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Movies Posts Tagged as 'By the Numbers'
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Illogical silliness for a ferocious one liner. The supporting personalities are TV staples flexing their muscles to bozo comedy. Poor things. 19-Jan-2020
We watch for the shiny new tech (even if it appears unfinished.) 09-Jan-2020
Tobe and company add too much silliness to the story, the aliens look like ugly toys you win for free and the only alien needed was underutilized (Louise Fletcher.) She knows scary. 31-Dec-2019
Whores assessing that man needs art to turn on. It's an excuse for filmic art to celebrate human art (Harris Dickinson) but it doesn't know how. 03-Jan-2020
I miss the glamour of Hollywood. It's a dead art because we think that celebrating beauty diminishes the underwhelming. A film is a dream. When I dream, I want to go to heaven. I don't want to dream about Martha down the street with her torn robe, washing dishes. Everything is a little bigger and a lot more perfect. We have professionals who can transport us to a shinier world that we might want to emulate. It's a waste of superbeings! I'd watch no classic movie ever if the creators hadn't turned fabulous into an art. We know it's fake, they're not portraying crack addicts and drab sucks. 09-Dec-2019
It celebrates the act of divorce like it's a novelty few of us have experienced. Driver and Johanssen rip through an earsplitting script that offers little insight, poetry or pizzaz. The Gods and Goddesses come down to earth to portray us with little celestial beauty to trim the boredom. Laura Dern knows. 09-Dec-2019
It was starting to feel like an allegory for reluctant parenting but the writer couldn't unhitch from irrelevance. 05-Dec-2019
The film punched a hole in the walls I had built being a mobster's kid which I only recently realized. It deftly displayed the inner workings of what my father's life was as opposed to how I experienced it.
The more the legends stripped to the third layer the more astonishing the outcome. Pacino roared, DeNiro resolved, Pesci divested, Romano rattled, Maniscalco (pants daddy) plundered and Jim Norton was uncanny. The women were prescribed little voice yet supplied haunting images.
Scorcese realized the gangster of today and allowed him to pay for his regrets. 28-Nov-2019
The more the legends stripped to the third layer the more astonishing the outcome. Pacino roared, DeNiro resolved, Pesci divested, Romano rattled, Maniscalco (pants daddy) plundered and Jim Norton was uncanny. The women were prescribed little voice yet supplied haunting images.
Scorcese realized the gangster of today and allowed him to pay for his regrets. 28-Nov-2019
Old feeble men playing dress up. The intensity of the work is evident as is the three hour sacrifice to honor the best of it but most of it is unwarranted. The pros are welcome faces and the force is evident. I'm halfway in and I want to record my experience in parts. The history is concentrated and the genre is foolproof. While I've had highs with many of these men, it feels like they never moved forward or learned from their mistakes. Where's the now gangster? Scorcese masters the downfall of every criminal hero he builds yet the audience always ends up glorifying him. 27-Nov-2019
McAvoy added a comedian's twirl at the tip of his Xavier accent and Lawrence appears like she's having facials with strangers. Little effort is evident by a cast of talented people. It saps and cheers for itself and it talks too much.
If the film had impressed the combustion that Fassbender and Chastain were percolating, the makers would had made a winner. 24-Nov-2019
If the film had impressed the combustion that Fassbender and Chastain were percolating, the makers would had made a winner. 24-Nov-2019
Human trafficking. The film reads like a book cover. The director omits all the details and experiences that would have elevated the message. The monstrosity was so minimal that I had no idea what the protagonist was actually suffering. The fear of exploitation mars audience reaction and participation. 06-Nov-2019
To re-establish a franchise, new ideas must sprout to keep it fresh whilst the outline maintains its mythology. It had ideas but they pushed forward for a sequel not sense. I read a book about an achingly heartbroken mother who suffered a breakdown over a loss. The dad exemplified the role of a devoted and loving husband who would do anything to keep his family intact no matter the consequences. The remake presents the hands-off and detached parents of today that diminishes the heart and the horror. The movie is so invested in not being the other one that it fails. 03-Nov-2019
A concoction of leftover ingredients that can't fill a tummy. 01-Oct-2019
You lose respect as soon as they kill the best visual effect from the cast and after they break the rules they established. 30-Sep-2019
Rekindling a bromance. There were so many elements that could have thrust the story forward but the director was so intent on a surprise ending that his magic tricks don't total rationality. It's underhanded. The film relies heavily on Toby Wallace, whose star endowment keeps it flowing and wrings the only emotion at end. 23-Sep-2019
The film never gives ma the purpose that would allow her to enact revenge sensibly or enjoyably. "Ma should have been the supplier of alcohol to teenagers that ended up driving and incapacitating someone she loved. Revenge ensues." Octavia exhibits instances in which exploitation of her gifts is considered but they are continuously squandered by horror cliches. Octavia smashing face with a twink is a creepy highlight. 20-Sep-2019
The boys look underaged but the girls don't. That's hilarious. 19-Sep-2019
It's all vegan undernourishment until the end where the meat and potatoes are served. 15-Sep-2019
