witness the aftermath and understand the feelings involved in a messy woman's choices so she can better portray her in an upcoming film. The couple believes it might bring redemption but it's not clear what Portman's true intentions are. Julianne Moore settles on a safe space where the husband, children and neighborhood are trapped within the woman's bubble of fantasy and control. She never thought she did anything wrong except cheat on her husband. Boy grows up and remembers feelings that were not kosher, his dependence on his wife gives him no place to run to and he needs to blast it to any one that can help him understand. Charles Melton's abused boy is a frozen fuckboy in a bubble of his own that conveyed not much more than the script. Melton pauses and clamps trying to act through something that's keeping him away. The beautiful score is unsettling and builds to nothing. Moore has a few moments, Portman gave us brilliant seconds but the styles never coalesced. The script mumbles and only hints at evoking feeling. When a woman is a victim of abuse, her story is always front and center. If the man is the abuser he has to register as a sex offender, not live by schools or children, be destroyed for life and never be the lead in his own story. Why didn't this victim get the same respect? 03-Dec-2023
