All Posts Tagged as '2010s'
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Wind, The (2018)
Everything etched to perfection, less the comprehension to make us care. 06-Apr-2020
I don't do well with first-person because its film rolling on inanimate objects (people included) that are restricted. A fantastic one connects what we see with what we imagine. A disappointing one makes a straight beeline across a rudimentary device. The creep in question is just an exasperating real estate agent with constant jabber and little realization. The one behind the camera could have offset the other's nonsense with the snappy quips his screams intimated. The axe received the most character development. The "s" word comes to mind but I refuse to use it. 01-Apr-2020
Bob Hearts Abishola (2019-)
Is it improper for me to say that I wish someone else would love Abishola? 31-Mar-2020
The leads do not align, Bob's family grates and reverse hate is not progressive. 08-Nov-2019
Exploring multi-cultural attitudes to life problems is interesting. The black characters sparkle but their counterparts appear like unwanted houseguests. I'm sure good writing can fix that. (I liked it.) 25-Sep-2019
The beautiful ones return in high style and peak bloom.
Fluidity is tunneled, pummeled and charged. The freedom to inherit all relationship prospects is an elite politic that facilitates mass hurt because the kids that invented it are incapable of successfully mastering it. They're human.
The parents do as Oprah taught them and heal most of their miracles' hemorrhage with gifts and money.
The beauties confusing the system to reclaim justice was resplendent.
The mystery continues and concludes, the ones are masters of bitchiness and heartbreak and the thread is reinforced nylon. Brava! 29-Mar-2020
The season was mapped mathematically and it hit every point. The actors are snug in their roles and stamping their characters. The drama makes you talk to yourself, the police work is thought out and everything looks delicious. Cool as fuck. 23-Sep-2019
They represent with no restraints and the teens are regarded with soul. The societal menace is heavier, coddling is out and the hurt is overwhelming. They are fighting a world adults complicated with wee survival skills. Beauty is diverse and it lingers because the writers keep tearing at it. 23-Nov-2018
Lobster, The (2015)
Couples rule in a post cruel world. If you don't find a mate they turn you into an animal. Its royal art of weirdness with little justification and a vivid imagination. Colin inherits a comedian's edge, puncturing the establishment in a catatonic state and making us laugh and cheer. Rachel Weisz keeps the heart of the film beating and Yorgos is crazy. 29-Mar-2020
Green Room (2015)
Band of vagabonds get punished by nazis for playing crappy rock or because they witnessed a crime. Sir Patrick Stewart was hired to class up the film and the "n" word. Anton Yelchin's heroism is a John Connor (Terminator) facsimile with substandard realization. The film lost me as soon as the punk picks up his phone to call the police for a kill that wasn't directed at him. What is the purpose of nazis if there is no racial conflict? (They don't need the props.) They were dim and disoriented and anything but scary. It stalls, it repeats, it celebrates and I believed very little of it. 28-Mar-2020
Autopsy Of Jane Doe, The (2016)
The autopsy is comprehensive, the actors are aligned and the corpse is an eerily beautiful masterpiece. The mumbo jumbo is handled scientifically which excludes genius insanity being the harbinger of truth and sets some practical scares for us. 27-Mar-2020
Married At First Sight (2014-)
S10. It's been tough relating or tolerating this season.
The experts are sinking into quack territory.
Mandy finally got rid of Bluebeard (Zach.) Hooray!
Taylor and Brandon. He's just stalling until the next bout of insecurity hits so he can explode. Run, girl.
Meka and Michael. A man doesn't change...he pretends. Run, girl.
Jessica and Austin. He will say I love you as soon as you forgive his first business travel discrepancy.
Katie and Derek. He's privileged and she's insecure. Eek.
