Movies Posts Tagged as 'Music Swings'
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Monkey Shines (1988)
A fit daddy mentally bound by matriarchy becomes paraplegic. He receives a horrified nurse, mother pseudo, a no nonsense trainer and a mentally enhanced monkey.
The art of training an animal lives in its soul. The monkey represents the current female to determine his life. The monkey is a frighteningly adorable beast.
George A. Romero packs it with Hitchcock simplicity and sensical horror. Each frame a joy to ponder.
Jason Beghe is an addictive force.
The mother/son spar sliced bluntly.
I lurched, I was engrossed and the end was brutally sweet. 07-Jul-2020
Mask, The (1994)
A movie that succeeds in spite of its inanity. The effects still impress. Jim Carrey's comedic chaos mimic embodies and Cameron Diaz' unflinching bombshell elevate it. 02-Jul-2020
Doctor Sleep (2019)
The exploration of the past was literary.
Alex Essoe's spot on Shelley Duvall is impressive because it harmonizes with the film's recognition of Kubrick's obsession with perfection.
It pays homage to the past but the film frees itself from Kubrick's grasp and becomes its own thing, maybe something King had in mind.
I was not impressed by the magicians until they ate a child.
Kids that are special get eaten.
Ewan embodies the spirit of a child.
The cast is multi-verse, the action rips and even though the story veers into its own thing, the return is pretty exciting. 28-Jun-2020
Mom is constantly terrorized and sexually assaulted by an unseen entity.
The exploitation becomes void in the hands of Barbara Hershey who issues the attacks with common sense and appropriate care for her children whose humiliation and mental instability is generated by an invasion of supernatural supremacy. She's great.
Ron Silver is smart daddy with precise words, psychological principle and "off the books" consideration.
It scares because the lost of body control is a great one. 27-Jun-2020
River's Edge (1986)
Friendships are unrealized when a mate kills one.
The kids react like chained animals. They're curious, they don't really feel anything but they know it's wrong.
The parents have stopped pretending. The miraculous is a teenager too complicated to bear. The kids may be exploring and exploding in their new life but the parents are just holding on to any kind of life. The parents share their drugs, problems, violence and sexuality. They absolve the kids' of choices they socially incur and never check out what they are.
Crispin Glover was a high that had me swaying all kinds of ways. Good and awful.
Keanu waved his hair back and forth like an urchin destined for greater things.
When the writing goes over, truth reins it in.
The musical score kept the story breathing.
The director pinpointed everything we needed to see and hear. Its aroma was DePalma.
The final analysis for murder is realistic and unjustifiably hard.
Being one of the most sensitive beings in the world does not always grant empathy.
Snitches get laid. (It's a tongue thing.) 25-Jun-2020
Ad Astra (2019)
Universal travel, planet saving and soaring daddy issues.
The director feeds us unique vistas and exhilarating action but makes us feel like we're riding a bullet train. It spins by, it's amazing, I'm glad I saw it but it didn't mean anything. It had no attachment to the story.
Pitt attacks like it's his story to tell. He's exhausted, full of gruff and self analyzation. It was a most personal rendition.
Tommy Lee is "grand" daddy to everything Pitt did. 22-Jun-2020
Star Wars: The Rise Of Skywalker (2019)
Star Wars is one of the most challenging series to keep alive. Each post iteration appearing shiny and new with ardent fandom, bounteous clamor and no history or relevance to match any of the original three. They are only embers of the force.
JJ dropped the soap. Politics clenched the dynamic and criticism quelled his enthusiasm. He did not lend his panoramic to anything past what we would see in a video game.
It spent too much time preaching the force and little time explaining anything else.
Kylo Ren worked better with his mask on. (He was more intimidating.)
Zori Bliss would have worked better with her mask off.
Lando and the phantasms of veteran greats brought the force but the new power was missing a united purpose that would compel them to overcome the awkwardness. You can't expect much from an actor whose belly is full.
Everything old as new is delight, everything new and unthought of is bah...everything new and shiny, rusts. 20-Jun-2020
Powerpuff Girls Movie, The (2002)
Epic girl power. 12-Jun-2020
Wicker Man, The (1973)
Christian copper investigates missing child on pagan island. Edward Woodward keeps it desperate and unleashing, the atmosphere is lawless and unethical and the music lilts as well as unsettle. The horror isn't physically evident but mentally, it sticks like gum to a shoe. 19-May-2020
Humanoids From The Deep (1980)
Cis sea monsters killing dogs, children and men so they can rape the women. It's pure schlock, WTF and astounding they pulled it off. I was less hesitant to watch because it was helmed by a woman. A woman, Barbara Peeters, would never exploit it. She handles her task, dons a penis cap for the shots and switches to thinking emotion about circumstances. She navigated like a pro. The fight scenes turned out hilarious but the racism, kills and rapes were sharp. All sexes, breeds and races shared the heroism.
(What were these people eating then? Their hair looked terrific.) 08-May-2020
Others, The (2001)
Children and the help, quarantined with a compulsive mother obsessed with the idea of being as great as God. It's made of Hitchcock walls, star quality is legend of old and the understated score unnerves. It's refined spookery. Nic is powerhouse mama alleviator and authoritarian, putting the kids sweetly to bed, one minute and wanting to chop their heads off, the next. The ending is ruined once you know it but the lesson still rings true. Nothing ever is as it seems. 27-Apr-2020
I dreaded watching what appeared to be a Harriet Rambo adaptation that would diminish the heroism of a woman determined by life to save others. It does not succeed in bringing either woman to life. Cynthia Erivo has built too many walls to ease comfortably into suffering. The accent wasn't pure because her modern thinking interrupted it. Ms. Erivo forgot that heroes are badass after the fact. The direction is confused, insecure and skittish. You can't do nods to legends (Spielberg, Color Purple) without proper understanding of their work. The music was lovely, but it was constant and better suited for a video game. The performers weren't feeling it, it's not even a good TV film and it should have been a musical. 25-Apr-2020
No Way Out (1950)
Black doctor cares for two supremacist thugs. Race riot ensues when one dies. The movie is forthright and balanced with chills of emotions. Poitier is standard upright in a younger package. Widmark splatters the screen with hate like he meant it. Linda Darnel was the damsel in distress with heroic genes. Amanda Randolph deserves loads of cuddles for being. Mildred Joanne Smith was luminous at heart. It's an everlasting battle to fight for what are our greater parents started. 20-Apr-2020
Jaws is the ultimate water pandemic. It's misinterpretations no longer matter, because its proven law. We panic, take precautions and find a loophole to reopen. The loophole is that there's always a bigger shark out there. A sentiment for only the purest of heart.
My mother and my sister would call me Spielbergio, every time I would pick-up a camera. They eventually bullied me into putting it down (Thank God.) I thought it was cute but they were being harmful.
Mr. Spielberg opens doors to the imagination like a magician disappears from a box. It's simple, you can figure it out but the trick always works. Where did he go? He wills everything wider, cleaner and funner.
Ultimate daddy squish (Scheider,) a fiery one nighter daddy (Shaw) and a blubber daddy with smarts, cool gadgets and a checking account (Dreyfus,) generate all the magnetism a film needs.
John Williams' score tells it's own story.
I loved every minute of Bruce and the hard work involved to scare us.
A masterpiece because it was never about a shark, it was about us.
This is the conclusion to all the movie pandemics. The easy saves were cliche but the tough stuff was visionary. The sweety darling in danger may be repetitive, but she's so cute. The error asides don't matter if the director envisions a whole. The cure for the virus and the safety of the world is to kill all of the infected. Disaster movie, indeed. 17-Apr-2020