Movies Posts Tagged as '1960s'
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Hand Of Death (1962)
A scientist thinks he's developed a nerve gas that immobilizes instead of kill. With the support of his love establishment and business connections, he is granted money and freedom to keep his experimentation thriving. But weary scientists have accidents. The gas fumes turn him into an Unfantastical Thing. The coincidences are comical, the scares don't stir a tree but Paula Raymond is a fantabulous scream. 01-Jan-2021
Two On A Guillotine (1965)
A most preposterous thing. Cesar Romero AKA first Joker is a magician with a sordid past and a death certificate. He promises in life that resusitating from death will be his greatest trick. He dies, estranged and long lost daughter shows up and wins his inheritance. If she can withstand a stay in his tacky castle of magic booby traps for whatever time period they specified, she will be legally rich. There is a dumbwaiter and a maid frock ready and willing to share the riches if she fails. Connie Stevens was a wasted asset asked to look like perfection, scream normally, scream hysterically and faint at the sight of a Tiffany lamp... for hours. Cesar was under appreciated and underutilized. Dean Jones gave me baby hard-ons when he was trying to sell me a golden egg at Disney but is creepmeister now. He's fuckable with a swifty dump date. The rabbit knows all the scares, the reactions are ridiculous, the father becomes incestuous and the whole thing, except for Connie's hair is hilarious. 27-Nov-2020
Crotch daddy trapezes, animal obedience and special talent, Friday the 13th kill inspiration and madame Crawford eminence in charge. Welcome to the circus. Keep your eyes on daddy, mommy dearest and animal freaks to entertain the crap out of fun. 14-Nov-2020
Children Of The Damned (1964)
Only 6 of the damned children remain. They are diverse from different countries and brought together as gifted anomalies. The union creates a force amongst the children and the question of their humanity is evoked by anyone with a thought. The little buggers have a message. They kill because we kill. Man's interference with earth is not a save but a control. The kids exist to create balance. The adorable, horrible, little blonde wigs were missed but not needed. (I was curious to see how the minority children looked in them.) I'm sure they made the right decision. The mothers are ferociously hateful to them for making them live in an inescapable cold world. The fathers don't exist. The film expands and is its own thing but the explanation for the mythology bummed me out. 06-Oct-2020
Village Of The Damned (1960)
A small town mysteriously blacks out for several hours. Weeks later, the fertile and virginal become pregnant. The teens are horrified, the wives are wary and the husbands who were not fucking their wives become suicidal. The children are born healthier, smarter, with mind reading and control capabilities and a united unfeeling force. The film doesn't drag itself with science but it contemplates the dread of a parent who has borne an unknown conqueror into the world. The town shuns or avoids them, some try appeasement, others want them locked away and many want them destroyed. The little darlings are the new marshal in town and nobody messes with these unfeeling fuckers. George Sanders provides his "everything makes sense when I do it" persona and is the adoptive father of the children. He wants to understand them and mesh their purpose with earth civilization but his heart and scientific curiosity minimizes their threat. There were occurrences and reactions around the world where the children invaded, were massacred or imprisoned and mothers murdered for defying God that were spoken of but not filmed. Ready made sequels. 05-Oct-2020
Guess Who's Coming To Dinner (1967)
White liberal tolerance is tested when daughter brings a black man home to marry. Sidney Poitier represented the culture as a man in love with a soul of a different pigmentation that he deserved to engage with. His idea for racial harmony and hopefully acceptance, was to lay the weight and fate of the marriage on white daddy's heart. The script was respectful and contemplative, hitting points from the heart and establishing strong voices for each character. Isabel Sanford hooted as the maid who has lost control of her household and the family she wove herself into. Katherine Hepburn's use of props and legend added quotes to her character, Spencer Tracy's suffering was real, Sidney Poitier had enigmatic charisma with everybody, Dorothy Houghton was a familial delicacy, Beah Richards was luminous and Roy Glenn was growling. It's greatest case isn't about racism but a parent's fear that their child is not choosing the safest life. My favorite speech is Poitier talking to his dad about who owes who. The father who demands payment and racial solidarity for the sacrifices of rearing him or the son who wants release for a choice he didn't make? The father may limit himself by being all about black but the son just wants to be a man. 26-Sep-2020
Take Her, She's Mine (1963)
A child belongs to a parent for a little bit.
Daddy awakens to his daughter's "dishiness." Daughter has developed into virgin teen spirit bait. Sandra Dee tranquilizes, applying liberation, sexual frustration and obligation. She's the future princess men built castles for.
Daddy goes commando when she moves to college. Stating in a letter about feeling the fanny flutters and wanting to lose her virginity, daddy flies to her on demand, insinuates her roomies are "wetbedders" because they work late, upholds his politics, acquaints with international sex workers, runs naked and suffers from morality checks. He ignores his job, his wife and that other child. He was never a pervert...because he was Jimmy "fuckin'" Stewart.
