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It's a horror slasher that believes it shouldn't have to explain why a killer kills. He just does. It's a lack of opinion and a loss for art. A perspective from a person with capabilities would have created a nicer balance. Mask off created no tension or tingles. SPOILER ALERT: It wasn't Brad Pitt. The mask was more effective. All was slasher cohesion with no heart attacks. 20-Dec-2022
The film has the emotional impact of attending a stranger's funeral, the fright of an Easter coloring book and the sense of none. There isn't enough thread to hold the story together. 12-Oct-2022
It's an incomplete thought. A woman realizes her culture by being left behind to be parented by a rich white family. The interracial harmony was a plus. The actors didn't make calls to their agents after every scene. They were in it. The idea that the man you loved was lying about his parents and abandons you to their care is frightening. The atmosphere was established, the actors were prepared but the story didn't succumb to its repression. All was safe, all felt long and none of it felt warranted. I wanted to hear the screams of agony and the main fucking the shit out of that pretty butler to get the fuck out of there. That's what real people do. They don't waste time wondering. 20-Apr-2022
There are beautiful patches stitched to murder, carnivals and mentalists. AHS killed carnivals and mentalists are bullshit. The film squirts beauty of everything that's interestingly slight. Bradley Cooper's Stanton starts as an Eastwood Quiet Man and evolves into a charming egotistical salesman, like a virus. Don't sleazy salesman jabber all the time? When did he acquire it? He's so damn quiet. There are no spins to copied thoughts. It was a reenactment without approach. Toni Collette was gearing up for more. She gave daddy squish Bradley a deserved bath and finished him off like a gay would. I rewound 5 times then fell asleep. Toni deserved reciprocation. Cate Blanchett is an Eternal unharmed by copper platters. She is gold lame shimmering in every era with Lucille Ball regrets and Faye Dunaway determination. It needed to either move faster or interject some cool things in between. I expected more. 05-Feb-2022
There is no dog in sight. Teen with effeminate ways grabs the attention of the town bully and gets a crush on him. Son is subjected to alpha humiliation that gives him a hard-on which makes mother heartbroken yet keeps boy obsessed with tempting the savage. She marries the bully's brother and moves into the bully's home where he finishes her son off. Cumberbatch has no idea what a cowboy is. He jangles and jingles with exaggerated sounds of the west and comical highwaters but only his butt stood out. His pronunciation of "fatso" held no effect because he didn't know what the fuck it was. It's not a fact, it's a genial insult. His slow drawl compensates for an accent with no attachment to history. He is miscast because the safety of the participants prevails great art. No one is going to take a chance on a toxic male presence for reality's sake. Rick from The Walking Dead would have made a savage cowboy. Jane Campion is obsessed with certain keys of the piano and noises that no one else finds comforting. Kirsten Dunst would have given an award worthy performance if someone had written her one. Her character is scattered and listless. Hiring a tall boy doesn't diminish the film going Brokeback with a child. The film may not consummate it but we're not stupid. Jane Campion spends so much time lingering that the thought is lost. 06-Dec-2021
Patty Jenkins went on a shopping spree with the film's budget. Did she leave most of it home? It opens with baby Diana discovering clever ways to somersault at the White Female Olympics. She's unbearable, I mean unbeatable even as a child. Cue applause and adoration. There should have been a lot of irony in a woman raised to best everyone, even in goodness. Years of not belonging in the world would have brought her detachment from it. She wouldn't fall apart over Steve Trevor and she definitely wouldn't pine for him for over a 100 years. Compassion is a side effect of a movement. Coldness is a statistic of war. Everything you hate about the movies is in this one. The older maidens are given minimal time. (They didn't study their accents, again.) Cheetah might have been intriguing as a black character with white superiority issues. Yes, make it a race thing. Pedro Pascal left his guts on the floor while Ms. Jenkins took a nap. Steve's explanation for existing in the future was best established on the 70s TV series. Future Steve could have been the great grandson of dead Steve. Incestuous hook-ups and emotional consequences. It would have been a great place to establish personal turmoil. Gadot needed to wear some of the tear in Wonder Woman's battle history to find her strength because it ain't crying.
Patty Jenkins killed Wonder Woman. 14-May-2021
Patty Jenkins killed Wonder Woman. 14-May-2021
How to minimize your carbon footprint by living like a dot. Though well portrayed and explored the film only pulled sadness from me. 19-Feb-2021
Caged mutants. It stifles their capabilities and our enjoyment. I want to see them conquer the world that is familiar to us. It takes cues from the Freddy Krueger series, ho humming along and invading the lab rats' nightmares. Big Bad is stale and the action needed some throwback. Misplaced hair is my pet peeve. There's loads of it. The lesbians elicited some heart, Sunspot singed some hard-ons and the rest needed something to believe. So did we. 03-Feb-2021
I didn't wait, I swam back. As soon as I heard gay clones spouting the word "thirsty," I was out. 03-Sep-2020
A boy and his brother surrender parts of themselves while trying to resurrect their mother through alchemy. A journey ensues to find a philosopher's stone that will return their bodies and relax their souls. The animated series was a dark tragedy with kiddie undertones, celebrating science and magic shows, stupendous mutants with biblical powers, military strategies and coos, cliffhangers and curves while pulling the heartstrings. The introduction is action best, the characters and the costumes click the memory banks but its empathy blubber is unforgivable. 26-Aug-2020
Boy suffers the loss of his mom, who dies in an explosion, but gains a piece of priceless art. Sarah Paulson has a moment as a bimbo and Nic adds an elegant presence to an adoptive mom but the characters have no foundation for any actor to stem from. The boy, in particular, acts as the scene needs, not as his character would. Ansel achieves a spark because he's trying to understand it as much as we are. It's a hard sell because the mystery doesn't amount to a life altering choice, it just is. A sweet sentiment with absolutely no sugar. 26-May-2020
I don't do well with first-person because its film rolling on inanimate objects (people included) that are restricted. A fantastic one connects what we see with what we imagine. A disappointing one makes a straight beeline across a rudimentary device. The creep in question is just an exasperating real estate agent with constant jabber and little realization. The one behind the camera could have offset the other's nonsense with the snappy quips his screams intimated. The axe received the most character development. The "s" word comes to mind but I refuse to use it. 01-Apr-2020
Silliness about a resurrected vamp raping a mod chick that dies delivering his baby. The baby ages into a superhero hunk with little gift of gab and limited supernatural powers. The fair lady hired to scream, couldn't. Fast forward to the fight scene which has Thor mashing a tired Michael Morbius with no effects and generating loads of laughs. 24-Mar-2020
Once Upon A Time... In Hollywood (2019) 
I no longer squirt for QT unhinged idiosyncrasies. Talky, boring and pointless. 23-Feb-2020
Hot stuff (James Darrin) obsesses over dead girl. Like the drugged out haze it was written and directed in, the film lingers on aspects that make it boring. It was bold to include an interracial couple and lesbians romping freely but the sex scenes consisted of a man's back against a woman's catlike nails on repetition. Giving Barbara McNair the insufferable title song hurt her vocal chords and our ears. By the end, you'll feel as misplaced as James Darrin. 20-Dec-2019
