A child fasts to appease god and clear her family of their sins. Faith, in the hands of a child, can be a destructive thing. Pugh remains on, for the duration, as an investigative nurse that wants to clear the bullshit. The director keeps us trapped and enrapt. You can only fight a fable by trading it for another. Well done. 17-Nov-2022

I would have preferred The Cage to the Chalk Line because the english title sounds like a gimmick used to limit production costs. The director accommodated the mood, the actors stood in place but its details provided little depth. I know the what but not the why. The script was written on a typewriter/tik tok adding machine with limited credit. 29-Oct-2022

While on a scuba diving expedition in Puerto Rico a newly married couple and their lawyer end up the last humans on earth when they resurface. They survive and explain the cause through the progression of the environment and by applying science to their observations. Words were in tune with how a woman might feel being the last one. The men went caveman because the lawyer has needs and his boss' wife was the only relief. I kept feeling the script would have had more depth had it not been costly. Wife is a newlywed who lusts to spend more time with her gangster husband. Lawyer is a do-gooder schmuck whose tired of being manipulated by sore losers. Every time the story filled in a hole the director cut away to something exotic. They hardly pondered whether, as last adults, they were worthy enough to replenish the earth. Wife's legs dangling from atop the boat, the men fish-slapping each other, the atmosphere (Puerto Ricans in 1960), the woman's hair turning from blonde to black and jitter acting that enunciates realness, were shots I will remember.

Remake. (Pssst: I would have given her my sperm and fucked daddy. Yeah, let her decide the future of the world.) 25-Oct-2022

A woman moving in with a man must turn the home into a dollhouse in order to make her feel like she owns it. She owns him as much as he thinks he owns her, but a toy is the only home she will ever get to own. The cast played it without pity, the story excelled as it moved, even though status has changed, emotions remain the same and Jane Fonda flexed some beautiful muscles. Freedom comes after you stop lying to yourself. A real Christmas story. 17-Oct-2022

When Almodovar embraces Hitchcockian ambience it is sublime but when he attempts a Spielbergian signature it deprives the film of a punch. Two mothers, both strangers share a common thread that conflicts with their lives. Even though the outcome is easy to determine, the presentation is a shivering buildup. Penelope Cruz maintains her hold until Almodovar gives up. Her mother doesn't crumble as the film's psychology implies. She wraps it up without a challenge. The ending is part Schindler's List and part Indiana Jones/Jurassic Park. I welcome a latin Spielberg inspiration with cheeky heroes and dinosaurs but I can't forgive a spanish mother that doesn't wreck. A spanish mother is the T-Rex of emotion. 23-Apr-2022

It's an incomplete thought. A woman realizes her culture by being left behind to be parented by a rich white family. The interracial harmony was a plus. The actors didn't make calls to their agents after every scene. They were in it. The idea that the man you loved was lying about his parents and abandons you to their care is frightening. The atmosphere was established, the actors were prepared but the story didn't succumb to its repression. All was safe, all felt long and none of it felt warranted. I wanted to hear the screams of agony and the main fucking the shit out of that pretty butler to get the fuck out of there. That's what real people do. They don't waste time wondering. 20-Apr-2022

The Batman is the only character that suits up. How lonely for him. He's always the freak. The support enact realistic iterations of characters that lit up Batman's mythology to absolutely no effect. The Riddler is a demented teen who was brought up by an unfunny father who worked the mines. The riddles were blah. There is no Riddler without a tight body suit, a tight body and demented cynicism. Daddy Farrell wasted a lot of time in makeup, creating art out of a role that doesn't belong. He is not penguin. I didn't see any top hats, monocles or bullet umbrellas. Michelle Pfeiffer's reign as the best film Catwoman cannot be extinguished. Zoe is an everyday gorgeous girl not a cat. Her cowl is just as cheap and unintelligible as I expected. Her lack of meow hurts. Commissioner Gordon was a lackey. Everything was eeeeewww and he was always waiting for Batman to finish things up for him. Daddy Turturro knew exactly what the director wanted and gave it to us. Alfred and Bruce's interaction was rude. The parental bond was cold. Why hire an Aunt Harriet if she's not going to be an Aunt Harriet? That might have been fun. Oops. Sorry. Fun not allowed. The Twins were cute. Robert Pattinson is the glue you want to stick to because he makes you ponder how his beautifully broken humanity can create life from something he hates. I saw love in Zoe's face when she looked at him. I saw panty dropping aloofness register from his. Batman's narration doesn't mesh with toxic revenge. The moments he celebrated were my cringe. This isn't Batman. He doesn't laud himself or others. He's a lonely motherfucker that hates the world because he lost mommy and daddy to crime and got stuck in a mansion with a pervy butler. Batman's detective work failed from a lack of gadget magic. Yeah! Rich angry fucks love gadgets. Matt Reeves strikes potent pictures but was entrapped by a franchise that is petrified of its origins. The man/woman who gives us comic book Batman with realistic choices will become King of The World. What's the point of hiding in the shadows if everyone can hear you? 18-Apr-2022

