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A Quiet Place: Day One: (2024) 
A movie where silence is golden only resonates with "good face" actors. Lupita is characterized as an unpleasant doom manipulator. The cat that doesn't meow really pissed me off. By making the cat mute they missed out on fresh ideas and unforgettable scenes. Hounsou was relegated to extra. The action repeats but it doesn't refresh. More monster exposition would have added coherence and sustainability. What is their backstory? What happened to the crying babies? Deaf people who can talk? The rules of the game were acknowledged rather swiftly and the setups were obvious and corny. Pizza, really? 08-Jan-2025
I understand the importance of the man who did something incredible for his country. A race to be the first superpower to create the best weapon science has to offer. Robert Downey had problems looking sincere being white in a black and white picture. His cranium didn't look right. Jesse Plemons and Matt Damon should play brothers and Ben Affleck must play the hated stepbrother. Daddy Josh was a beholding sight. Florence Pugh showed up to fuck and flip her acting light switch on and off, again. The wind did a better job of styling Emily's hair than the stylist. That's what beautiful hair is supposed to look like. Emily's acting switch was constant. Her story didn't expand. There was more that I wanted to know about her but I was being hypnotized by psychedelics and uniforms. You can't be suspended for three hours and not fall down throughout. There wasn't much keeping it afloat. No action and little surprises. It felt professionally cold. Really, what's an atomic bomb movie without Godzilla, destroying cities? Were moviegoers using Barbenheimer to sleep?
22-Jun-2024
22-Jun-2024
They couldn't follow up the original story so they made shit up. I wanted to see the devil fuck a jackal. In what Walt Disney world is that not possible? It took cues from The Nun without inhabiting what made the original Omen successful. Actors we cared about bringing a terrific book to life. A score that lives in my eternal memory. A director that defined it without judging it. Damien-Omen II's foreboding notes would have given the movie strength and fan base pleasure throughout, if they had thought to use it. 01-Jun-2024
Women can do anything except fight wars, raise non-toxic boys or shut up. Barbie is a politic, a preacher and a bore. Man hate shuffles in so often that enjoyment is stifled. The cast is brilliant. Margo and Ryan were perfect iterations of iconic toys and the support kept up but the story just memes on the same subject, over and over. The film distinguishes the sexes without exploring true intentions or circumstances. The best way for feminists to free themselves from a man's grasp is to never marry and to abolish religions that place them in dire situations. 16-Dec-2023
Lack of clarity and character purpose slows a movie about a female child molester. The boy was thirteen, she got caught, went to jail, became pregnant and married the victim. Natalie Portman is the actress that arrives 20 years later to witness the aftermath and understand the feelings involved in a messy woman's choices so she can better portray her in an upcoming film. The couple believes it might bring redemption but it's not clear what Portman's true intentions are. Julianne Moore settles on a safe space where the husband, children and neighborhood are trapped within the woman's bubble of fantasy and control. She never thought she did anything wrong except cheat on her husband. Boy grows up and remembers feelings that were not kosher, his dependence on his wife gives him no place to run to and he needs to blast it to any one that can help him understand. Charles Melton's abused boy is a frozen fuckboy in a bubble of his own that conveyed not much more than the script. Melton pauses and clamps trying to act through something that's keeping him away. The beautiful score is unsettling and builds to nothing. Moore has a few moments, Portman gave us brilliant seconds but the styles never coalesced. The script mumbles and only hints at evoking feeling. When a woman is a victim of abuse, her story is always front and center. If the man is the abuser he has to register as a sex offender, not live by schools or children, be destroyed for life and never be the lead in his own story. Why didn't this victim get the same respect? 03-Dec-2023
It seems like a private joke to portray different languages without captioning them. The more times the movie lines or references are repeated the more we can understand and retain it. It's an educational tool. The descriptions fall mainly on Elba who portrays a physically commanding djinn with poetic romanticism with no woman to match him. Swinton's acting nuances become mismatched ticks. Queen of Shiba's story was the most interesting only because the actress portraying her provided model fabulosity. The leads remain within bottle safety throughout. The effects don't want to intrude on realism but that's what the story is about. I wanted to see Elba mixing spells, looking dashing or at least happy and having a magic ball while reciting Shakespeare with Lady Tilton. 23-May-2023
It's a horror slasher that believes it shouldn't have to explain why a killer kills. He just does. It's a lack of opinion and a loss for art. A perspective from a person with capabilities would have created a nicer balance. Mask off created no tension or tingles. SPOILER ALERT: It wasn't Brad Pitt. The mask was more effective. All was slasher cohesion with no heart attacks. 20-Dec-2022
