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All Posts Tagged as 'Director's Touch'
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The military are all dicks so there is no one-upping each other. The banter is less typical and bad assery was disco (non-existent.) The thing had me desperate to see it and not disappointed that I did. The survival half contributed a lot to the action that followed. The cast was essential in directing audience emotions so it can feel it. The thing was scary and unstoppable. Someone is going to invent better AI to kill us. 10-Mar-2026
I have a problem accepting A.I. with feelings. Bionics would have made better sense. Should Predators have a conscience? Predators eat the weak. Logistics aside, the popcorn balloons popped constantly. Sometimes with extra butter. 23-Feb-2026
The message is sweet but the idea that adults understand what children dream of is questionable. The obsession with food is gross and teaches kids to be unkempt and nauseating. A town full of talking, walking junk food "on the street" is not a banner for hygiene or a wet dream. I'm old-fashioned. Kid stories should be thoughtful, incisive, imaginative, realistic and responsible. Teach them something they can use! Food being a big part of a child's dream wish list signifies worst things than a nightmare. The art was pleasant, the voices fit and I wasn't unnerved...much. 19-Dec-2025
It promises a lot that it doesn't deliver. It celebrates itself before we get a chance to absorb any of it. Beating Superman like a desperate housewife does not bring humanity to his persona and establishing himself as a victim of puny super abuse is not consistent with his mythology. Gunn did not utilize kryptonite because it limited action but embraced creating sun out of everything. It's a willing cast except for the Clarks. They were very hillbilly stupid. The big bad was existential with a personal vendetta and no superpowers to start a fight. The last half goes silly, corny and festive. Fillion's silver bowl hair distracted from his personality. It was also ugly. Mr. Terrific made most of his time by being cool whenever possible, Hawkgirl was miscast as a girl. She's a woman. A Gorilla Grodd would have introduced freshness to the tired and true. A drunk Supergirl was irresponsible and out of place. Does Clark also fuck Lois in the air? The film is just an introduction. 21-Sep-2025
An almost with a distinct visual style and coordination. The Little Red Riding Hood backstory was solid but the asides were distracting. Every once upon a time dredged up a mini scenario that killed the present momentum. I would have combined all the once upon a times into an intro. Somehow panic seeps into the mysterious imagery and causes confusion. Angela Lansbury was the perfect grandmother, the child was beguiling and the atmosphere was spooky. The wolves were a grab bag of good and bad. Some of the metamorphosis were clever. "Red" was a watered down version of the threat a violent man poses in society esp. regarding girls. The film is not afraid to explore sexuality. The reason most evil men do girls harm is sex. She blossoms while they shiver and fidget. Driving a car in the forest felt too modern for its surroundings. I watched riveted until the end but I didn't quite get it. 26-Jun-2025
Ralph Fiennes made fucking a priest less criminal. Ditto Tucci. Lithgow reinterpreted De Palma creepiness to great success. I was educated, enlightened, intrigued and delighted. Wow. Penguins see color too. Fred Zinnemann inspirations abound and they were welcomed. Isabella slayed like Nurse Ratchett. It was careful to remain on course, turn gossip sporty and entertain methodically. Religion took a back seat. TG. 11-May-2025
I celebrate Mike White on his merits, introspective moments, overall arcs and emotionally violent closures. Patrick had daddy dna and Tom Cruise energy. Lek established herself legendary by being unforgettable. The tooth fairy sprinkled fairy dust and allowed me to relax in her vulnerable world. Goggins ignited me when he played trans with luscious boobs and biker milf status. His best performance moments were in his eyes and his beautiful teeth. Parker Posey was its biggest draw but was saddled with a shadowed ending. Jason Isaacs has super daddy capabilities. Every time I saw him I wanted to throw him down and suck his daddy pain away. The besties grew but didn't resolve. I'm glad momma had a happy ending but she could have reached that goal by selling her son. He was gorgeous. Valentin had phony act charm that kept him fuckable. Gaitok's becoming was heartwarming. The big mystery: she's alive isn't she? 08-Apr-2025
My Little Margie (1952 - 1955) 
