Movies Posts Tagged as 'Tough'
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Wound, The (2017)
Honoring male privilege while contesting the rules. The gay is treated as a natural conjecture that doesn't adhere to God's Plan but satiates a hungry soul. The men push God's Plan, diddle each other whenever possible and don't allow snot nosed effete city boys to put a label on it. The ending spells it out. 21-Jan-2020
Eyes Of My Mother, The (2016)
The film adds no psychological perception of its theme. The director contributes affecting shots but the scares arise from unbound cruelty. 26-Dec-2019
Hellish Arthurian legend. It couldn't hit the masses because it keeps its characters and premise grotesque and blood-soaked. David Harbour conveys the title monster but his unappealing design lends him no superhero charisma. Cult status may grant its futility and relentlessness, crap fun. 18-Dec-2019
Favourite, The (2018)
Filching the power of a doddering and enraged queen for self preservation. The lead trio combine with the word to exact the wit, scandal and one-upmanship that exists between women. Emma Stone's ambition cuts like a hurling knife, Rachel Weisz is all-business, running from said knife and the glorious and hilarious Olivia Colman covertly catches the knife to use against whom she pleases. Olivia opens like the wounds that appear during her illness. 16-Dec-2019
Heroes of Evil, The (2015)
Revenge boomerangs, bullying turns you serial and little boys do fucked up things. 15-Dec-2019
Thing From Another World, The (1951)
Causing terror with good old fashioned Hollywood techniques. The film reboots beautifully because it's brilliant. They delivered a completely terrifying story and trusted the audience to use their imagination. 03-Dec-2019
Irishman, The (2019)
The film punched a hole in the walls I had built being a mobster's kid which I only recently realized. It deftly displayed the inner workings of what my father's life was as opposed to how I experienced it.
The more the legends stripped to the third layer the more astonishing the outcome. Pacino roared, DeNiro resolved, Pesci divested, Romano rattled, Maniscalco (pants daddy) plundered and Jim Norton was uncanny. The women were prescribed little voice yet supplied haunting images.
Scorcese realized the gangster of today and allowed him to pay for his regrets. 28-Nov-2019
Old feeble men playing dress up. The intensity of the work is evident as is the three hour sacrifice to honor the best of it but most of it is unwarranted. The pros are welcome faces and the force is evident. I'm halfway in and I want to record my experience in parts. The history is concentrated and the genre is foolproof. While I've had highs with many of these men, it feels like they never moved forward or learned from their mistakes. Where's the now gangster? Scorcese masters the downfall of every criminal hero he builds yet the audience always ends up glorifying him. 27-Nov-2019
First Man (2018)
Gosling boxed his cereal face to grant us a complex and fretful hero and Damien Chazelle hurls us onto a technically pointed and miraculous journey. 24-Nov-2019
Butterfield 8 (1960)
Anatomy of a slut. The downfall of insatiable passion is perception. La Liz pounces, purrs and self-destructs. She is not allowed empowerment because she wont march. She wont march because she's empowered. The dialogue is sharp and reflective, the mothers are concerned and full of wisdom and the men can't think pass their hunger. The honest speak seemed closer to a resolution than the unsighted delusion of today. 17-Nov-2019
Starred Up (2013)
Fixing anger management whilst in prison. Jack O'Connell wholly conveys a ferocious and unchained delinquent with soft edging. Ben Mendelsohn is definitely the dad you don't want raising you in prison. Rupert Friend is the therapist that wants to reform them expressing very well through character evolvement that they can also reform him. Well acted, "candy-colored," well made. A take on the anger that builds in the underprivileged man. 15-Nov-2019
A Summer Place (1959)
Avoiding becoming like our parents by following in their footsteps.
Mother misinformed (Constance Ford) desexualizes and humiliates her daughter because she's afraid of acquiescing to her grunt husband.
The fuckable grunt (Richard Egan) is frustrated but soft wanting to understand the new world while being forced to follow the old.
Graceful mom (Dorothy McGuire) is all want in her eyes of a time passed that has returned.
Drunk daddy (Arthur Kennedy) shovels the truth and blows it in their faces.
Troy Donahue is a dreamy Groot with a slight bigger vocabulary. Beauty is an expression onto itself.
Sandra Dee was the girl next door living in a cloud.
The film was panned but successful. It spoke frankly about sex, it epitomized its time and predestined ours, for each question raised there was a consequence, for every character, a reason. It was a time to question life... the old and the new.
(It deserves restoration.) 13-Nov-2019
How To Be A Latin Lover (2017)
From hunk to chunk. Cliche comedy ease with a different culture. Derbez acquits comedy bravery, Hayek paints with passionate strokes, Taylor and Lavin jolt old ladies upright, Bell resuscitates with sunshine hypocrisy, Lowe institutes and Welch exalts. It's corny and safe, celebrating the importance of family while making us laugh. 11-Nov-2019
Funhouse, The (1981)
The premise is sold as soon as Hooper snaps everything into place. (What a missed opportunity not giving him a Bat to direct.) 27-Oct-2019
Last House On The Left, The (1972)
It's astounding that the film hammers the same political perplexities that we still argue today. Even though Craven stages with high buffoonery and jump cuts, the idea of the horror writhes from the ditch. 26-Oct-2019
Peculiar family traversing normal obstacles. Toni Collette doesn't just wreck, she explodes. The script challenges the actors and derives tension from emotional disturbance. Ari Aster keeps the scares familial, mysterious and skittish. The more we know the less satisfaction but the work remains solid because it's preceded by excellence. 09-Oct-2019