Movies Posts Tagged as 'Writ w/Possibilities'
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Fountain, The (2006)
In every corner hangs beautiful art and on every wall there is a story...and a story...and a story. I wanted to hang onto the modern fable that was going to rip into our hearts not the cloak and dagger fantasy that could have been its own film. Hugh Jackman was most guttural. The film's complexity overshadowed the simplicity of life. 14-Jan-2020
It's a high art profile of a Batman villain directed by Friday The Thirteenth. Margret brings her heroine to life by embodying the excited frustration of her realistic innocence for magic. Her character is underwritten and suffers from "who cares" but she was in it. Hopkins is our favorite crazy man whose practice and natural talent always have a way of invading its space. It is not a clean performance. He hits as many times as he bounces but what he lands is electric. A film, that in time, might grow into something. 11-Jan-2020
Figurine, The (2009)
The goddess grants seven years of prosperity then nullifies it. It's raw and clumsy, vibrant on culture, low on horror clicks and coherent in twisty deception. 11-Jan-2020
Beach Rats (2017)
The lengths gay boys will meander to discharge closeted sex and remain doped. A waste of pretty with nothing relevant to say. 29-Dec-2019
Ready Or Not (2019)
Why in-laws don't have an official holiday celebration. It quick starts with ease and foreboding with Samara Weaving transitioning from blushing bride to Harley Quinn but it fails to stay on track and the payback doesn't live up to its promise. If the groom had been unaware and a convincing price tag applied to the hunt it would have curtailed the buffoonery. 15-Dec-2019
Hypnotically rendered but the message doesn't stretch past religious privilege, perversity, addiction and violence. The emotions are vacant and no one has a built-in fight in them. 04-Dec-2019
Someone breaks the peace treaty America made with the aliens by attacking them. The aliens are everything history imagined, the scares are chilling and the relationship held interest. Too bad the characters had to talk. 01-Dec-2019
Boy's mental health shatters when he discovers that his girl hiccups for all the boys. Keir Gilchrist was prepared to inhabit what Tony Perkins stamped but the writers were too intent on keeping it romantic. 29-Nov-2019
Irishman, The (2019)
The film punched a hole in the walls I had built being a mobster's kid which I only recently realized. It deftly displayed the inner workings of what my father's life was as opposed to how I experienced it.
The more the legends stripped to the third layer the more astonishing the outcome. Pacino roared, DeNiro resolved, Pesci divested, Romano rattled, Maniscalco (pants daddy) plundered and Jim Norton was uncanny. The women were prescribed little voice yet supplied haunting images.
Scorcese realized the gangster of today and allowed him to pay for his regrets. 28-Nov-2019
Old feeble men playing dress up. The intensity of the work is evident as is the three hour sacrifice to honor the best of it but most of it is unwarranted. The pros are welcome faces and the force is evident. I'm halfway in and I want to record my experience in parts. The history is concentrated and the genre is foolproof. While I've had highs with many of these men, it feels like they never moved forward or learned from their mistakes. Where's the now gangster? Scorcese masters the downfall of every criminal hero he builds yet the audience always ends up glorifying him. 27-Nov-2019
Mutations. It's a well served platter with no additives or dessert. I wanted to eat from Gina Rodriguez' buffet table. The girl knows how to pour it and yell for seconds. 27-Nov-2019
Picture of Dorian Gray, The (1941)
George Sanders spends the first act posing as if the film centered around him and philosophizing harshly on life matters. Angela Lansbury's Sibyl Vane is miscast and depleted of sensuality. Hurd Hatfield is agamous and ambiguous with no hunt for the debaucheries the writers keep mentioning he's into. The portrait and the narration had the only life the film required. 03-Nov-2019
Blackcoat's Daughter, The (2015)
Every persona suffers from peculiarity. The film courses through a dark vein and almost clinches God vs monster but it left too many holes uncapped. 25-Oct-2019
El Angel (2018)
The angel is a pretty boy thug serial menace. The treatment is enamored of its subject, diluting his gay tendencies and celebrating every crime as a cute inspired revolution. Lorenzo Ferro keeps the character charged and the film pulsing but the consequences for heinous are overlooked. I could smell the 70s. 24-Oct-2019
All the boys needed testosterone shots on vocals. Guy Ritchie has the balls to make a dream come true but has no audacity to eject it with soul. Smith is an imposing genie that computes the gay with little gumption. Mr. Massoud (Aladdin) squishes triumphantly but with too much modern awareness. Naomi Scott (Jasmine) is the only with a voice but she is too liberated in her femininity to convey the struggles of Jasmine's past. Marwin Kenzari squishes delightfully as a person but lends no voice or stature to Jafar. Ritchie brings as many things to life as he killed. 22-Oct-2019
Look Away (2018)
It takes its cues from "Carrie" without employing a director's bag of tricks. India Eisley's beauty is evident at first glance so there is no launch metamorphosis. Her Maria should ignite uncontrollable rage and attack from boys not bullying and insecurity. The mirror is where many tricks could have been deployed but minute experimentation and bad editing keep it cold and non-dimensional. The daddy seduction is a successful creep that doesn't consummate, explanations are not forthcoming, the bully gets no follow-up, mama is useless and the writers employed little sense. 13-Oct-2019