Movies Posts Tagged as 'Political'
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Wound, The (2017)
Honoring male privilege while contesting the rules. The gay is treated as a natural conjecture that doesn't adhere to God's Plan but satiates a hungry soul. The men push God's Plan, diddle each other whenever possible and don't allow snot nosed effete city boys to put a label on it. The ending spells it out. 21-Jan-2020
Pacific Heights (1990)
Hitchcock nods of creepiness, Keaton's subtle conniving intruder and Griffith's stalwart inquisitor, keep it tense. 15-Jan-2020
In This Corner Of The World (2016)
Ambitious and lovingly detailed account of a war torn life. The audacity of surviving when so much has perished. 28-Dec-2019
Hypnotically rendered but the message doesn't stretch past religious privilege, perversity, addiction and violence. The emotions are vacant and no one has a built-in fight in them. 04-Dec-2019
First Man (2018)
Gosling boxed his cereal face to grant us a complex and fretful hero and Damien Chazelle hurls us onto a technically pointed and miraculous journey. 24-Nov-2019
Butterfield 8 (1960)
Anatomy of a slut. The downfall of insatiable passion is perception. La Liz pounces, purrs and self-destructs. She is not allowed empowerment because she wont march. She wont march because she's empowered. The dialogue is sharp and reflective, the mothers are concerned and full of wisdom and the men can't think pass their hunger. The honest speak seemed closer to a resolution than the unsighted delusion of today. 17-Nov-2019
Starred Up (2013)
Fixing anger management whilst in prison. Jack O'Connell wholly conveys a ferocious and unchained delinquent with soft edging. Ben Mendelsohn is definitely the dad you don't want raising you in prison. Rupert Friend is the therapist that wants to reform them expressing very well through character evolvement that they can also reform him. Well acted, "candy-colored," well made. A take on the anger that builds in the underprivileged man. 15-Nov-2019
Forbidden Planet (1956)
Space travel, pretty alphas, a lush otherworldly landscape and a progressive robot. A modern Eve (Anne Francis) coming into full sexual bloom to a cavalry of starved men is an intriguing aside. She meanders flirtatiously amongst them until the bull (Leslie Nielsen) that stokes her ire compels a passionate kiss. The effects contain enough creative thought and subtlety to survive its time, the direction goes beyond the page and the words resound with clarity.
(I'd gladly trade an Alexa for a Robby) 10-Nov-2019
Last Time I Saw Paris, The (1954)
War, Victory, Love and Life. Taylor struts gorgeously, as does Johnson's Herculean mane. Reed drops sweet for acid, Eva asserts manhunter and Moore is fine cuisine. The dialogue snaps, sexual freedom is commonplace and money kills God's Plan. The story lingers then quickens but star lush endures. 09-Nov-2019
Human trafficking. The film reads like a book cover. The director omits all the details and experiences that would have elevated the message. The monstrosity was so minimal that I had no idea what the protagonist was actually suffering. The fear of exploitation mars audience reaction and participation. 06-Nov-2019
It's a film out of time in a space that a generation didn't complain about. The first is man's ego and his perception of the ideal woman (she doesn't speak.) The second evokes the woman as she really is (she doesn't stop talking.) The last is a caper that ties the loose bits with a feminine swing in snappy grand style. Shirley is slinky cat to Caine's dastardly bat. 02-Nov-2019
Black KKKlansman (2018)
In order to be entertained by a Spike Lee movie, you must see it to the end.
The beginning stacks so much hate that it begins to feel uncomfortable especially when our current sensibilities are asserted. I felt like the movie was about switching roles which is not equality but subjugation.
John David Washington kept his Stallworth steady when he needed to grow into him. Mr. Stallworth would have been one of a kind and he would appear grateful and not establish his big dick presence (it's an attitude) so early.
Adam Driver seems alive again. He gave his quiet hero a timber.
The details I will remember are the dumbfuck ones. Somebody needed to check out Driver's dick, a cop shouldn't ever use his real name in an investigation and the black KKKlansman was basically a phone operative.
Every ending was a celebration to cheer, laugh and finally understand Lee's idea.
Green Book (2018)
I was predetermined to quit and I almost did at the beginning of Philadelphia but the film had an insistence on allocating an interracial message of unity. Ali rendered a painfully stoic sexual conundrum with too much high and no might. His fingers were the only part of his body trying to throb his character to life. He needed to fill the holes inherited by a lack of backstory. Mortensen breaks through the wrappings to inhabit but the tonal enthusiasm and scrunched up faces spawn 2D animation. It was funny, I drifted with the conversations, history was respected but I never once felt any of it happened. A slow seduction would have blown everything out of the park.
PS: If it makes everyone feel equal to be unpretty then we should stop saying "the magic of Hollywood." 29-Sep-2019
Wife, The (2018)
A genius beholden to society for a privileged life granted. A wife chained to such a man with no identity of her own. The story compels but missteps by presuming that we wont respect the woman unless she is of equal caliber. Why can't we respect the wife that stands idly by? There are more of them. Close was adroitly hired to give a schmuck his comeuppance but the writing lets her down. The countdown gets stuck when sudden happens and Close is abruptly halted from slaying. An almost. 30-Jul-2019
There are tidbits I didn't know. Child genius, warped sensibilities and family hypocrisy. The catalog is immense as is the concept of each song. Many odes to so many things only we can remember. The razzle dazzle is there, the actor siphons the legend's anger and the music remains inspired. A life worth celebrating. 05-Jul-2019