All Posts Tagged as 'Sexy'
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Third Day, The (1965)
Can a man become an enlightened human if an accident causes him amnesia? Not if your mug is still wanted for murder.
George Peppard is grand business daddy, never demurring from blankness while still eliciting great face.
Elizabeth Ashley was privileged bitch wife, with an redemptive opportunity for love and a zestful beauty of another.
Sally Kellerman knew how to turn it on and shut men down.
Mona Washbourne elicited comic wit relief and parental heartbreak.
Roddy McDowell. The best cocksucker in Hollywood actually had other talents.
Arte Johnson crept trying to put a creepy face on a "love me" persona.
Music. It sounded like every summer blockbuster score rolled into one.
It's sumptuously over, to guiltily enjoy. 11-May-2020
The Best - AWOLNATION feat. Alice Merton
Infected - Sickick
'Elite's Omar Ayuso Just Posted His Whole Bush on Instagram
If you're a huge fan of Elite you may be going through withdrawals. The show's third season came out over a month ago and it's likely that you've binged all of the episodes and gotten all that you can out of Omar and Ander. But now, Omar is giving us a little something extra.
The beautiful ones return in high style and peak bloom.
Fluidity is tunneled, pummeled and charged. The freedom to inherit all relationship prospects is an elite politic that facilitates mass hurt because the kids that invented it are incapable of successfully mastering it. They're human.
The parents do as Oprah taught them and heal most of their miracles' hemorrhage with gifts and money.
The beauties confusing the system to reclaim justice was resplendent.
The mystery continues and concludes, the ones are masters of bitchiness and heartbreak and the thread is reinforced nylon. Brava! 29-Mar-2020
The season was mapped mathematically and it hit every point. The actors are snug in their roles and stamping their characters. The drama makes you talk to yourself, the police work is thought out and everything looks delicious. Cool as fuck. 23-Sep-2019
They represent with no restraints and the teens are regarded with soul. The societal menace is heavier, coddling is out and the hurt is overwhelming. They are fighting a world adults complicated with wee survival skills. Beauty is diverse and it lingers because the writers keep tearing at it. 23-Nov-2018
Best Friends (1982)
Independent woman reaches high anxiety whilst reluctantly marrying her partner of five years. She believes marriage kills love and he's too venerable to start over. After a quickie marriage they embark on an in-law and family tour which reflect the weirdly mechanical influences the villagers brandish.
As much as Goldie and Burt appeared incompatible, their individual magnetism blind us into believing. Ron Silver delivers enthusiastic squishiness to the funniest bits.
It's a good companion to "Marriage Story."
It focused mainly on the topic of marriage which wears out.
The dialogue is written so we can understand them but not them, each other.
It refuses to answer its question.
It's breezy to watch. 29-Feb-2020
Love Island (UK) (2015-)
Men have invented a new derogatory language to upset women. What now? We can't ban every word... or can we? Nobody mentioned french toast, its the best (any foreigner with sweet tasting d...) 22-Feb-2020
Contestants get paid to be inappropriate to strangers. 16-Feb-2020
I misinterpreted its existence. We are judging cave dwellers hooking up in a modern habitat. Skinny jeans, man pillows, wrangling, snogging, heart rips, musical accents and an errattic ear...that's entertainment. It's a braincation. 16-Feb-2020
Boring in any language. 25-Aug-2019
October Faction (2020-)
"The Americans" in the Buffyverse with its own ideas.
Twins united is a powerful concoction. He's gay with no tolerance for sweetness and of suppressed privilege. She questions why her life doesn't fulfill her essence. They both do everything to upset their parents. Their awakening untangles excitedly.
Family history keeps the mythology pressing on.
Daddy has a gun, grandma has a gun, they all have a gun but no one grips it like mama.
The show handles its business like a bullet - straight through - no bullshit - not for squeaky screamers.
"Big Bad" seems to be representing.
There are a variety of monsters, entanglements and enlightenments for an open world of writing fun stuff. 29-Jan-2020
Wound, The (2017)
Honoring male privilege while contesting the rules. The gay is treated as a natural conjecture that doesn't adhere to God's Plan but satiates a hungry soul. The men push God's Plan, diddle each other whenever possible and don't allow snot nosed effete city boys to put a label on it. The ending spells it out. 21-Jan-2020
Beach Rats (2017)
The lengths gay boys will meander to discharge closeted sex and remain doped. A waste of pretty with nothing relevant to say. 29-Dec-2019
The movie where JLo snatched her talent back. The ladies are gloriously scintillating as the caper is fermented. 22-Dec-2019
Camille Paglia: The Death of the Hollywood Sex Symbol (Guest Column)
Who killed the sex symbol?
It's no mystery that in the era of #MeToo, the rules of combat have changed on the sexual battlefield. Women will no longer tolerate condescending or degrading treatment that was once business as usual in the workplace or dating arena. But in this long overdue push-back against sexual coercion and exploitation, has something valuable been lost?
The sex symbol was arguably Hollywood's most brilliant artifact, propelling the young movie industry to world impact from the moment that Theda Bara flashed her coiled-snake brassiere in Cleopatra (1917). Sex was great box office. With its impudent populism, Hollywood crashed through stuffy proprieties lingering from the Victorian age and stationed itself at the bold forefront of the modern liberalization of sex. Movies were in sync with the radical new spirit of American women, who won the right to vote in 1920 and kicked up their heels throughout the flapper decade of the Roaring Twenties.
The great sex symbols of Hollywood were manufactured beings, engineered by trial and error, with the mass audience as their ultimate judge and jury. Decade by decade, the movie industry rediscovered primal archetypes that have animated myths around the world since the Stone Age. Major male sex symbols like Clark Gable, Cary Grant and Sidney Poitier have a mesmerizing natural authority onscreen, a supranormal power of personality and density of being that transcend their roles. Like their antecedents in ancient hero sagas, they inhabit and explore physical space, whose frustrations and dangers they endure but ultimately defeat.
The female sex symbol, however, commands emotional or psychological space. Her sensual beauty is an alluring mirage, hypnotizing and sometimes paralyzing. Never entirely present, she is attuned to another reality, an extrasensory dimension to which we have no access. There is an unsettling aura of the uncanny around the major female sex symbols, who channel shadowy powers above or below the social realm.