Ridiculousness is the charm that keeps you glued to seeing horrible people fail. The father thinks that by treating his adult daughter like a wife that she will outgrow her conniving ways. Yes, it's a Lucy wannabe. The daughter Margie is an unscrupulous Lucy in her 20s. The protagonist is adept at mimicking voices and throwing a punchline but she wasn't Lucy. The character is hard to like. It is structured as a last minute idea. Somebody wrote a porn script for fun, they couldn't meet a deadline so they repurposed it for television. Margie is everything the modern woman is blamed for. Woman domination is irrefutable. Single dad that looks great in shorts is raising an over-teen. He is so overwhelmed by her antics/lunacy that he employs his boss and "girlfriend" to sabotage her. The boss is especially inappropriate. Holy crap! They had a black elevator man that entered apartments and canoodled with the white folks in the building. He was allowed to touch them! He was funny. The old neighbor was a hoot dressing up in drag and joining forces with Margie to scam people. She was no Mrs. Trumbull. My favorites almost always involved hillbilly or Hindu disguises, etc. Romantic relationships never evolved. They acted and reacted like spouses and weren't ashamed. The lead actress worked hard and had perfect pitch but I wanted a slushie thrown in her face. I'm surprised it made it to classic but more amazed that it still stirs. 18-Jan-2025
I refuse to start over. 11-Nov-2024
I just thought of something horrific. Is there more? 19-Oct-2024
S1E7. The finale made my eyes cross the other way. WTF? It's a great twist that could have served a better story because, here, it doesn't add up. 17-Oct-2024
The end is near because nothing is making sense. 11-Oct-2024
E4. Michelangelo created the priest's physique out of stuff we can eat. It's a shame he went beyond bonkers. Daughter is holding it steady and that's a good thing. The mystery is so blank that I don't know which imaginative door to open. Seams are showing. There is nothing wrong with working on a budget if we let imagination run amok.There are effects of lonesome kicking in which can lead to isolation. Too much of a good thing is exactly that. 04-Oct-2024
S1E3. Mother and daughter banter is true, the lead is no nonsense splendor and the priest is an orgasm. I have no idea where the series is going but I'll stick to it. Niecy has never been the same since she added irritable to her persona. She dimmed the exaggeration and punctuated the hurt which makes her a must-watch. The nun is as creepy as Bachelorette contestants. The nurse is a hoot vying for our attention. The daughter is invoking a detailed stereotype with respect. Mr. Kelce found Chris Pratt's watt and it fit like a glove. (That's what happened to it?!) The Murfs are not great at endings so I will enjoy the ride while it lasts. 03-Oct-2024
The circumstances are creepy and claustrophobic, the era is that "time of the month" and the outcome is numb. Paulson gives more than it deserves. The daughters are convincing. The pace is nerve wracking. The scares were substantial. How does a person survive in an area nature doesn't want them in? Paulson is an easy follow but the ending copped out. 08-Oct-2024
A lucent cast gets drowned out by its subject. I am aware that tennis would be a big part of a movie about tennis but tennis is not the background but a star. All parts of the film were well done except talk was from a fried script. I don't remember any conversations but the tennis ones. All day, all night whilst fucking and parenting, was tennis talk. They didn't even comment about food. The pretties were intoxicating but their emotions were tied to twin words that cast no realistic feelings, singularity or empathy. I have no idea what the storytellers were conveying. Great music, though. 01-Oct-2024
Monsters: Menendez Brothers (2024)
The end road was chock full of accomplished performances. Mr. Lane tapped into heartache and regret and transmitted it to the audience. It was sheer strength. Leslie Grossman found a character that matched her skills like a glove. She was fun. Chavez built as his character progressed. A little askew, unsure but learning. The "cry" bit was genius. Koch appeared wallflowered but eager to surprise. He wore those glasses like Joan Crawford would, with confidence. A very capable group of actors. A hurricane of thoughts strikes briefly to annihilate jury members' votes. It was compelling. I didn't recognize her but there was something about the voice, legend and talent that felt like home. When I realized it was Ms. Lawrence I applauded. The final flashback back-pedaled all the emotions and perceptions that transpired. My vote didn't matter because they figured it out for us. The idea that the parents were blameless because their crimes were invisible does not free them of guilt, sin or karma. The only fact I'm sure about is that the eggs wouldn't have cracked if the parents hadn't laid them. 26-Sep-2024
S1E6. Art no longer belongs to the creator once someone else experiences it. It evolves, balloons then remains stagnant. The brothers are handsome and well-cast. The constant affection between them signified an unbreakable bond. Paying attention is necessary to reap the benefits of arcs and surprises. Sevigny is so accurate in her portrayal that she becomes as lost in the story as the real mother did in life. Good work. Javier is a beautiful monster that masters gut wrench and authority. Episode 6 was, so far, the best. The sex, abuse, the heritage, the privilege and mental enslavement were given honest and heartfelt consideration. It was the first time in a long time that I felt akin to characters that represented me. (It's not always about color, most of the time it's about shared experiences.) Brilliant direction and colorful words added to the episode's crescendo. 25-Sep-2024
