Music Posts Tagged as 'Inspired'
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Good Morning Heartache - Diana Ross
Soon (Alternative Version) - Snow Patrol
Original Me - YUNGBLUD ft. Dan Reynolds
Own Me - bulow
Actually, Madonna Was the First to Subvert Country Music Style
I remember seeing Madonna’s “Don’t Tell Me” on MTV in 2000 when I was 11 years old. It was mind-blowing. Growing up in New England, country music never hit close to home. It was all Garth Brooks singing about driving a truck with a fat engine and cracking a warm beer by the lake. But Madonna took the genre and spun it on its head in one of the most transportive videos of her career: steamy cowboys and a dark ranchero vibe, mixed up with a lot of sand-strewn cheek. (It was also the first time Madonna played guitar on an album.) It’s almost hard to believe that the music video is almost 20 years old. “Don’t Tell Me” was the OG beginnings of country music style breaking into the pop world. Subversive twang is going mainstream in the form of Lil Nas X’s “Old Town Road,” Orville Peck’s masked exploration of masculinity in country music, and Diplo brooding in a Nudie suit on Instagram. But let me remind you that Madonna was the first to pave the way for giddy-up pop.
ALMA is ready to be the queer female popstar she always wanted to see / Amplify by Gay Times
ALMA first came to prominence in her home country when she was 17, competing in the seventh season of Finland’s edition of Idol. By 2016 she’d released two Top 10 singles with Karma and Dye My Hair, but it was third cut Chasing Highs that saw her bag Top 20 placings in the UK and Germany in 2017. From there, plans for a full-length debut album were put into motion.
“It was very hard to know which direction I wanted to go in,” ALMA admits when it came to writing a full collection of music. “I didn’t know what it was two years ago.” She retreated to writing sessions in Helsinki and Los Angeles, chopping and changing ideas until she struck upon the track that would inform the rest of her debut. “Cowboy was the song when I understood what I want to do and who I am,” she explains. “After that it was clear.”
The key, she discovered, was to start being totally honest to who she is. Cowboy centres on trying to fit into new social circles and discovering yourself as you come out of your teen years, something she had to deal with in more intense circumstances than most young people. “When I first moved to Los Angeles I felt so small and so emo,” she smiles. “Everybody was so energetic and positive, and I felt like I was just not fitting in at all. I needed to create an alter ego or something, to be like ‘I’m going to survive, I’m gonna make it through, I’m a motherfucking cowboy!’ It was a line that was in my head all the time.”
So Close To Magic - Aquilo
Angels - Tom Walker
Let's Turn On
Paradise (Not For Me) - Madonna (Mirwais Remix)
Mother, daughter, sister. 15-Sep-2018
"Collapsed" - Natalie Taylor
We hope that after the time of hate dissipates that the good men will fight to return home. 10-Aug-2018
The Influence of Black Gay Disco Legend Sylvester Is Everywhere
Black queer artists like Ma Rainey, James Baldwin, Nina Simone, Lorraine Hansberry, and Essex Hemphill have all made it a bit easier for me to dream. I was born in a perfect era as a feminine black gay man interested in being apart of pop culture and music to have a fighting chance of making a living off of that desire. The dreams I’m dreaming are large, but tangible. They are made possible because of the legacies black gay artists before me have left.
However, there is no black gay artist that opened up my imagination about who I can be while affirming who I am like disco icon—often referred to as The Queen of Disco—Sylvester.
"Lovely" - Billie Eilish with Khalid
Alice & The Giant Emptiness
I wanted to explain to my lover what it felt like living brown in a predominantly white gay ghetto. We chose to retire with our own people so we could finally settle into safety and harmony. I never met a more hostile and prejudice group of men and women. I'm only whole again when my lover pulls me back and reminds me what home is...us. 20-May-2018
Do men accused of misconduct deserve to have their music in event playlists? These DJs weigh in.
After the rise of the #MeToo movement in October, when survivors of sexual abuse began speaking out about their experiences with new volume and frequency, several powerful men in various segments of the culture were outed for predatory behavior. And that’s led to a wider conversation about sexual harassment and misconduct; in the context of the entertainment and music industries, there’s the thorny question of whether it’s possible or defensible to separate an artist from the art.
In this social climate, DJs are thinking about the role they have to play in all of this.
“As DJs, we literally make a song hot or not,” said Fab Roc, a New York City-based DJ who has spun at corporate pop-up events and local hip-hop and R&B parties. “If we stop playing certain people’s music at events, it speaks volumes and it can also set the trend for people to care.”
The Walk Home
Growing up in the hood, I levitated to the farthest distance art would allow me to withstand it.
In life, not only do the perpetrators get to represent us but society rewards and exalts them as we afford them bubble towers to hide in. The victims are relegated to dealing with society's racist wrath over what they sowed. 12-Feb-2018
Without LGBTQ People, Modern Music Wouldn't Exist
VICE: What initially made you decide to write this book?
Darryl W. Bullock: I wanted to write a book about LGBTQ people making records, but to be honest, it was a bit dull. It was starting to look a bit like an encyclopedia, an A-to-Z of gay musicians. Then, maybe three or four months into the project, David Bowie died, and his death struck me really viscerally.
But it was while I saw how others reacted to his death, especially the stars I grew up with—the Boy Georges and the George Michaels and the Madonnas—that I realized I was going down the wrong track. I realized the book shouldn’t just be about LGBTQ people making records, but how they influenced each generation that followed. You start to build up this timeline, and it stretches back over 100 years, almost back to the birth of commercially available discs.
It was also a definite decision to include voices you don’t hear of. It would be easy to write a book just about Elton John, George Michael, Boy George, Freddie Mercury, those kinds of people. But I really wanted to document the lives of people like Patrick Haggerty, Blackberri and John “Smokey” Condon (pic above), people who have made incredibly important contributions to music and to LGBTQ lives but have been basically ignored by the mainstream media.