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Movies Posts Tagged as 'Fatigue'
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Smurfs: The Lost Village (2017) 
Surprise. Eliminating Hank Azaria as Gargamel does not make a Smurf franchise better. Besides being objectified, gangbanged and being a procreator, Smurfette is confused about her purpose. She goes on an unenviable adventure to find herself amid little care from the audience. The best stories do not have big bang adventures. They stay close to home so we can empathize with them. Girl Smurf explores and becomes at Lesbian Forest but returns to Smurf Village for the bangs. Sounds about right. 09-Nov-2020
The mother of dragons goes goofy and messy to the legendary tunes of George Michael. Emilia Clarke leads with little sense. She's on a hurtful journey that should have been poignant but is annoying. Henry Golding is hot daddy giant with a glass wall constantly in front of him. Michelle Yeoh (Santa indeed) captivates with elegance, deliciousness and talent. Every actor was directed to pitch to the back audience as if it were a play. No need for that in a film. We don't want it corny but a little less cranky, maybe. Christmas is saturated with lights, the word Jesus in small letters are bountiful and the repetition of a song George Michael would resuscitate from to kill, dominates. There were so many beautiful things the director could have applied to Michael's music but decided basic was better. The ending is a surprising memorable copout. The lead character is insane. 05-Nov-2020
Lilly James never grows into the character of Mrs. De Winter, married to a beautiful giant with the power of entitlement and a haunted past. She's a bumbler who goes head to head with a stern HOH named Mrs. Danvers whose the only person in charge. Kristin Scott Thomas sinks her teeth into a classic character that was a delightful fright but whose persona has been abbreviated to a devoted staff member. The best manipulations are designated to other characters which kills Mrs. Danvers psychosis and grants Thomas no fun. The story has been fidgeted, the lush is unimpressive, the style is non-existent, James is not the woman for the job and Hammer is a pretty package with no clue as to how to play a rich gorgeous dick. I would have preferred to see Rebecca's story play out. Mrs. Danvers could have pined for her mistress while Rebecca crushed men's spirits. Missed opportunity for some classic lesbian fun and threesomes with the Hammer. 23-Oct-2020
House That Jack Built, The (2018) 
A psychologically misconstrued examination of a serial killer. If Lars had written a legible mental frame for Matt Dillon's psycho, the actor would have been highly praised. The script is basic, ignorant and fucked the space out. Von Trier lingers over every kill like it's a piece of art but all is brutal insanity. The length of the movie exhausts and the ending is an early exit regret. 12-Oct-2020
This was an almost horror classic outdistanced by a grip not worthy of its folklore or its marriage to the present it creates for itself. The audio tapes that were assembled to heighten the tension, cartoon's it. Few actors can inhabit different ages or sexual identities with success. Get different voices. It's audio. The men in the present are not quantified for the sins of the past. It chugs along without much corroboration with its history except that the new mental health was once lunacy. 08-Oct-2020
Only 6 of the damned children remain. They are diverse from different countries and brought together as gifted anomalies. The union creates a force amongst the children and the question of their humanity is evoked by anyone with a thought. The little buggers have a message. They kill because we kill. Man's interference with earth is not a save but a control. The kids exist to create balance. The adorable, horrible, little blonde wigs were missed but not needed. (I was curious to see how the minority children looked in them.) I'm sure they made the right decision. The mothers are ferociously hateful to them for making them live in an inescapable cold world. The fathers don't exist. The film expands and is its own thing but the explanation for the mythology bummed me out. 06-Oct-2020
The original was about mean queens celebrating a birthday whilst eviscerating each other. The remake tones down the queen and ups the hostility and humiliation. This is a most difficult success story to digest. Jim Parsons gobbles it up like it's the last dick he's gonna suck, Charlie Carver gets to squirt but not emote, Matt Bomer exhibited his ass and it was riveting and Zachary Quinto wore an afro sheen wig. It all isn't nicety and rainbows in our community and it elaborates on it without resolving it. The black band member did not walk out when his friend uttered the "n" word towards him and he didn't walk out when he sang it to him a second time. Friends do not call each other that. It would be over. This is where you insert daddy Ryan's skewered politically correct irrationality and award a character some self-respect. It depicts the hellish parts of the gay community that is always shining in the dark and slams your head against the wall with it. 01-Oct-2020
