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Movies Posts Tagged as 'Timid'
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In every corner hangs beautiful art and on every wall there is a story...and a story...and a story. I wanted to hang onto the modern fable that was going to rip into our hearts not the cloak and dagger fantasy that could have been its own film. Hugh Jackman was most guttural. The film's complexity overshadowed the simplicity of life. 14-Jan-2020
We watch for the shiny new tech (even if it appears unfinished.) 09-Jan-2020
Tobe and company add too much silliness to the story, the aliens look like ugly toys you win for free and the only alien needed was underutilized (Louise Fletcher.) She knows scary. 31-Dec-2019
The lengths gay boys will meander to discharge closeted sex and remain doped. A waste of pretty with nothing relevant to say. 29-Dec-2019
Whores assessing that man needs art to turn on. It's an excuse for filmic art to celebrate human art (Harris Dickinson) but it doesn't know how. 03-Jan-2020
Hot stuff (James Darrin) obsesses over dead girl. Like the drugged out haze it was written and directed in, the film lingers on aspects that make it boring. It was bold to include an interracial couple and lesbians romping freely but the sex scenes consisted of a man's back against a woman's catlike nails on repetition. Giving Barbara McNair the insufferable title song hurt her vocal chords and our ears. By the end, you'll feel as misplaced as James Darrin. 20-Dec-2019
I miss the glamour of Hollywood. It's a dead art because we think that celebrating beauty diminishes the underwhelming. A film is a dream. When I dream, I want to go to heaven. I don't want to dream about Martha down the street with her torn robe, washing dishes. Everything is a little bigger and a lot more perfect. We have professionals who can transport us to a shinier world that we might want to emulate. It's a waste of superbeings! I'd watch no classic movie ever if the creators hadn't turned fabulous into an art. We know it's fake, they're not portraying crack addicts and drab sucks. 09-Dec-2019
It celebrates the act of divorce like it's a novelty few of us have experienced. Driver and Johanssen rip through an earsplitting script that offers little insight, poetry or pizzaz. The Gods and Goddesses come down to earth to portray us with little celestial beauty to trim the boredom. Laura Dern knows. 09-Dec-2019
The art of devouring beauty. The film is stuck on carving striking visuals to move itself along, never defining its purpose or giving a well cast tenacity. We tend to fear beauty but it's our reaction that stirs it. 08-Dec-2019
It was starting to feel like an allegory for reluctant parenting but the writer couldn't unhitch from irrelevance. 05-Dec-2019
Boy's mental health shatters when he discovers that his girl hiccups for all the boys. Keir Gilchrist was prepared to inhabit what Tony Perkins stamped but the writers were too intent on keeping it romantic. 29-Nov-2019
Mutations. It's a well served platter with no additives or dessert. I wanted to eat from Gina Rodriguez' buffet table. The girl knows how to pour it and yell for seconds. 27-Nov-2019
Adding a computer to a killer's brain was supposed to rehabilitate him. It was progressive. It had a prominent female doctor and a black magician's assistant.
Joan Hackett was an accomplished Sarah Paulson without the amount of accolades.
George Segal was dumbfounding, cringingly stamping the mediocrity evident in the poor treatment of a great story. 22-Nov-2019
Joan Hackett was an accomplished Sarah Paulson without the amount of accolades.
George Segal was dumbfounding, cringingly stamping the mediocrity evident in the poor treatment of a great story. 22-Nov-2019
Human trafficking. The film reads like a book cover. The director omits all the details and experiences that would have elevated the message. The monstrosity was so minimal that I had no idea what the protagonist was actually suffering. The fear of exploitation mars audience reaction and participation. 06-Nov-2019
Rare Exports: A Christmas Tale (2010) 
It delineates the first Santa, full of godlike vengeance and destruction. The film parodies like a summer blockbuster with striking imagery and a cheerleading score. It chugs along, never delivering the titular monster and rabidly tugging at our hearts. 05-Nov-2019
Picture of Dorian Gray, The (1941)
George Sanders spends the first act posing as if the film centered around him and philosophizing harshly on life matters. Angela Lansbury's Sibyl Vane is miscast and depleted of sensuality. Hurd Hatfield is agamous and ambiguous with no hunt for the debaucheries the writers keep mentioning he's into. The portrait and the narration had the only life the film required. 03-Nov-2019
