Movies Posts Tagged as '1960s'
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Take Her, She's Mine (1963)
A child belongs to a parent for a little bit.
Daddy awakens to his daughter's "dishiness." Daughter has developed into virgin teen spirit bait. Sandra Dee tranquilizes, applying liberation, sexual frustration and obligation. She's the future princess men built castles for.
Daddy goes commando when she moves to college. Stating in a letter about feeling the fanny flutters and wanting to lose her virginity, daddy flies to her on demand, insinuates her roomies are "wetbedders" because they work late, upholds his politics, acquaints with international sex workers, runs naked and suffers from morality checks. He ignores his job, his wife and that other child. He was never a pervert...because he was Jimmy "fuckin'" Stewart.
Mr. Stewart opens his mind to new thinking and growing with the politics of sexual freedom, free speech and protest. When the camera and his technique meet, they click.
College is where politics are worn and sex explodes. The environment consisted of an army of wolves scratching and starving to eat some Red Riding Hood.
Audrey Meadows. She was so underutilized that I imagined her doing naughty things like fucking his best friend or renting other daughter out.
The music and esp. the songs, delighted with universal sounds. It borrowed from other cultures and uniquely respected them. I knew the songs and sang along because I was taught them at school. It helped me learn about a culture that I had yet to meet. It soothes the greeting.
Stewart dons the big guns for final agitation but silly chaos dilutes him. Can he stop a man from putting his daughter's flame out or return to the wife and that other sparkly one? Only another man can answer that. 30-Jul-2020
Once You Kiss A Stranger (1969)
Strangers on a Train stop at Fatal Attraction. Carol Lynley is a Peter Pan wet dream that never relents. She scares children with harpoon guns, she brawls with pet cats and she threatens old people with off-color gossip, death fascinations and frequent visits. Her mental health is homicidal. Ms. Lynley unbinds from daddy adoration and shakes her personal hate towards everyone. The daddies have expiration dates and are being coerced into reclaiming #1 status or lose thoughts of ever having a "good time,"again. Once an unknown pixie enters a married man's hotel room with her nightie on, he's fucked. The tribute is soaped up and spread out, the stunts are hilarious and the actors don't lose a beat. It stings and entertains, like mexican candy.
Boy's Night Out (1962)
One single man and three married friends pep up boy's night out and and wives night in by subletting an apartment with a blonde in it. The blonde is a succulent dish with feminine wiles of the intelligent sort. Kim Novak supplies the dream that is studiously experimenting and extinguishing the horn that lives in men. James Garner doesn't need a dream to want him but watching him put the moves on is tingly. Tony Randall always demonstrates such glee at his own perversion. The movie falls flat because it doesn't dare to do half the things it suggests and the men basically get away with murder. 24-Jul-2020
Salt And Pepper (1968)
They had the etiquette to name Sammy Davis Jr., Salt and Peter Lawson, Pepper but the film scourges the earth with inappropriateness. It's a spin-off of Rat Pack mentality, with loss of cool, unbelievable politics and ridiculous antics. The buddies have built-in chemistry but the premise is bonkers. 29-Jun-2020
Miracle Worker, The (1962)
Wild child with disabilities gets reformed by teacher whose demons compel her to impart self reliance. The film's effectiveness relies on protagonist nerve and muscle. Duke and Bancroft, not only slap it, punch it and break it they receive it, just as well. The psychology was that a child that inflicts pain must undergo it to better understand their crime. All the parental rules we dethroned, helped erect the special intelligence of an unidentified child. At end of story, the combatants celebrate the characters and, I hope, each other for a job well-done.
Third Day, The (1965)
Can a man become an enlightened human if an accident causes him amnesia? Not if your mug is still wanted for murder.
George Peppard is grand business daddy, never demurring from blankness while still eliciting great face.
Elizabeth Ashley was privileged bitch wife, with an redemptive opportunity for love and a zestful beauty of another.
Sally Kellerman knew how to turn it on and shut men down.
Mona Washbourne elicited comic wit relief and parental heartbreak.
Roddy McDowell. The best cocksucker in Hollywood actually had other talents.
Arte Johnson crept trying to put a creepy face on a "love me" persona.
Music. It sounded like every summer blockbuster score rolled into one.
It's sumptuously over, to guiltily enjoy. 11-May-2020
Boston Strangler, The (1968)
Sex choking was once frowned upon. The investigation is encyclopedic, the case stimulates, the actors vibrate and the director engineers massive art flourish. We eagerly anticipate the Tony Curtis show and he doesn't disappoint. He strips down to his DNA, extending the psychosis and the lack of control that curses a killer. 14-Apr-2020
Venus In Furs (1969)
Hot stuff (James Darrin) obsesses over dead girl. Like the drugged out haze it was written and directed in, the film lingers on aspects that make it boring. It was bold to include an interracial couple and lesbians romping freely but the sex scenes consisted of a man's back against a woman's catlike nails on repetition. Giving Barbara McNair the insufferable title song hurt her vocal chords and our ears. By the end, you'll feel as misplaced as James Darrin. 20-Dec-2019
Butterfield 8 (1960)
Anatomy of a slut. The downfall of insatiable passion is perception. La Liz pounces, purrs and self-destructs. She is not allowed empowerment because she wont march. She wont march because she's empowered. The dialogue is sharp and reflective, the mothers are concerned and full of wisdom and the men can't think pass their hunger. The honest speak seemed closer to a resolution than the unsighted delusion of today. 17-Nov-2019
8 1/2 (1963)
To evoke such oddities, the landscape needs to be bathed in color. Splattering random thoughts willy nilly to fill it, feels like forgery. It slackened my brain to the point of sleep. I woke to a frenetic ending that confirmed my not wasting time with the middle. I didn't get it. 15-Nov-2019
It's a film out of time in a space that a generation didn't complain about. The first is man's ego and his perception of the ideal woman (she doesn't speak.) The second evokes the woman as she really is (she doesn't stop talking.) The last is a caper that ties the loose bits with a feminine swing in snappy grand style. Shirley is slinky cat to Caine's dastardly bat. 02-Nov-2019
Morgan, The Pirate (1960)
Spanish history, slave trade, pirates, wenches and ship wars. Plenty of action and debauchery for short attention spans and Steve Reeves exposes body beautiful to keep the eyes fixed. 20-Apr-2019
Bob & Carol & Ted & Alice (1969)
Daring to deconstruct the parameters we set in relationships and sex. The foursome glow exploring sexual hypocrisies and reciting the truth no one wants to hear. 24-Mar-2019
Devils of Darkness (1965)
The ladies strike, big bad twirls and the rest is Hitchcock bargain basement. Our parents partied wild. 26-Jan-2019
Period of Adjustment (1962)
The utters of Fonda and Hutton chanted high. Tony Franciosa kept the octaves low and his charisma forward. John McGiver sets and Mabel Albertson resists becoming the in-law stereotype. They glorified it. Lois Nettleton steals it because she could.
Marriage is deemed a terror, everyone screams their heads off until a surprise gift changes it. It has a loud message but you can still hear it.
Unfortunately, George Roy Hill's absurdity didn't allow Tennessee to be tragic. It's what the writer did best. 03-Jan-2019