Giving everyone a lie detector test before the show would give the experts some cred and avoid giving us another inadmissible season. 27-Mar-2020
S7E6. Naivete about the experiment is no longer viable because the mice have been coached by previous seasons. It's the show's sanity at test because the mice are the new experts that will mold the show through its entirety. As each season passes and we tire of them, the couples will most likely end up swapping with each other (see season 5, alpha Ashley Petty deserved alpha Cody Knapek and Anthony deserved for Danielle to put him on a diet.) The premise will continue to work because God's plan brought them together. The queens giving men sex, before and after catastrophe struck, was downright professional. 23-Oct-2019
Uh Oh. S6. Shawniece and Jephte made adorability joyous. May they enjoy an 88. 20-Oct-2019
S5E7. Fuck the experts, listen to the dogs! 05-Oct-2019
Experts encouraging couples to overlook red flags in a marriage because pretense defeats how a person feels. 21-Sep-2019
The society is comprised of envy, maintenance, labor, guts and unification. Images remain in your head, long after you've dismissed them. The story is absolutely unique, the actors are natural and the suffering for/from abundance touches every base. Trimming would have propelled a much stronger impact but I couldn't stop watching every minute of its extensive length. 23-Mar-2020
Killing Of A Sacred Dear, The (2017)
Doctor feels responsible for causing the death of a teenage boys' father. He befriends him and his mother and integrates him into his own. The boy is a psychotic Jesus whose God has been bested by a doctor playing at God. Colin Farrell adds beautiful whisper to his lilt, calming us, confusing us and surprising us. Barry Keoghan is a vengeful prince ravaging the establishment and scary as fuck. Alicia Silverstone sucks good hands. Raffey Cassidy and Sunny Sulgic supply the perfect endorsement for burdening yourself with care one minute and smacks, the other. Nic holds it tight for the first hour, being logical and abiding but by the last hour she's tongue lashing and bitch slapping her character to heaven. Yorgos Lanthimos kept it artistic, chillingly precise, musically gripped and the giant balls to give us an OMG ending. 18-Mar-2020
Love Witch, The (2016)
I did a double take when I realized the film wasn't set in the cheesy 60's gothic era. The women are dead ringers for the pristine beauty of that time and the daddies are porn succulence. The witch is a backwards feminist, desperate for love and domination, except her potions and sex stratagems only work precoital. Love turns men into quivering slobbering mush and she becomes vexed and resentful. The film is experimental, nonsensical and devoid of magic. 15-Mar-2020
Big Time Adolescence (2019)
I was expecting a rebellious and outrageous comedy but was impressed with a calm rendition of a boy's passage to manhood. $, drugs, sex and girls are what a boy negotiates during this stage of exploration but the satisfaction of being cool with your bud is everything. Gluck, Davidson and Cryer epitomize the title and lend credence to why they don't want to grow up.The film's detachment impedes greatness but it was close. 14-Mar-2020
I Am Jonas (2019)
Allowing youthful discretions to define the gay fuck-up you become in life. The boys (young and old) are peak representation and the film strives to be authentic. 14-Mar-2020
Summer House (2017-)
Had no idea there was clamor for more. It's back to the future where we get to see grandpappy hook-ups in real time. "Me too" is a charity, feminine wiles are an exaltation, closets are for sex not coming out, women love big things, men are horny and crass mugs that only hold intelligent conversations whilst on the hunt and remain stupid after they fox it. I have no idea what they represent but my generation is enthralled and disturbed. 13-Mar-2020
A band-aid of happy endings. 29-Jul-2019
The gay got replaced by a floaty and a scary virgin. The elders are not aging gracefully and the show has gone from being my chore radio to white noise. When you watch reality TV you get to experience the damage our parents wrought. 23-Jul-2019
- Supreme Ken Doll (Kyle) needs to explore why he prefers living in a blur
- Waiting is a virtue (Amanda) - only if you know what you're waiting for
- Lindsay realized that change only happens when you apply it to yourself. Good for her
- The salt (Danielle) was overtaken by hot peppers (twins)
- The inactive (Stephen) needs to divert his hostility towards his parents. They are the reason he can't move forward
- The blistering giant's (Carl) self awareness allows him to take from life easily 19-Jul-2019
In season two they added salt to mild, endowed the gay with a bitch rap and the desperation from separation (relationships/careers) was dialed up a notch. Stephen needs to accept his het counterpart like he'd like to be. If he's really a friend he would appreciate Carl's flamboyance and his disregard for what people think of him. Hotness attracts men. Hot shit spills over. Unless you only have eyes for him...that's a different problem. 15-Jul-2019
It does stereotype well. Twins are still annoying, blondes are vacant, the gay needs an apron, the ex-fatboy is out for revenge and the women still have no clue what's flashing in a man's face. The man knows. Mind boggling. I may become obsessed by it or immune. 12-Jul-2019
Farewell, The (2019)
Family saying goodbye to a most adorable nana whose unaware she's dying. It is heritage that deigns not telling the patient they are terminal for fear it would exacerbate the symptoms. The Americanized part of the family are predisposed to tell because we have a need to finalize life but the elders would rather respect it by enjoying what's left of it. Awkwafina tempers the doubt, the confusion and the love as the film quietly distills it. 13-Mar-2020