Movies Posts Tagged as 'Touching'
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Space Sweepers (2021)
The earth has become Mexico red. 5 percent of the privileged population safely inhabit space while governing the remaining 95% that will die with earth. Space sweepers clear space from waste. It's a competition. The team who swipes it first wins and gets paid. I got absorbed in its universal travelogue. I wanted to see more of dying earth and plastic earth but understood the budget restrictions. They concentrated on delivering a humane story against a space adventure. The robot is a human-like child set to detonate and cause a nuclear disaster on earth. She is the new cargo the Victory ship undertakes. They are afraid of her as they are enamored. It's done with cheeky humor, a team that kicked ass and a heart that saps with the wind. It doesn't hit your face in a glob. It spreads out so you can gently dab. Every representation spoke their language and it sounded musical and educational. The little girl was adorable and the action was Tony The Tiger. 18-Feb-2021
Palm Springs (2020)
I wasn't going to review this film because the idea filled me with dread. It's Groundhog's Day in a cave inside of Palm Springs. Samberg is unrecognizable and semi-fuckable, Miliotic is an easy soft serve and Palm Springs is the Hellmouth. Everyone lives by a routine in which no designated time or responsibility is accounted for. Unless an earth shattering moment occurs the repetition rarely changes. The soft serves had a bond and shared some squishiness. The story is stolen from someone's heart. Its comedy is the brutality of living a life...for too long. 01-Dec-2020
Little Girl That Lives Down The Lane, The (1976)
Girl home alone. Dying dad bestows his daughter home security and life skills that would allow her to survive until adulthood. Alexis Smith plays the ultimate Karen whose landlady suspicions arise at a most inconvenient time and whose spats with Miss Jodie are powerhouse. (The slap was everything.) Martin Sheen was so realistically slimy as a predator that I had to imagine it was his spawn's "Charlie character" from Two & Half Men. When you acquire power from self reliance, self love and luck, only the broken and the animals will be able to understand you. Miss Jodie doesn't quiver, exudes superior knowledge, bitches like an equal and demands the respect of a girl who wants to live in the house that daddy paid for. 04-Oct-2020
Guess Who's Coming To Dinner (1967)
White liberal tolerance is tested when daughter brings a black man home to marry. Sidney Poitier represented the culture as a man in love with a soul of a different pigmentation that he deserved to engage with. His idea for racial harmony and hopefully acceptance, was to lay the weight and fate of the marriage on white daddy's heart. The script was respectful and contemplative, hitting points from the heart and establishing strong voices for each character. Isabel Sanford hooted as the maid who has lost control of her household and the family she wove herself into. Katherine Hepburn's use of props and legend added quotes to her character, Spencer Tracy's suffering was real, Sidney Poitier had enigmatic charisma with everybody, Dorothy Houghton was a familial delicacy, Beah Richards was luminous and Roy Glenn was growling. It's greatest case isn't about racism but a parent's fear that their child is not choosing the safest life. My favorite speech is Poitier talking to his dad about who owes who. The father who demands payment and racial solidarity for the sacrifices of rearing him or the son who wants release for a choice he didn't make? The father may limit himself by being all about black but the son just wants to be a man. 26-Sep-2020
Ladda Land (2011)
Family moves into a haunted bargain suburb. I would keep the family charm and dump the frightless horror. 20-Aug-2020
Napoleon was so thirsty for power he siphoned it from women. Engaged to be married then dumped to marry someone else, Desiree is the woman whose might didn't impress him. Jean Simmons keeps us following but she doesn't grip the strength of the character until the end. Marlon Brando refused to depict the emperor as a short, hand in pocket, general bore. Brando concocts a Venom accent, swags in unforgiving outfits and mandates media attention. The film is beautiful with impeccable costumes, empirical sets and daddy galleries. Watching is as easy as hating social media. I was curious and enrapt but I had to search on Wiki what wasn't explained in the script. The bombast was great but who are these people? What I read was absolutely fucked up. I would have filmed that. 10-Aug-2020
Alita: Battle Angel (2019)
As I drowned in amazement the thought of giving Pinocchio this treatment became intriguing...and then it was.
Alita is the child built from dreams of regret, facing a life with limited power in the casings of a girl. She is constantly hounded for parts, in competition, fluttering, fighting and tasting what a child's life has to offer. She'd rather be a woman.