Colin loved Penelope like a brother and took passion out of romance. She should've courted Eloise, or at least, Genevieve. A lesbian wedding a must enjoyment. Polly Parker convicted herself as a single woman having to do it all. Two daughters are spoiled and the other lives on social media clouds. Polly turned a villain into a worthy victim and the daughters were hilarious. Cressida is a character for the ages. Madsen slipped into gregarious outfits and ate evil little bitch as a protein. She was awesome. Nicola supplied the right amount of blood. I think Bailey was wasting his humps on a pillow. His wife checked out. Easy fix. She transforms into a man and returns as the beautiful black prince from the first season. The wife wont get fired. They can dedicate a season or two to exploring how she became. I will have a squish party if the boxer comes out or disrobes (not in front of the wife, of course.) It transports us to a beautiful, outlandish, artistic world. 19-Jun-2024
S3E5. The only bump I want to see is on Jonathan Bailey's bum. Colin did not eat Pen like a french pastry and she didn't knock the salt off his pretzel. Intimacy skied into sibling fuckery in frozen waters. He needed to tongue her down, squeeze and suck the shit out of that bounty and impress her and us with Bridgerton "John Holmes" dick. Excellence returned with a sense of humor. Mama and daughter Bridgerton need to swap partners. One deserves a virgin and the other is boring. Can Will Mondrich come out too? 17-Jun-2024
Interracial coupling was not natural. Mrs. Bridgerton didn't freak out and the daughter didn't scream rape because he was dainty, dark and didn't like to talk. 28-May-2024
Are we ever going to see a man work? The owner/bartender doesn't count. He only serves drinks when he's there which is rare. 28-May-2024
Season 3. The most edible one needs to stop the presses. Is it always going to be about the denial that hate is love, marriage is a must and density will guide the way? I mean't destiny. I'm disappointed. The black talent brought it up a notch. Lowering it would have added character depth. "You wowed us." "Provoke me to empathize."
28-May-2024
28-May-2024
Season Two was as beautiful as one of Lord Bridgerton's ass muscles. Queen Charlotte. Lady Danbury. Lady Bridgerton. Lady Portia. Eloise. Pen. Wigs. Costumes. Romance. Moooah. 30-Mar-2022
S1E8. A woman wraps up the marriage contract when she can birth a good shank to serve the round table. Men like ideals in women's heads so that our explanations make sense to them. It was brotime, sweetie! They took the cultures out of the equation. We judge them individually. Every actor willed good force. It was fun, it was camp, it was time and we're in it. The ending was delicious and I'm trading the duke in for the boxer. The duke has an "I'm so pretty" snarl. The other looks like my camper. Good job. 28-Dec-2020
S1E7. Mid-thru is an explanation of how black culture became elite. I bought it. The series needs more scandal and debauchery though. I'm replacing yes, daddy with yes, duke. 27-Dec-2020
S1E2. Not necessarily the show I want to binge on after mother telling me my black is white but it's Shonda so I'll give it a go. The shock of seeing black empowered gentleman and ladies of the pre-Victorian era makes my brain explode with fact check assumptions. I don't because I want to accept it on its own merit. Most of the cast whistles, foams and pours whilst the rest couldn't get out of their modern heads. The business at hand is to score the most pristine and delicate virgin hopefully with fine manners (a "yes girl") to fulfill a man's dream of future family and success. A woman's power is to profit from the business, band and thwart any mismatch that might bring a daughter harm and make sons proud. Shonda adds her sight of man appreciation, Shondaspeare fast talk and on your knees intrigue. I remember Nicola Coughlan because I wanted to eat her like she ate that cake. She's delicious. The picture for myself didn't get any clearer because I'm watching black people pretending to live whites lives. It makes the future modern brain wonder what the hate was all about. 26-Dec-2020
Giamatti is the cunt that the film feeds off of. The youngster missed an opportunity to turn on his star charm and lost out on bosom buddy gold. Ms. Randolph was the most mesmerizing character but we didn't see much of her to evaluate her capabilities. Carrie Preston played the nice character with inappropriate hypocrisy. I didn't believe a nice word she said. It made Christmas an overwhelming experience. It's a visit back to a place you want to forget. Music was timely and appreciated. The experience is a beautiful bird expecting to fly with only one wing. 05-May-2024
Film still has problems easing diversity into a comfortable setting. They act like they're visitors in someone else's home. There are not enough emotional elements to connect the actors together. They are isolating themselves in a crowded room. Diversity always feels like the elephant in the room. Facing it might dispel the awkwardness and grant more entertainment. The lead doesn't supply enough oxygen to let us in on how she may be feeling besides the obvious. Joe Bird, on the other hand, established himself with eye movements and bodily functions. The film succeeds because it thought outside the box and the scares were great. 07-Apr-2024
