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Movies Posts Tagged as 'Fatigue'
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Band of vagabonds get punished by nazis for playing crappy rock or because they witnessed a crime. Sir Patrick Stewart was hired to class up the film and the "n" word. Anton Yelchin's heroism is a John Connor (Terminator) facsimile with substandard realization. The film lost me as soon as the punk picks up his phone to call the police for a kill that wasn't directed at him. What is the purpose of nazis if there is no racial conflict? (They don't need the props.) They were dim and disoriented and anything but scary. It stalls, it repeats, it celebrates and I believed very little of it. 28-Mar-2020
Instead of a body switch Mr. Reiner chose partial possession which is one of the most improbable storylines attempted ever. We want no change in anything but the story. The pros (Martin and Tomlin) don't embarrass easily because it makes sense that great comedy training includes stupidity. Martin freights most of it and freewheels in an agitated state that unnerves us but never hinders us from lapping up his star charm. Lily didn't feel like an equal because she was stuck in a mirror for most of it but her adorable cheekiness and one liners hit. The dance was still cute. 25-Mar-2020
House of the Devil, The (2009) 
Quarantined and babysitting who knows what in strangers' creepy mansion is as nailbiting as it gets. Money can put any Spidey sense to bed but it can't help you. West's film strengths are character and suspense but the wrap up was easy, predictable and not scary. 22-Mar-2020
I did a double take when I realized the film wasn't set in the cheesy 60's gothic era. The women are dead ringers for the pristine beauty of that time and the daddies are porn succulence. The witch is a backwards feminist, desperate for love but her potions and sex stratagems only work precoital. Love turns men into quivering slobbering mush as the witch becomes vexed and resentful. The film is experimental, nonsensical and devoid of magic. 15-Mar-2020
A con for the social sprinters, trifling and influencers. It takes forever to kill one and when they do its not enough. Solid acting keeps you tuned. 11-Mar-2020
Infiltrating a religious sect to save a sibling. The premise barely sustains itself and Dan Stevens' idea of macho heroism is to grunt like a gorilla and squawk like a duck. He is so inspired to erase his Downton starter that what he erects is stiff overcompensation. The only thing the film gets right is torture and a weirdly coincidental female tree. 11-Mar-2020
She kills giants and she's not afraid of them but then proceeds to quiver and weep at the thought. Having little girls spew superhero corn is cringey and embarrassingly hilarious. The girl on girl was tender but the titular was a smoky abstract. I was a bit confused by the giants. Why kill something that hands such good life advice upon victory or is that the point? Are they fortune cookies? 09-Mar-2020
A vague bad trip made sillier by insignificant EFX. Even though his American accent was flawless, McGregor was clamping down so hard on his own that he lost his squishiness. Ryan Gosling hadn't found his squish yet... he was a serious actor. His blank stares were very blank. They gave little credence to Naomi Watts' character except to provide her great face at the end. 08-Mar-2020
Whodunnits don't need explanation. A fresh appeal for a chess match. Everything with Plummer spun magnificently but Craig jacked Spacey's southern flourish with little success. The support were ready but remained pawns in a game. They didn't flesh out. The unraveling was dry and predictable but the mystery qualified. 08-Mar-2020
It's a waste of a title. Young couple break-in to a wacko family home and tables get turned. If the key to the story is madness why not explain it understandably so we can ponder it. They borrowed it, splattered it and hoped for the best. All actors were on game but Skarsgard's talent magnet pulls you in. He's an intrepid bloke. 06-Mar-2020
Its paced like a cartoon which kills the organic emotional impact because it seems rushed.
The score swelled and stomped on all the sentiments the story was setting. It's hard to feel something when it's already been decided for you.
The baby voices were stronger than their mature counterparts.
The soundtrack sparkled with new modulations.
It's a retread with no originality injected... wrapped in a gorgeous package. 29-Feb-2020
The score swelled and stomped on all the sentiments the story was setting. It's hard to feel something when it's already been decided for you.
The baby voices were stronger than their mature counterparts.
The soundtrack sparkled with new modulations.
It's a retread with no originality injected... wrapped in a gorgeous package. 29-Feb-2020
Once Upon A Time... In Hollywood (2019) 
I no longer squirt for QT unhinged idiosyncrasies. Talky, boring and pointless. 23-Feb-2020
Wesley Snipes' character makes no sense and serves little purpose except to initiate coincidental saves. The aliens are underwhelming compared to its rip counterparts. The only injection of interest occurs at end where the film should have started. 22-Feb-2020
I would have jumped, had reason backed it up. 13-Feb-2020
Godzilla: King Of The Monsters (2019)
A blanched all-star siphon it's heart but the smoked monsters have art comic book flair. Blur the actors and fine-tune the monsters. 13-Feb-2020
