TV Posts Tagged as 'Timid'
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Love Island (2019-)
S2E32. Women are no longer viable as sexual beings so I'm doing a gay male review. Johnny is the gorgeous god you play with but don't mess with. Carrington is the luscious top boy whose ass you have to taste. You're hooking up with Caleb even though your instincts are crushing you because his game is really really good and Calvin looks like the cousin that introduced me to naughty sex. 16-Oct-2020
Something's missing. Is it the "I kin kill a beah and cook it for ya" supervisor with capabilities accent or the females slightly squeakier version of it? Americans don't care. They rather complain about Cuties than judge the real culprit...themselves. There's "yeah, you're cute poor," "waving anatomy parts freely on a farm, dirt poor," "just fucking desperate and will fuck for a Walmart gift card piss ass poor." (Oh, I'm sorry, I thought you meant gif.) 20-Sep-2020
I love "Casa de Amor," wherein sexual workers extract the soul of a man through penile engrossment. 16-Sep-2020
The police sirens add amateur porn reality. 09-Sep-2020
The UK version redeemed its relevance. Horny younglings released from quarantine onto a desert mirage of true love. Fuck the boys and do not marry the girls. 08-Sep-2020
Finale. My manhood has been restored. I felt absolutely nothing. 13-Aug-2019
Toxic playpen wherein a woman's suffering and desperation is a man's empowerment. 01-Aug-2019
Lovecraft Country (2020-)
I wish the production would ignore whites the way they did us because white men as devil diatribe is tired. The horror inhabits everything in history that we celebrated with no punch. I want to celebrate who we are, should be, can be, not something we never were. Wasting a beautiful cast on nonsense. 31-Aug-2020
The Jefferson clap was joyous, ex-President to Jorel was cheek and daddy brick stripped with comic book accuracy. The cast is in it but the words don't feel them. Too much confusion to be fixated on anything. I'm confused because my old head can't grasp it or because the words are slippery. Exactly. Its biggest problem is fixating on not humiliating itself in the portrayal of people that were. The people whose courage we still remember. 23-Aug-2020
Amiably cast, historically vibrant but returning the black man to when he had no power does us no good. (Wos included.) A scare happens when you don't expect it. White cops versus saints versus action heroes. There's only one answer. The three protagonists are full of huff and puff when it's historically known that most people didn't stand up at that time. That's why we're here. It's insulting to the few that famously dared. The big bang threat was unexpectedly absurd and depressing. (Daddy brick needs to get naked.) 17-Aug-2020
Baewatch: Parental Guidance (2019-)
Family elders get to observe and decipher the toxicity in a youngling's infatuation. The tests are minimal and the production is too handy with band-aids but a youngling can't help being a youngling and left alone it will unravel. Red drunk pulls a white power card to shut down an argument with his black girlfriend. That's a never. I wished that had been singled out but without black representation both families were at a loss. The series punctuates its premise but it plays out apprehensively. 25-Aug-2020
Love, Victor (2020-)
E6-10. Performer TV IQ is high enough to rise above the suds, convey the right emotions, make us addicted and not drown from the weight of the soap. 18-Jun-2020
S1E5. It observes and overprotects its subject. It theorizes that problems only graze and that all people are inherently capable of understanding. Fables only grant the curious teen, added hurt on their venture. I'd rather tell it, solve it and not wait for the miracle to happen. 17-Jun-2020
Normal People (2020-)
I quit after two episodes for its robotic love story and for making a half, feel like a full hour. If its purpose is to instruct us on how to navigate teen angst, sex and love, I can't empathize. By twelve, I and most of my brethren were already bona fide sluts (thanks, daddies) and my input wasn't necessary. It reeks of social parenting, enforcement and naive privilege. The writers believe that if you preach hard enough, it will spill into reality. Daisy Edgar-Jones is neither ugly, weirdly or enticing enough to elaborate on an inconsistent sketch of a girl who is written to be all of those things. It's hypocritical. Paul Mescal is wasting his beautiful ass, nobody else matters and nothing happens. 05-May-2020
Hollywood magic starts in bed.
A propaganda film correcting past inequalities by imposing modern thoughts and politics into the mouth of history.
It preaches incessantly because we can no longer be inspired by people's lives as they lived it but how we now prefer it. (Good change comes when we learn from past mistakes, not when we erase them.)
Diversity exists as a pulpit, never integrating or understanding their purpose. Brother and sister needed to bring the humility, homework and incandescence that would compel us to believe they deserve the success they aspire to. Ms. Wong (Michelle Krusiec) completed her homework.