Red Notice fulfills "land of magic" type escapism. The writers created an intriguing caper and an enigmatic cast to play act it. Gal Gadot can act. Well. Daddy King Rock delighted in being the brunt of a joke, constantly, in fabulous fashion. Dickwad Reynolds steals it by being a cantankerous benevolent criminal who is also Deadpool. The director took advantage of its DCU historical significance and developed some solid characters. Heart tug. 11-Jan-2022

At no point do we believe we are anywhere but in a M Knight nightmare. Occurrences collide so speedily that we don't have time to absorb them. M Knight believes that getting old is life's worst irony but he doesn't explore why. His fear limited him. Women return to screaming, black men are fast-food, disheveled beauty hurts, Bernal's legs are perfect and children fuck. I didn't understand it and didn't want to. It's a free blowjob in a foreign country with too many rules to find release. 14-Dec-2021

Alicia Silverstone's baby's breadth drives all the boys and men to ferocious perverted thoughts. The victim is mildly annoyed and unaware of how struck her admirers are. She ignores all sexual advances and treats them as man/boy quirks that only occur when no one is looking. The male fantasies are an intrusive director ploy but the sentiments are not. Girly is going to get fucked in the end, but by whom. It's half the town. 27-Nov-2021

The mistress is a knife. Men are constantly dueling, women are constantly conquering. The woman is torn between great sex or better fashion. The love obsession keeps fumbling her preference. Her main preference keeps dueling and killing to break her iron will. Iron doesn't break as easily as a blade bends. The black experience is joyous, the thoughts are candy flavored and the premise is pristine, repetitive and dull. 30-Sep-2021

Wealthy cousin moves away, gets married, sends cryptic letters to his younger cousin denouncing his wife before dying under questionable circumstances. Richard Burton plays a princely cousin hellbent on unmasking the greedy widow. Will love conquer vengeance? Olivia de Havilland was a saintly schemer with exquisite manners and sarcasm. Richard Burton pranced around like a Shakespearean athlete ripping his heart out to the strings of a magnificent woman that's impossible to avenge. The legends reenact what may have happened to his dead cousin and the irony is stupendous. 28-Sep-2021

Hot daddy pilot travels with wife and burdens to a hometown family funeral. People in town are "weird as fuck" for no apparent reason. Hot daddy crashes and lands at Loretta Devine's feet. Loretta is a preacher woman with Godspeak, henchmen and devil worship. Ms. Devine wins stripes for establishing a colorful character out of thin air. Omari Hardwick's gifts remained fully wrapped and there were no white people to scare us. 23-Sep-2021

Music legend keeps her legacy alive by grooming a naive talent to sustain it. Legend shoots bankable star after an argument about control and declares it to the authorities. The police department is kind, gentle and slow in its investigation. The truth doesn't generate much ruckus, the mystery is simplified and the daddies aren't worth dying for. The Fowlers were adorable. 11-Sep-2021

Killer is setting her lover up to take the blame for her husband's murder. Setup is a tingly nincompoop that obliges the voice of love. Good girl is the bestie with a crush that will find proof to save him. Jane Wyman's talent had me swooning. Alastair Sim was sly and supportive. Richard Todd was psychological. Marlene Dietrich glimmered. Michael Wilding exhilarated. The shots don't disappoint, the puzzle is precise and the whole is enviously entertaining. 06-Sep-2021