Mr. Stewart opens his mind to new thinking and growing with the politics of sexual freedom, free speech and protest. When the camera and his technique meet, they click.
College is where politics are worn and sex explodes. The environment consisted of an army of wolves scratching and starving to eat some Red Riding Hood.
Audrey Meadows. She was so underutilized that I imagined her doing naughty things like fucking his best friend or renting other daughter out.
The music and esp. the songs, delighted with universal sounds. It borrowed from other cultures and uniquely respected them. I knew the songs and sang along because I was taught them at school. It helped me learn about a culture that I had yet to meet. It soothes the greeting.
Stewart dons the big guns for final agitation but silly chaos dilutes him. Can he stop a man from putting his daughter's flame out or return to the wife and that other sparkly one? Only another man can answer that. 30-Jul-2020
Once You Kiss A Stranger (1969)
Strangers on a Train stop at Fatal Attraction. Carol Lynley is a Peter Pan wet dream that never relents. She scares children with harpoon guns, she brawls with pet cats and she threatens old people with off-color gossip, death fascinations and frequent visits. Her mental health is homicidal. Ms. Lynley unbinds from daddy adoration and shakes her personal hate towards everyone. The daddies have expiration dates and are being coerced into reclaiming #1 status or lose thoughts of ever having a "good time,"again. Once an unknown pixie enters a married man's hotel room with her nightie on, he's fucked. The tribute is soaped up and spread out, the stunts are hilarious and the actors don't lose a beat. It stings and entertains, like mexican candy. 29-Jul-2020
Boy's Night Out (1962)
One single man and three married friends pep up boy's night out and and wives night in by subletting an apartment with a blonde in it. The blonde is a succulent dish with feminine wiles of the intelligent sort. Kim Novak supplies the dream that is studiously experimenting and extinguishing the horn that lives in men. James Garner doesn't need a dream to want him but watching him put the moves on is tingly. Tony Randall always demonstrates such glee at his own perversion. The movie falls flat because it doesn't dare to do half the things it suggests and the men basically get away with murder. 24-Jul-2020
Salt And Pepper (1968)
They had the etiquette to name Sammy Davis Jr., Salt and Peter Lawson, Pepper but the film scourges the earth with inappropriateness. It's a spin-off of Rat Pack mentality, with loss of cool, unbelievable politics and ridiculous antics. The buddies have built-in chemistry but the premise is bonkers. 29-Jun-2020
Miracle Worker, The (1962)
Wild child with disabilities gets reformed by teacher whose demons compel her to impart self reliance. The film's effectiveness relies on protagonist nerve and muscle. Duke and Bancroft, not only slap it, punch it and break it they receive it, just as well. The psychology was that a child that inflicts pain must undergo it to better understand their crime. All the parental rules we dethroned, helped erect the special intelligence of an unidentified child. At end of story, the combatants celebrate the characters and, I hope, each other for a job well-done.
Third Day, The (1965)
Can a man become an enlightened human if an accident causes him amnesia? Not if your mug is still wanted for murder.
George Peppard is grand business daddy, never demurring from blankness while still eliciting great face.
Elizabeth Ashley was privileged bitch wife, with an redemptive opportunity for love and a zestful beauty of another.
Sally Kellerman knew how to turn it on and shut men down.
Mona Washbourne elicited comic wit relief and parental heartbreak.
Roddy McDowell. The best cocksucker in Hollywood actually had other talents.
Arte Johnson crept trying to put a creepy face on a "love me" persona.
Music. It sounded like every summer blockbuster score rolled into one.
It's sumptuously over, to guiltily enjoy. 11-May-2020
Boston Strangler, The (1968)
Sex choking was once frowned upon. The investigation is encyclopedic, the case stimulates, the actors vibrate and the director engineers massive art flourish. We eagerly anticipate the Tony Curtis show and he doesn't disappoint. He strips down to his DNA, extending the psychosis and the lack of control that curses a killer. 14-Apr-2020
Venus In Furs (1969)
Hot stuff (James Darrin) obsesses over dead girl. Like the drugged out haze it was written and directed in, the film lingers on aspects that make it boring. It was bold to include an interracial couple and lesbians romping freely but the sex scenes consisted of a man's back against a woman's catlike nails on repetition. Giving Barbara McNair the insufferable title song hurt her vocal chords and our ears. By the end, you'll feel as misplaced as James Darrin. 20-Dec-2019
Butterfield 8 (1960)
Anatomy of a slut. The downfall of insatiable passion is perception. La Liz pounces, purrs and self-destructs. She is not allowed empowerment because she wont march. She wont march because she's empowered. The dialogue is sharp and reflective, the mothers are concerned and full of wisdom and the men can't think pass their hunger. The honest speak seemed closer to a resolution than the unsighted delusion of today. 17-Nov-2019