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Del Toro kept me in awe and made imaginative choices. Oscar was an excitable Victor, full of verve, vigor and craft. Mia cast a bright shine whenever she appeared and her dresses were resplendent. Elordi lent the creature beauty and humanity. There were times where I saw the actor underneath but it was only an x-ray. The man was fully invested. The story was inspiring, the style elegant, the horror realistic and the action pulsating. 09-Nov-2025
Fantastic Four: First Steps (2025) 
Thing's eyes got lost under heavy make-up and his mouth movements were hesitant. The beard. I didn't know bricks can grow hair? Fantastic held back. Torch had no life. Very little reminded me of the 60s. Sue Storm's hair was droopy instead of groovy. The baby plot line needed work and Shala-Bal didn't amaze or intimidate. They didn't sprinkle the magic evenly. It was a countdown to a finale that didn't deliver fantastic. Galactus was robbed. Supe capabilities were constrained. 06-Nov-2025
It promises a lot that it doesn't deliver. It celebrates itself before we get a chance to absorb any of it. Beating Superman like a desperate housewife does not bring humanity to his persona and establishing himself as a victim of puny super abuse is not consistent with his mythology. Gunn did not utilize kryptonite because it limited action but embraced creating sun out of everything. It's a willing cast except for the Clarks. They were very hillbilly stupid. The big bad was existential with a personal vendetta and no superpowers to start a fight. The last half goes silly, corny and festive. Fillion's silver bowl hair distracted from his personality. It was also ugly. Mr. Terrific made most of his time by being cool whenever possible, Hawkgirl was miscast as a girl. She's a woman. A Gorilla Grodd would have introduced freshness to the tired and true. A drunk Supergirl was irresponsible and out of place. Does Clark also fuck Lois in the air? The film is just an introduction. 21-Sep-2025
As scary as the little fucker was, the monkey's structure was undefined. I got most of the gist but a lot of it was fogged up. If it can destroy towns why didn't it do it in the first place? How does the monkey choose who to kill and when it stops? The attacks were coordinated but sense killed a lot of it. It excels in the least likeliest of places: a solid story, emotional balance, talent and imagination. I wanted to stay in their lives and deconstruct the monkey. Theo James wasted no emotion or thought in his performance and was very effective. The young twins blew me away. I didn't know it was one actor portraying both. When they were onscreen together I kept thinking, "they must be fraternal because they don't look that much alike." It was impressive. It had all the elements to elevate itself but the monkey's mythology was weak and very Final Destination. 08-Aug-2025
I tried reading the book of "Wicked" and found I couldn't latch on to an emotional core because it was too busy describing things. I remember a description of a clock that I couldn't imagine, irking me the most. I did not finish the book but I finished the movie. The movie played like an antsy child that won't sit. I wanted to admire all the technical work but it was too busy setting up the next song to have much impact. More dwarves, less songs equal better character development. I couldn't understand Elphaba's evil turn. I didn't know she was a PETA. Wouldn't Glinda be the sensitive one and a people pleaser? Why is she called good when she's so self absorbed? Erivo owns the part but is not given the opportunity to act. Her voice is great but I wanted more character depth. Grande impressed and scared the beejesus out of me when she delivered a Kristin Chenowith performance. Her mimicry was outstanding. It's cheerful, harmless and colorful but it's not Oz or Kansas. 06-Aug-2025
Final Destination: Bloodlines (2025) 
It plowed through like a Tetris puzzle piece dropping on "expert" mode without "life saves." The 60's was fun disaster puff with repeat appeal. Mapping is what the movie is all about and it does very well concocting ways to desecrate life. The winks work better than the clues. Audience involvement is half the fun and fooling us is even better. Tony Todd acted with his last breath and anointed himself the ultimate Candyman. 02-Aug-2025
I understand that art speeds up because the present brain is scanning faster than usual but art should teach them to containl it. Relax. The buffoonery was too much. It was immature and condescending to adults. Girl interaction was a high point. Music didn't suck with some being better than others. I think there were too many. How about establishing more of the girls' purpose and desires a bit more? Art is dreamy, both sexes are cool, the story is questionable and the mythology makes no sense. 21-Jul-2025
This is the third film I've completed starring Shirley Temple. I tuned into the others but one was because of Elizabeth Taylor. I recognized her history because bits and pieces of her legend were always there. I found her talented and cutesy. She's not an actual princess (TG) but a daughter of a distinguished man that is widowed and in charge of spoiling her. He satisfied all her whims, had adorable phrases between them, missed each other dearly when apart and daddy was loaded. FF. Daddy goes to war in South Africa and she is sent to a high falutin school that can use the clout and his money. She lives a life of luxury amongst resentful girls and a few good friends. She is informed that daddy died in war and the enemy stole his assets. The girl is broke and the school footed her luxurious lifestyle expecting recompense. The marm nixes the idea of throwing her out because bad publicity would fuck them. The people decide that the child can redeem herself by becoming a servant. Temple's talent grows as the movie rolled along. Her friends and hope toughened her up so she wouldn't give up or disappoint the audience. She took over like a pro. The film is not dark. The film is cheerful, sweet, undemanding and it presents to kids the pitfalls of growing up, without overloading them. The Joker played a respectable Indian and was a hoot. The School Mistress looked exactly how one would fear. It's corny but it was true. A restoration would befit it. It would sparkle and be presented on Father's or Soldiers Day. 25-Jun-2025
