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Movies Posts Tagged as 'Suspense'
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A depiction of modern slavery is a tough subject not to exploit. Deon Taylor identifies the subject but can't tackle it hard enough for us to feel it. 03-Jan-2019
The utters of Fonda and Hutton chanted high. Tony Franciosa kept the octaves low and his charisma forward. John McGiver sets and Mabel Albertson resists becoming the in-law stereotype. They glorified it. Lois Nettleton steals it because she could.
Marriage is deemed a terror, everyone screams their heads off until a surprise gift changes it. It has a loud message but you can still hear it.
Unfortunately, George Roy Hill's absurdity didn't allow Tennessee to be tragic. It's what the writer did best. 03-Jan-2019
Marriage is deemed a terror, everyone screams their heads off until a surprise gift changes it. It has a loud message but you can still hear it.
Unfortunately, George Roy Hill's absurdity didn't allow Tennessee to be tragic. It's what the writer did best. 03-Jan-2019
The thrills emanate from Momoa's colossal brute, Wan's dazzling shots together with pulverizing action and allowing Kidman to kick ass. Whenever it announces its mythology the corn drips and the music swells. It's best to keep them minimal and quiet but DC is finally moving forward. 28-Dec-2018
The terror arises from a vapid addiction and in the addition of numbers. Madeline Brewer's sensual tease and nervous sense of morality keep it edgy. 13-Dec-2018
Uglier than Chucky and Annabelle and coalesced with contemporary American horror bites. The absurdity compels hilarity. 10-Dec-2018
The premise chills but the villainy is all mustache twirl. 07-Dec-2018
The commotion was executed to impress Hitchcock, obsessed beliefs create boundaries and we got to be impressed seeing a policeman do his job. 02-Dec-2018
The list I was creating throughout the movie was uptight. Emily Blunt doesn't need to talk to ignite, an extension into a Shyamalan world is welcome and Krasinksi scares. That's all I needed to quote. 02-Dec-2018
Hand That Rocks The Cradle, The (1992) 
A two-sided coin that elaborates on the ramifications of "me too."DeMornay manifests vindictive bitchiness by thread, tone and lust. Sciorra deadlocks maternal credence and Moore is the flippant friend you can't trust but should. Girl fight to the the end is its bang. 29-Nov-2018
The door to Spielberg's imagination never closes. He is most brilliant when he transfers his thoughts to the eye (camera.) The Shining and Chucky were unhinged odes and asides of established mastery. Regrettably, the writing and acting get displaced whilst catching up. I would thrill to see the meister embrace his dark side. 27-Nov-2018
The camera is tricky and holds a tight grip. Edmund Kingsley is burdened with having to convey panic and desperation with a partially helmeted face. He adds to the film's accomplishments. It's important to understand the circumstances because we still repeat them today. The knowledge surprises. 24-Nov-2018
Mathilda May is other world perfection. The story is complete, the make-up impresses and the Brits exalt conspiracy authority. By end, the filmmakers are overcompensating and padding the screen with extras when all we want to see is daddy tackling the destructive seduction of the ideal woman he created. 23-Nov-2018
I can admire nature and ogle the choice of men but the film required an explanation. 19-Nov-2018
The idea to affright pranksters holds steady. As soon as it realizes it can't scare us it lurches towards disgust. 17-Nov-2018
The material doesn't spark but a slice of home and a plenitude of attitude make up for the pinch. Grier is gorgeous disciplinarian. 16-Nov-2018