The film has the emotional impact of attending a stranger's funeral, the fright of an Easter coloring book and the sense of none. There isn't enough thread to hold the story together. 12-Oct-2022
It's an incomplete thought. A woman realizes her culture by being left behind to be parented by a rich white family. The interracial harmony was a plus. The actors didn't make calls to their agents after every scene. They were in it. The idea that the man you loved was lying about his parents and abandons you to their care is frightening. The atmosphere was established, the actors were prepared but the story didn't succumb to its repression. All was safe, all felt long and none of it felt warranted. I wanted to hear the screams of agony and the main fucking the shit out of that pretty butler to get the fuck out of there. That's what real people do. They don't waste time wondering. 20-Apr-2022
There are beautiful patches stitched to murder, carnivals and mentalists. AHS killed carnivals and mentalists are bullshit. The film squirts beauty of everything that's interestingly slight. Bradley Cooper's Stanton starts as an Eastwood Quiet Man and evolves into a charming egotistical salesman, like a virus. Don't sleazy salesman jabber all the time? When did he acquire it? He's so damn quiet. There are no spins to copied thoughts. It was a reenactment without approach. Toni Collette was gearing up for more. She gave daddy squish Bradley a deserved bath and finished him off like a gay would. I rewound 5 times then fell asleep. Toni deserved reciprocation. Cate Blanchett is an Eternal unharmed by copper platters. She is gold lame shimmering in every era with Lucille Ball regrets and Faye Dunaway determination. It needed to either move faster or interject some cool things in between. I expected more. 05-Feb-2022
There is no dog in sight. Teen with effeminate ways grabs the attention of the town bully and gets a crush on him. Son is subjected to alpha humiliation that gives him a hard-on which makes mother heartbroken yet keeps boy obsessed with tempting the savage. She marries the bully's brother and moves into the bully's home where he finishes her son off. Cumberbatch has no idea what a cowboy is. He jangles and jingles with exaggerated sounds of the west and comical highwaters but only his butt stood out. His pronunciation of "fatso" held no effect because he didn't know what the fuck it was. It's not a fact, it's a genial insult. His slow drawl compensates for an accent with no attachment to history. He is miscast because the safety of the participants prevails great art. No one is going to take a chance on a toxic male presence for reality's sake. Rick from The Walking Dead would have made a savage cowboy. Jane Campion is obsessed with certain keys of the piano and noises that no one else finds comforting. Kirsten Dunst would have given an award worthy performance if someone had written her one. Her character is scattered and listless. Hiring a tall boy doesn't diminish the film going Brokeback with a child. The film may not consummate it but we're not stupid. Jane Campion spends so much time lingering that the thought is lost. 06-Dec-2021
Patty Jenkins went on a shopping spree with the film's budget. Did she leave most of it home? It opens with baby Diana discovering clever ways to somersault at the White Female Olympics. She's unbearable, I mean unbeatable even as a child. Cue applause and adoration. There should have been a lot of irony in a woman raised to best everyone, even in goodness. Years of not belonging in the world would have brought her detachment from it. She wouldn't fall apart over Steve Trevor and she definitely wouldn't pine for him for over a 100 years. Compassion is a side effect of a movement. Coldness is a statistic of war. Everything you hate about the movies is in this one. The older maidens are given minimal time. (They didn't study their accents, again.) Cheetah might have been intriguing as a black character with white superiority issues. Yes, make it a race thing. Pedro Pascal left his guts on the floor while Ms. Jenkins took a nap. Steve's explanation for existing in the future was best established on the 70s TV series. Future Steve could have been the great grandson of dead Steve. Incestuous hook-ups and emotional consequences. It would have been a great place to establish personal turmoil. Gadot needed to wear some of the tear in Wonder Woman's battle history to find her strength because it ain't crying.
Patty Jenkins killed Wonder Woman. 14-May-2021
Patty Jenkins killed Wonder Woman. 14-May-2021
How to minimize your carbon footprint by living like a dot. Though well portrayed and explored the film only pulled sadness from me. 19-Feb-2021
Caged mutants. It stifles their capabilities and our enjoyment. I want to see them conquer the world that is familiar to us. It takes cues from the Freddy Krueger series, ho humming along and invading the lab rats' nightmares. Big Bad is stale and the action needed some throwback. Misplaced hair is my pet peeve. There's loads of it. The lesbians elicited some heart, Sunspot singed some hard-ons and the rest needed something to believe. So did we. 03-Feb-2021
I didn't wait, I swam back. As soon as I heard gay clones spouting the word "thirsty," I was out. 03-Sep-2020
