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Miss Brooks is a respected English teacher who's moved to a new town for a progressive opportunity. Competitiveness at work is minimal as she plays well with boys, stimulates her students and knocks sense into obstinate parents. She has a desperate need to settle down which is not characteristic of a woman that's acquired equality. She's good at everything. She has the cutest landlady, a rich daddy, a working daddy, a great job, the esteem of the community and she's smart. The film has sitcom sensibilities and a pleasant Desilu alumni. Gale Gordon was a pratfall master that endured a lot of physical punishment to make us laugh. I laughed. Eve Arden was a master wit. She told it like it was and lived it. She was an act of freedom. 05-Sep-2021
Patty Jenkins went on a shopping spree with the film's budget. Did she leave most of it home? It opens with baby Diana discovering clever ways to somersault at the White Female Olympics. She's unbearable, I mean unbeatable even as a child. Cue applause and adoration. There should have been a lot of irony in a woman raised to best everyone, even in goodness. Years of not belonging in the world would have brought her detachment from it. She wouldn't fall apart over Steve Trevor and she definitely wouldn't pine for him for over a 100 years. Compassion is a side effect of a movement. Coldness is a statistic of war. Everything you hate about the movies is in this one. The older maidens are given minimal time. (They didn't study their accents, again.) Cheetah might have been intriguing as a black character with white superiority issues. Yes, make it a race thing. Pedro Pascal left his guts on the floor while Ms. Jenkins took a nap. Steve's explanation for existing in the future was best established on the 70s TV series. Future Steve could have been the great grandson of dead Steve. Incestuous hook-ups and emotional consequences. It would have been a great place to establish personal turmoil. Gadot needed to wear some of the tear in Wonder Woman's battle history to find her strength because it ain't crying.
Patty Jenkins killed Wonder Woman. 14-May-2021
Patty Jenkins killed Wonder Woman. 14-May-2021
Lilly James never grows into the character of Mrs. De Winter, married to a beautiful giant with the power of entitlement and a haunted past. She's a bumbler who goes head to head with a stern HOH named Mrs. Danvers whose the only person in charge. Kristin Scott Thomas sinks her teeth into a classic character that was a delightful fright but whose persona has been abbreviated to a devoted staff member. The best manipulations are designated to other characters which kills Mrs. Danvers psychosis and grants Thomas no fun. The story has been fidgeted, the lush is unimpressive, the style is non-existent, James is not the woman for the job and Hammer is a pretty package with no clue as to how to play a rich gorgeous dick. I would have preferred to see Rebecca's story play out. Mrs. Danvers could have pined for her mistress while Rebecca crushed men's spirits. Missed opportunity for some classic lesbian fun and threesomes with the Hammer. 23-Oct-2020
Whodunnits don't need explanation. A fresh appeal for a chess match. Everything with Plummer spun magnificently but Craig jacked Spacey's southern flourish with little success. The support were ready but remained pawns in a game. They didn't flesh out. The unraveling was dry and predictable but the mystery qualified. 08-Mar-2020
Trying to recreate the horror of The Exorcist on a scaled budget and via a disorderly presentation. The soul music was vibing but out of place. The shocks consisted of kids swearing, getting buckled and mama make outs. Juliet Mills succeeded wiping out sweet "Nanny and the Professor" memories and replacing them with disturbing ones. It had some effective scares that would have triggered had they been taken seriously. 29-Jan-2020
Tobe and company add too much silliness to the story, the aliens look like ugly toys you get for free at a drive-thru and the only alien needed was underutilized (Louise Fletcher.) She knows scary. 31-Dec-2019
I miss the glamour of Hollywood. It's a dead art because we think that celebrating beauty diminishes the underwhelming. A film is a dream. When I dream, I want to go to heaven. I don't want to dream about Martha down the street with her torn robe, washing dishes. Everything is a little bigger and a lot more perfect. We have professionals who can transport us to a shinier world that we might want to emulate. It's a waste of superbeings! I'd watch no classic movie ever if the creators hadn't turned fabulous into an art. We know it's fake, they're not portraying crack addicts and drab sucks. 09-Dec-2019
It celebrates the act of divorce like it's a novelty few of us have experienced. Driver and Johanssen rip through an earsplitting script that offers little insight, poetry or pizzaz. The Gods and Goddesses come down to earth to portray us with little celestial beauty to trim the boredom. Laura Dern knows. 09-Dec-2019
It thought Three Stooges hilarity could save it. Helen Slater, her costume and her hair legitimizes it and Bochner doesn't hurt but everything else is bargain basement. I quit it because I didn't feel like falling asleep for a third time. Nobody cared. 12-Oct-2019
The formula quickly evaporates.The title elicits the only excitement. 29-Jun-2019
Devoid of purpose, study and reverence. The psychology of Laurie Strode was as an empowered victim that elicited strength from catastrophic violence. She's not Sarah Connor and she wouldn't burden a child with her horrid mythology. The holiday wasn't nostalgic and the nods to Hitchcock (who's that?) were extinct. Hallmark movies concoct bigger frights. 08-Feb-2019
The irony of the title is that it took me 6 tries to complete because it kept knocking me out. There's pretty boy enthusiasm in front of the camera but behind, they couldn't scare a bird. 11-Dec-2018
I don't understand the sanctification. Only reality befits his truth. He was a musician with a thug problem. 29-Nov-2018
Having the entitled open doors to a life disadvantaged people suffer constantly isn't frightening, its insulting. 27-Nov-2018
Star Trek III: In Search of Spock (1984) 
Generous in sci-fi spirituality but short in supplying the visionary actions that deflects from the nonsense. 12-Nov-2018
Star Trek II: The Wrath of Kahn (1982) 
It's an old friend I had no idea I made. It's everything it pretends to be. 12-Nov-2018
