Movies Posts Tagged as '1940s'
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Strange Love Of Martha Ivers, The (1946)
Grand style backstab bonanza. 20-May-2019
Take Me Out To The Ball Game (1949)
The music is basic, the costumes adorn and the script pushes feminine empowerment forward. The film would supply very little if it weren't for the entertainment value of its three pro athletes (Sinatra, Williams and Kelly.) 02-May-2019
Bachelor And The Bobby Soxer, The (1947)
It asks what to do when a teen crushes on daddy squish but it never answers it. It entertains with ideas and Temple, Loy and esp. Grant keep us marveling. 05-Apr-2019
Feminine Touch, The (1941)
Sex war rom com served by master wits (Don Ameche, Rosalind Russell, Van Heflin and Kay Francis.) Ameche and Rosalind defy lack of chemistry but Heflin and Francis uplift the back end. The logic stipulates that men classify a woman's worth by the amount of selected howlers sniffing at her door. All the woman wants is for her man to grow a pair and punch the howlers sniffing at her door. 06-Feb-2019
Holiday Affair (1949)
A sober Christmas treatise made with no fuss.
It was a forward example.
The Christmas gift was an alpha. 25-Dec-2018
In This Our Life (1942)
Respect for its black performers is admirable. The film is sudsy, gutsy and wild. Dennis Morgan emits vapors, Olivia perfects saccharine and even though there is too much evil in Bette, she still stands tall. 14-Jun-2018
Johnny Eager (1941)
Robert Taylor plays a hood hellbent on street cred by subjugating his past and flaunting his fortitude. Lana is an unappreciated diamond whose badboy fangirl status welcomes tragedy and Van Heflin is a dulcet toned philosopher lackey who farts predictions of everyone with words so striking they agitate the heart.
It's gangster mature that celebrates the completion of man when he embraces his soul.
Taylor hunts and kills for the egg, Lana boils and serves the egg and Heflin eats it. 20-Dec-2017
Stormy Weather (1943)
It skimps on storyline and it thins in characterization. What is showcased is neglected and diverse talent that tornadoes toward climactic showstoppers invigorated by Lena and stormed by Bill Robinson and Cab Calloway.
If it had been filmed in color it would have been candied joy. 14-Nov-2017
Slightly Dangerous (1943)
Facile, blustery and well suited, star charm. Lana is Monroe-look instigation. 12-Sep-2017
Little Foxes, The (1941)
Atmospheric, rigorous and contentious. Bette is shatterproof porcelain doll perfection, commandeering the self-destructive avarice of southern family dysfunction. It becomes art when Wyler treats us to a camera hold on Ms. Davis as her husband struggles and she ponders without a blink. Brava.
Ethnicity is represented as it existed in history and the limitations of its time. You have to understand that even though they are not the story, they have a voice because real black actors put a soul to it and they opened the doors for the equality we lost. I'd rather appreciate their contribution than erase them from history. 29-Aug-2017
Musician love triangle in which a lover was allowed to choke a woman for fibbing whilst the other drove her to madness. What's left for Bette to do is to unleash, connive and lacerate to secure love and subsist. There are origin whiffs of Bette's signature beats and enunciations and as much as the men in her life warrant it, we deserve her more. 07-Jun-2017
Mildred Pierce (1945)
Watch on the Rhine (1943)
The best thing Bette did was to acknowledge that the writing and the ensemble were very important to how the story plays. It's not her movie and she serves it by making her case with little flamboyance. The story preserves the heroism and the uprise that existed before the Nazi obliteration. At heart, its all play and as such it didn't need to be bombarded by strings, the actors were accomplishing their task without it. Paul Lukas holds bravery steady and Lucille Watson steals it because her tongue lashes. 26-Apr-2017
Corn Is Green, The (1945)
It may be dated but it does not make the story less remarkable. Being at the forefront of creating community is arduous but when its successful, accomplished. Bette is energized feminism restrained by propriety as most of the support supply warmth and local color. That all must sacrifice to complete one man's success is virtuous but sadly, not of this time. 21-Apr-2017
Letter, The (1940)
The simplest of plots, a letter may or may not incriminate you is the basis for a movie that's short on investigation but high on character exposition. Wyler emblazons the screen with exotic culture, vaporous corners and custom support in almost every division. Bette enriches the screen with acting that opens questionably then upsurges as guile and rectitude try to intermingle. Her eyes convey acuity and Davis is top notch acting class snatch. What actor wouldn't want to steal that. Gale Sondergaard as the Eurasian widow is hushed, extreme and imposingly beautiful. There aren't many actors that can slay and convey with such restraint. 09-Nov-2016