Christoph Waltz is his own animation. His Gepetto flourishes with worry and celebration. Alita's need to grow up is his dissatisfaction and his burden. The doctor brandishes enormous tools protecting a future creation that matters too much.
Creative ideas constantly bounce, widening the eye and accepting the beauty of art.
The pandemic should determine if this is how future movies will look.
Little Women (2019)
I sat down prepared to hate. New feminism interjected to classic "girl power." That was going to be offensive to me. An hour in, I asked myself, are they still playing music underneath the act and then a few minutes later I gave up and enjoyment crept in. When Saoirse Ronan's perfection subsides and we see a deeper core of the character, I rejoiced and asked discrepancies.
Emma Watson is asked to bank on likability instead of relying on bits of herself that can make a character great. Stop hiding and come forth. Be whatever you are. It will be great.
Timothee Chalamet almost made me believe in romance. Florence Pugh pushed the thought further.
Laura Dern makes it as easy as inhaling a line of coke in the 80s. Good for her.
A woman that frees herself has broader opportunities than anyone.
Greta Gerwig's force is in it. The errors that I caught will be her art. The special place she created was a safe place to visit. That is not an easy world to create. 24-Jul-2020
Go Tell It On The Mountain (1985)
Exploring the unity a church provides to a community struggling to stay afloat.
The protagonist is a teenage stepson born out of lust and into parents of mighty faith and little activity. The boy envisions his place in a white world that bestows him educational merit and Hollywood allure. Stepdaddy preacher has white resentment and believes the boy must learn the word of Jesus and disavow all the teachings of the white man so he can claim his benefits afterlife.
Great arguments ensue about what is a sin, enjoyment and a life. Boys don't want to be socked in a church when there is adventure, sex and violence to be had. Fear of community misrepresentation causes the parents to lock children in. (It seems we are always in one prison or other.)
Paul Winfield is the man of sin whose only recompense is Jesus. Blindsided and stubborn he fights to be the master of a household that's always revolting. His authority is frightful, his words are probable and his weapon is God.
The shading of the past to inculcate the steps of the future was tight. When the female actors revolt and exorcise their demons, crazy hungry talent is displayed. The boys were humble with pride.
The end is an exorcism that doesn't coerce any answers but that may be its point. No one knows shit. 21-Jul-2020
Carbon Copy (1981)
A twinkie Denzel catches up with the parental rich white daddy that didn't stay. The daddy is married to a "Karen" that tolerates only forced sex and finds black people a nuisance. It's rude, funny and droll. George Segal keeps racial harmony humming while Washington smashes with broad cymbals. Comfort with a message. 19-Jul-2020
Extracting a drug lord's boy from the violent clutches of a challenger. Hemsworth is action God with minimal words and a gumption for despair. The writers downplay bravado and sap, injecting touches of humanity and observation to their characters. Director Sam Hargrave meticulously choreographs masterful action, cultural deficiency and human interaction. I was as enervated by the colossal statements as the small. The testosterone shot the action genre sorely needed. 30-Apr-2020
I Am Jonas (2019)
Allowing youthful discretions to define the gay fuck-up you become in life. The boys (young and old) are peak representation and the film strives to be authentic. 14-Mar-2020
Farewell, The (2019)
Family saying goodbye to a most adorable nana whose unaware she's dying. It is heritage that deigns not telling the patient they are terminal for fear it would exacerbate the symptoms. The Americanized part of the family are predisposed to tell because we have a need to finalize life. The elders would prefer to respect her life by allowing her to enjoy what's left. Awkwafina tempers the doubt, the confusion and the love as the film quietly distills it. 13-Mar-2020
To All The Boys I Loved Before 2 (2020)
The protagonists ease us in, the rehash disappoints and I wish the support could do more than hold the leads' walls. I wanted to engage in Lara Jean's and Peter's commitment. The fragility that Lara Jean exposed would, in the real world, bring her hurt. Cheating cannot be the only reason couples break up. I will continue to watch but it needs to consummate (not talking about sex.) 29-Feb-2020
Winter Meeting (1948)
Hulkean war hero has a hard time relinquishing his power to serve God but Bette's there to help. There are reflective moments on mental health when the characters spill and expound. Bette gives the character her established perfection and James Davis is the right giant to pound the rigidity out of her but it defined without comprehensive deduction. 09-Dec-2019