Rock Hudson, Vivien Leigh and Tallulah Bankhead portrayals. The ginormity of man beauty that was the Rock, is diminished when his facsimile stands shoulder to shoulder with Mira Sorvino and when he portrays him like a dork. Vivien was a cartoon transformer shifting from beauty to accent in a manic state. She needed to be all of it. Tallulah is actually very simple to study. You watch her one hour episode of I Love Lucy and follow it up with Bette Davis in All About Eve, legitimizing her. Too busy, huh?
The film within a film seemed abysmal.
I found it offensive that a black woman was portraying a white woman's life. It's like a man portraying a trans.
Free rein to rearrange is exciting only if it follows the rules of its generation. 03-May-2020
Thing About Harry, The (2020)
Generic romcom distinguished by queerness. It works best when exploring the stereotypes we fall into and avoid. Pan preference is introduced and established as a gay threat because no insecure man wants his ideal to have more romantic options than himself. The hunk swells stiff and the major bitches bitchily. The film loses so much without actor combustion. They are vying for our attention instead of inhabiting their personas. In a fairytale someone needs to get saved. Political enforcement does not allow vulnerability to empowered characters because the movement worked really hard to create it. A swinging soundtrack, amiable cast, "Up" cuteness and worth following. 06-Mar-2020
Horse Girl (2020)
The title sets it up for failure. Mare straddles insanity via conspiracy theory, almost every character is hypocritical and alienating and the balance of insanity versus sanity is insane. (Hint: the horse wins!) 15-Feb-2020
Safe Harbour (2018-)
Would you save a life if you think it puts you in jeopardy? It gripped and swerved evenly between the privileged and the do goodness, accentuating all the flaws, the heart and the life balancing we all endure. Each wields power that the new world has entitled them to but misconception, anxiety and unburdening (through violence) keep manifesting the elephant in the room...stereotyping to get a point across or to do more harm...to run away from it for as long as the effect is not needed.
It loses two moons because it ended with everyone getting a car and it feels the threat was for naught. The ending is a whimper. Life has consequences. 08-Feb-2020
Midnight Kiss (2019)
Gays garnering the right to be slaughtered on film like they're straight brethren. Writing representation is limited to watching half a season of Drag Race, the eye candy is squirmy and the serial getup has no sex appeal or fright. 27-Dec-2019
Twice Upon A Time (2019-)
Back to the future for love. The outline leaves you screaming for more but the two leads grind so intently, they keep you posted. 25-Dec-2019
The catastrophe of Lost has been redeemed.
Blue is a gorgeous color.
Only Jeremy Irons could snugly fit that suit or that character.
Tim Blake Nelson is trailer park satisfaction.
The greatest thing James Wolk did was strip. His accent almost cut me, it was so sharp.
Lady Trieu was grunge girl effervescence.
It completed, catapulted, respected and reinvented. Brilliant!
I'm excited and afraid. 09-Dec-2019
Acquiring empathy for a dad you hate by reliving his memories was invigorating. (Don't fuck it up!) 03-Dec-2019
Jean Smart and Regina King are glorious. Jeremy Irons is a fantastic beast. The creators name drop comic book fantasy without delivering it. Junk is created for the masses but art heightens its subject. Uncertainty makes the audience walk out. 09-Nov-2019
Earthquake Bird (2019)
The heat emanating from the threesome should have sufficed to generate a clearcut mystery on its own but inserting the crime interrogation, downgraded it. I stayed for the vibrant actresses and the sexy terminator. 29-Nov-2019
Raising Dion (2019-)
I delighted in Jason Ritter finally putting those asshole tics to use but the upgrade was for mama. No superhero is flying around her house until she says so! 22-Nov-2019
When mama discusses the mental incarceration of racism to a son that's becoming physically stronger, my negative comments became obliterated. The writers ventured to give us a modern mama willing to be sensitively honest with her child and equip him for life's challenges. Respect. 20-Oct-2019
A subject worth exploring in a culture historically evaded. It moves better when it tightens the reins but it's self awareness, interspersed soundtrack along with sprinkles of bleeding sap, drain it. 18-Oct-2019
Velvet Buzzsaw (2019)
An expose of the art world with a horror addendum. It spends too much time characterizing a patronizing society and very little imagination bringing the art and kills to life. Jake wraps his character in queer banality and sexual confusion like the problematic characters of yore (Jodie Dallas from Soap and Steven Carrington from Dynasty.) I'm starting to believe he actually may be straight. 20-Nov-2019