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Movies Posts Tagged as 'Director's Touch'
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Murphy uses the best of his abilities to bring to life a man whose fame exceeded greatness. I understood Dolemite's reference in history but it thrived only because it depicted. Murphy was ready to challenge himself but you can only claim that from superior talent. The laughs mostly fell on Snipes who appeared Blanche DuBoised, emoting every character he ever played and Da'Vine Jone Randolph who supplied great testosterone relief. 21-Jan-2020
It's a high art profile of a Batman villain directed by Friday The Thirteenth. Margret brings her heroine to life by embodying the excited frustration of her realistic innocence for magic. Her character is underwritten and suffers from "who cares" but she was in it. Hopkins is our favorite crazy man whose practice and natural talent always have a way of invading its space. It is not a clean performance. He hits as many times as he bounces but what he lands is electric. A film, that in time, might grow into something. 11-Jan-2020
We watch for the shiny new tech (even if it appears unfinished.) 09-Jan-2020
The lengths gay boys will meander to discharge closeted sex and remain doped. A waste of pretty with nothing relevant to say. 29-Dec-2019
Newlyweds get their honeymoon interrupted by voracious lesbians. It's mystery stays locked until the end, probably so we don't question how illogical it is. The protagonists keep it sexually charged and violently demeaning. 18-Dec-2019
The art of devouring beauty. The film is stuck on carving striking visuals to move itself along, never defining its purpose or giving a well cast tenacity. We tend to fear beauty but it's our reaction that stirs it. 08-Dec-2019
Hypnotically rendered but the message doesn't stretch past religious privilege, perversity, addiction and violence. The emotions are vacant and no one has a built-in fight in them. 04-Dec-2019
Violent dream pole invigorates virgin queen to the consternation of his brother and her bestie. It's an odd concoction of disbelief. A bad boy gets rehabilitated by purity, something the girl loses as soon as he smells her. The parents are of the Charlie Brown variety, they're there but you cant really understand them and they really can't be bothered. The bestie should have been gay because watching porn together and never kissing, is weird. There are two gays that pop-up but all they do is desire, deny and dance. I'm torn. We should have family fare that looks and tastes like bubblegum (with sugar) but I think the teens could use a little cement (for their foundation.) The ending played it safe for everyone but I applaud it because it was the only choice for the genre. 03-Dec-2019
Anatomy of a slut. The downfall of insatiable passion is perception. La Liz pounces, purrs and self-destructs. She is not allowed empowerment because she wont march. She wont march because she's empowered. The dialogue is sharp and reflective, the mothers are concerned and full of wisdom and the men can't think pass their hunger. The honest speak seemed closer to a resolution than the unsighted delusion of today. 17-Nov-2019
Friend of a friend starts experiencing supernatural episodes after her friend starts dating. For the majority of it, it follows typical horror terrain where nothing makes sense and the end is sure to be crappy but when they explain it, it all falls into place. 15-Nov-2019
To evoke such oddities, the landscape needs to be bathed in color. Splattering random thoughts willy nilly to fill it, feels like forgery. It slackened my brain to the point of sleep. I woke to a frenetic ending that confirmed my not wasting time with the middle. I didn't get it. 15-Nov-2019
Last Time I Saw Paris, The (1954) 
War, Victory, Love and Life. Taylor struts gorgeously, as does Johnson's Herculean mane. Reed drops sweet for acid, Eva asserts manhunter and Moore is fine cuisine. The dialogue snaps, sexual freedom is commonplace and money kills God's Plan. The story lingers then quickens but star lush endures. 09-Nov-2019
Picture of Dorian Gray, The (1941) 
George Sanders spends the first act posing as if the film centered around him and philosophizing harshly on life matters. Angela Lansbury's Sibyl Vane is miscast and depleted of sensuality. Hurd Hatfield is agamous and ambiguous with no hunt for the debaucheries the writers keep mentioning he's into. The portrait and the narration had the only life the film required. 03-Nov-2019
Blackcoat's Daughter, The (2015)
Every persona suffers from peculiarity. The film courses through a dark vein and almost clinches God vs monster but it left too many holes uncapped. 25-Oct-2019
All the boys needed testosterone shots on vocals. Guy Ritchie has the balls to make a dream come true but has no audacity to eject it with soul. Smith is an imposing genie that computes the gay with little gumption. Mr. Massoud (Aladdin) squishes triumphantly but with too much modern awareness. Naomi Scott (Jasmine) is the only with a voice but she is too liberated in her femininity to convey the struggles of Jasmine's past. Marwin Kenzari squishes delightfully as a person but lends no voice or stature to Jafar. Ritchie brings as many things to life as he killed. 22-Oct-2019