Morticia was lacking the sultriness Gomez used to devour. Gomez was lacking the passion he exhibited at the most ludicrous and divine things. Wednesday could have used a little less rich girl in her voice and a lot more bitch. Uncle Fester was destroyed. Bette Midler was the only one of the group to have seen more than one episode of the tv series and gave Grandmama her unique flair. The family is constantly trying to kill or destroy each other, ad nauseam. Somebody missed the point of The Addams Family and what they constituted. They were us fighting for our place in the world from the imagination of a mad man. The writers need to apologize to the artists for making them create the angriest animated film ever. Dude, that's coming from me. 01-Oct-2020
The desecration of humanity is unforgiving. In order to conceptualize fact based savagery onto film you have to be a little nuts. The film goes where Tarantino's wouldn't and exploits it. It doesn't feel like the 60s, the ladies never heard of the 60s, the boys are drunks, stoners and stoopids and the killers remained shadowed like Halloween supervillains. Giving an evil character personality does not grant them humanity. It gives us a clue who to run away from. Make it up and make it real. I was a fan of Sharon Tate and I felt her tragedy. When I read "that" book, I experienced haunts and nightmares, forever. How could people be so inhumane? If the writer brings up the question, he and the director need to answer it. If you're going to make it, let your balls hang real low so the audience can cut them. The crew has regular mental health issues but no psychosis or artistry. It's Lifetime violence with '40s flair. The opener sizzled only because nobody makes Miss Jane look stoopid. 19-Sep-2020
Babysitter, The: Killer Queen (2020) 
Everything remembered is welcome, the leap from kid to tween is maternally sweet but the whole is missing something. A foot in reality, a step forward and a babysitter. That's what I missed. 17-Sep-2020
I didn't wait, I swam back. As soon as I heard gay clones spouting the word "thirsty," I was out. 03-Sep-2020
The inclination to watch was always interrupted by its gaming inspired poster. It looked like something you would play not watch. Obviously, it's description and my boredom tuned us in.
After decimating earth the next boost for humanity is to fuck up space. Away we go with pirates, thieves, anarchists, loveless, lawless and hopeless. Fun fact: I did not know space had crabs and no gays. The monsters are CGI identified on a two sided coin. The dialogue is full of those chemicals we don't want on our meat, the actors eating corn would have had the same effect and the director/editor stumbled by premeditating everything about to occur. The action sequences are as inspired as a preview before a game that never starts. 28-Aug-2020
After decimating earth the next boost for humanity is to fuck up space. Away we go with pirates, thieves, anarchists, loveless, lawless and hopeless. Fun fact: I did not know space had crabs and no gays. The monsters are CGI identified on a two sided coin. The dialogue is full of those chemicals we don't want on our meat, the actors eating corn would have had the same effect and the director/editor stumbled by premeditating everything about to occur. The action sequences are as inspired as a preview before a game that never starts. 28-Aug-2020
A boy and his brother surrender parts of themselves while trying to resurrect their mother through alchemy. A journey ensues to find a philosopher's stone that will return their bodies and relax their souls. The animated series was a dark tragedy with kiddie undertones, celebrating science and magic shows, stupendous mutants with biblical powers, military strategies and coos, cliffhangers and curves while pulling the heartstrings. The introduction is action best, the characters and the costumes click the memory banks but its empathy blubber is unforgivable. 26-Aug-2020
It's about repetition. People like myself have a tolerance for it. My mother kept me isolated like a special demon child that would wreck havoc onto the world if unleashed so repetition was my savior. I could visit safe lands (suburbs) inhabited by future friends (white people) and foretold accomplishments that never happened. The film is about repetition and it never stops. If the why hadn't kept me posted I would have skipped the nightmare. The clarification made sense, its' the what that didn't. 18-Aug-2020
Stephanie is the child that's always in your face that you ignore. Her parents abandoned her to live in isolation during an unknown pandemic and to deal with a monster roaming about. Daddy Frank Grillo and mama Anna Torv were defined as shitty parents so everything they did was spotty and disenfranchised. Shree Crooks discharged unsettling reality to her child. The twist curls into a pretzel, a bone breaking finale poured some salt on it but the whole was artificial cheese dip. 13-Aug-2020