How to live miserably after war. Adrien Brody is a face actor that can establish a film's mood just by expression. He thought his character through and delivered a powerhouse performance. My odd fascination with sound made me hone in on his accent. Nothing peculiar with most of it. It was only when he ended with the letter T. He hit it hard when it needed to fade. The cast played beautiful notes. Guy Pierce was evolved and polished, the film held my interest, the writing was thoughtful and the direction was committing but I couldn't find a reason to care. First. You can't cry rape if you yourself have committed it. She got her husband off when he didn't want to. He cried as she was doing it. Second. That rape scene was so vague that I thought they were doing something else. Third. Why did Atilla accuse Lazlo of flirting with his wife if he pushed him into thinking it was a threesome? Fourth. Why was Lazlo's temper so short after surviving war? He'd be meek, get used and gradually transform into a raging lunatic. Fifth. The niece's silence drove me crazy. She didn't even grunt. I thought I missed a plot point. 30-May-2025
Ralph Fiennes made fucking a priest less criminal. Ditto Tucci. Lithgow reinterpreted De Palma creepiness to great success. I was educated, enlightened, intrigued and delighted. Wow. Penguins see color too. Fred Zinnemann inspirations abound and they were welcomed. Isabella slayed like Nurse Ratchett. It was careful to remain on course, turn gossip sporty and entertain methodically. Religion took a back seat. TG. 11-May-2025
A dark tale told amongst frustration. I being frustrated that nothing interesting happens in between Lady Nic's breathing sessions. The characters needed more strokes and history to understand their motivations. Everything was a whisper, only the men lost it, direction had no distinct style and the banter was vacuous. Lady Nic fulfilled her duty and was fun to follow. Harris Dickinson was a good choice but there was too much psycho in his swagger. Antonio was the only actor allowed to emote pain and anger. He did it well. His outburst was what the rest of the film lacked. Energy. Cognizance was on dream mode. The reason men are toxic is because women can't orgasm without it. The resolution is simplified to fulfill the fairy tale agenda. It nulls the truth and its purpose. 07-May-2025
The only thing that banged was McAvoy's body. It was grade A daddy meat. His villain was a parody of elements. The outline kept to its namesake. There were no surprises, leaps or bounds. It frustrated more than it scared, Americans are not "that" nice, women are less, no man sleeps with baby girl and gets away with it. The bunny dependency was a cheat. "Fuck bunny! Do you wanna die?!!!!" Home we go. 13-Apr-2025
No voice actor accomplished the spirit of the characters they were portraying and no artist brought forth the actors' sensibilities. Timon and Pumba didn't coagulate and were kind of icky. Being younger does not excuse Mufasa's studious voice. What college did he go to? There was no boom in his voice at all. Rafiki's accent was diluted which killed his character's strength and suppressed his charisma. Where was Scar's gay accent? The songs retracted more than they bounced, the animation creeped more than it amazed, and the story was blasphemous and weak. All this fuss over a lioness when Scar's real crush should have been Mufasa. The brother song was so inept that it made me furious every time they said brother. The bottom of the barrel. 11-Apr-2025
Well acted characters that didn't initiate much sympathy. The hooker is content in her work, minds her own business, learned nothing about men or how things work. The heroine's gullibility was exasperating. Every time a character was introduced to another was mostly awkward. The only character that conveyed inner thoughts was Igor. Once elements of The Hangover commenced the ridiculousness didn't stop. Silly hijinks and mobster blunders. Dreams dashed by love and parents. Spoiled brats and power images. Anything will do when the choices are none. Certain things don't need to have a point to hit a nerve but this one was spin cycling. I couldn't catch a word. 18-Mar-2025
The film is not very clear about what it's trying to say. The cultural references were veiled and over emoted. I felt I was on a road trip with the cousins. I hate road trips! The actors almost make it worth it. The gestures are sweet but there is nothing more than the obvious. Cousins travel to Poland to tour where deceased grandmother was born, hoping it will ignite memories and togetherness. Culkin's character is the most coherent and baffling. He zig zags through personalities that don't necessarily mesh. The first class argument didn't correspond with its action. It felt like a 40's sentiment. There are more important things to worry about that the director did not explore. Jesse plays it like Joan to Kieran's Baby Jane. Deeper conversations would have compensated for the incomprehension. 17-Jan-2025
