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TV Posts Tagged as 'Tired'
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Something's missing. Is it the "I kin kill a beah and cook it for ya" supervisor with capabilities accent or the females slightly squeakier version of it? Americans don't care. They rather complain about Cuties than judge the real culprit...themselves. There's "yeah, you're cute" poor, waving anatomy parts like on a farm dirt poor, just fucking desperate and will fuck for a Walmart gift card. (Oh, I'm sorry, I thought you meant gif.) 20-Sep-2020
I love "Casa de Amor," wherein sexual workers extract the soul of a man through penile engrossment. 16-Sep-2020
The police sirens add amateur porn reality. 09-Sep-2020
The UK version redeemed its relevance. Horny younglings released from quarantine onto a desert mirage of true love. Fuck the boys and do not marry the girls. 08-Sep-2020
Finale. My manhood has been restored. I felt absolutely nothing. 13-Aug-2019
Toxic playpen wherein a woman's suffering and desperation is a man's empowerment. 01-Aug-2019
S3. They smeared dark paint and punched holes into what could have been a masterpiece. Everything we cherished was punished, everything celebrated, got cursed and everything funny, nagged. The backstory was a cheap attempt to keep us interested in the life of a woman that presently doesn't exist. It's hurtful and pointless. Everything gay has become annoyance and everything Paulina De La Mora has been shredded. The only thing left is the frame. 29-May-2020
Scouring the family axis with joy. 02-Oct-2019
Female driven fairytale of teen empowerment. To obtain such merit, a girl must prioritize "the shortcuts," suppress the lower stereotypes, pounce on a superior royal animal and have it grant her that royal fucking that will liberate her. (So, all girls think.) I don't remember kids talking like this, I hope kids aren't talking like this and I definitely hope they don't start. One episode of unawareness, lack of emotional study and an honest laugh, had me bolting. In fairytales there are no lessons without a witch.
Niecy Nash glimmered gingerly. 08-May-2020
Niecy Nash glimmered gingerly. 08-May-2020
I quit after two episodes for its robotic love story and for making a half, feel like a full hour. If its purpose is to instruct us on how to navigate teen angst, sex and love, I can't empathize. By twelve, I and most of my brethren were already bona fide sluts (thanks, daddies) and my input wasn't necessary. It reeks of social parenting, enforcement and naive privilege. The writers believe that if you preach hard enough, it will spill into reality. Daisy Edgar-Jones is neither ugly, weirdly or enticing enough to elaborate on an inconsistent sketch of a girl who is written to be all of those things. It's hypocritical. Paul Mescal is wasting his beautiful ass, nobody else matters and nothing happens. 05-May-2020
Hollywood magic starts in bed.
A propaganda film correcting past inequalities by imposing modern thoughts and politics into the mouth of history.
It preaches incessantly because we can no longer be inspired by people's lives as they lived it but how we now prefer it. (Good change comes when we learn from past mistakes, not when we erase them.)
Diversity exists as a pulpit, never integrating or understanding their purpose. Brother and sister needed to bring the humility, homework and incandescence that would compel us to believe they deserve the success they aspire to. Ms. Wong (Michelle Krusiec) completed her homework.
Rock Hudson, Vivien Leigh and Tallulah Bankhead portrayals. The ginormity of man beauty that was the Rock, is diminished when his facsimile stands shoulder to shoulder with Mira Sorvino and when he portrays him like a dork. Vivien was a cartoon transformer shifting from beauty to accent in a manic state. She needed to be all of it. Tallulah is actually very simple to study. You watch her one hour episode of I Love Lucy and follow it up with Bette Davis in All About Eve, legitimizing her. Too busy, huh?
The film within a film seemed abysmal.
I found it offensive that a black woman was portraying a white woman's life. It's like a man portraying a trans.
Free rein to rearrange is exciting only if it follows the rules of its generation. 03-May-2020
A propaganda film correcting past inequalities by imposing modern thoughts and politics into the mouth of history.
It preaches incessantly because we can no longer be inspired by people's lives as they lived it but how we now prefer it. (Good change comes when we learn from past mistakes, not when we erase them.)
Diversity exists as a pulpit, never integrating or understanding their purpose. Brother and sister needed to bring the humility, homework and incandescence that would compel us to believe they deserve the success they aspire to. Ms. Wong (Michelle Krusiec) completed her homework.
Rock Hudson, Vivien Leigh and Tallulah Bankhead portrayals. The ginormity of man beauty that was the Rock, is diminished when his facsimile stands shoulder to shoulder with Mira Sorvino and when he portrays him like a dork. Vivien was a cartoon transformer shifting from beauty to accent in a manic state. She needed to be all of it. Tallulah is actually very simple to study. You watch her one hour episode of I Love Lucy and follow it up with Bette Davis in All About Eve, legitimizing her. Too busy, huh?
The film within a film seemed abysmal.
I found it offensive that a black woman was portraying a white woman's life. It's like a man portraying a trans.
Free rein to rearrange is exciting only if it follows the rules of its generation. 03-May-2020
S1E3. I'm neither addicted, intrigued, impressed, or willing to give a shit. 01-Apr-2020
I tuned in out of curiosity and to give its subject, the benefit of the doubt. I wasn't raised in an environment where I thought hooligans were cute and my idea of celebrating such buffoonery leaves me speechless. Not one soul appears to have one and the glorification of fake swagger has me flatlining. I don't believe in fucking with mother nature or God's fucking plan and I don't believe in making a profit from exploiting it.
(If I change my mind I'll expose myself again.) 01-Apr-2020
(If I change my mind I'll expose myself again.) 01-Apr-2020
It does not unsettle because there is no intrigue, sharp scare edits or anything besides Holly Taylor to give a damn about. 13-Jan-2020
An expose of the art world with a horror addendum. It spends too much time characterizing a patronizing society and very little imagination bringing the art and kills to life. Jake wraps his character in queer banality and sexual confusion like the problematic characters of yore (Jodie Dallas from Soap and Steven Carrington from Dynasty.) I'm starting to believe he actually may be straight. 20-Nov-2019
It has a problem growing up. 08-Nov-2019
Why is Patricia Heaton acting like she switched bodies with her teen granddaughter? 27-Sep-2019
Unbearable characterization and no adept drivers washing ashore. Out. 27-Sep-2019
I'm on the third episode. The curiosity is minimal, actor attitude is on high alert for no apparent reason and the dialogue is banal. Only a driver, expert at U-turns, can save it. 24-Sep-2019
I tuned in as radio while I prepared dinner. I missed the first hour because there was important wine to drink but I tuned at the beginning of the second. Almost everything I hated won. Hollywood creates realistic art but has trouble appearing realistic. Billy added flair and Halsey held my attention, everything else was soap. We need to be convinced that human representation isn't a part-time job. Being politically correct has made everyone boring. The host wasn't the problem. 22-Sep-2019
Histrionic and unfledged bullshit. 02-Sep-2019
Mental disparity, a God complex and game/life correlation. The cast broods accordingly, the art prettifies the depression but the conclusion sticks with serial tropes. It forgets to embrace fun which is why we play games to begin with. 28-Jul-2019
The giant impresses but all the puzzle pieces are so scattered that my brain creases trying to put them together. 02-May-2019
There are plenty of classic sitcoms with tepid first seasons. I thought this could be one but its a strenuous task. The performers seem confused modernizing characters that existed in grand spaces with evolutionary representation. The comedy is 80s frivolity. The writers don't seem interested in pushing uniqueness out of replication. 05-Apr-2019
