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Music Posts Tagged as 'Celebration'
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Bloom (Rokston Remix) - Troye Sivan
Giulio Dilemmi Black/White Tribal
Nobody Knows Me (Peter Rauhofer's Private Life Mix) - Madonna
Wonderland (Fraser White Remix) - Natalia Kills
Savage
An Opera Expert on Why Aretha Franklin Was the Ultimate Diva
At first, Aretha Franklin embodied that description literally, as the gospel-singing daughter of the most famous preacher of the day. But then she took it further -- to the blues, R&B, pop and even opera itself.
Nessun Dorma (in her key) - Aretha Franklin live
"Magic" (extended version) - Olivia Newton-John
Missy Elliott's originality showed me it was cool to be a nerdy Black girl
The fish-eyed lens. The cartoonish special effects. Costuming that appeared to be plucked from a delightfully fun future. Lyrics that exuded a bold confidence. With her first solo, career-solidifying music video, Missy Elliott became a certified force in an industry where women had to claw for the barest hint of recognition. Every hit record — “Sock It 2 Me,” “Hot Boyz,” “Get Ur Freak On,” “Gossip Folks,” “WTF (Where They From),” the list goes on — made it harder to relegate her to a single box.
To simply call Missy Elliott a rapper, even a devastatingly skilled one, ignores the fact that she is also a razor-sharp lyricist, singer, producer, dancer, and visionary. For over two decades, she’s built a legacy so rock solid that the name Missy Elliott has become synonymous with originality and brilliance.
I Hope You're Happy
Blue October
Rita Ora Reflects on 'Girls' Controversy: 'There's Not One Way to Come Out'
Ora meant for "Girls" to be a celebration of bisexuality, but the song drew ire for its depiction of same-sex attraction with critics -- including prominent LGBTQ artists -- arguing that it perpetuates stereotypes. Hayley Kiyoko, known to fans as "Lesbian Jesus," called Ora's effort "tone-deaf," while Kehlani, who identifies as queer, branded the song "harmful" in a since-deleted tweet.
Shirley Manson Looks Back On 20 Years of Garbage's 'Sci-Fi Pop' Odyssey, 'Version 2.0'
This week, Billboard is celebrating the music of 20 years ago with a week of content about the most interesting artists, albums, songs and stories from 1998. Here, we talk to Garbage frontwoman Shirley Manson about Version 2.0, the band's Grammy-nominated '98 sophomore LP, and how the set proved how ahead of their time Garbage was.
Shirley Manson is feeling reflective these days about Garbage’s 1998 sophomore LP, Version 2.0. Packed with disruptive radio hits like “Push It” and “I Think I’m Paranoid,” the groundbreaking album’s importance in securing Garbage’s status as fierce contenders in the late-1990s alt rock arena is not lost on the band’s front woman.
