Errattic
Home About Us All Fuctasia_(NSFW) Games Gay+ Health/Food Movies Music Musings Photos_(NSFW) TV Wisps Preferences
Home Page > Current Page
Top Tags
1960s1980s
1990s
2000s
2010s
2020s
Accidental Watch
Action
Animate
Art Devoid
Bad Acting
Bad Chemistry
Beautiful
Bio
Brutal
By the Numbers
Camp
Chemistry
Classic
Comedy
Comic Book
Conspiracy Theory
Corn
Creepy
Crime Drama
Cultural
Cute
Daddy Squish
Dance
Decent FX
Director's Slice
Director's Touch
Disappointment
Drama
Ear Prick
Early Exit
Elegance
Enthusiastic
Eye Gouge
False Action
Fantasy
Fatigue
Foreign
Funny
Gay
Gay Swatch
Good Acting
Great Acting
History
Horror
Hot Swatch
Inappropriate
Indecipherable
Inspired
Kool Effects
Lesbian
Life
Macho Posing
Manipulation
Mat
Mean Spirited
Music Swings
Musical
Mystery
Oncer
Over the Top
Political
Political Satire
Porn
Preachy
Predictable
Preposterous
Pretty
Relationships
Repetitive
Revenge
Romance
Sad
Sap
Scary
SciFi
Sentimental
Sexy
Shrill Act
Silly
Squish Alert
Star Watt
Suspense
Sweet
Tacky
Tedium
Timid
Touching
Tough
Twisty
Weird
Wit Snit
Words Spoke
Writ Tight
Writ w/Possibilities
Login
Create ProfileLogin
This site does not claim credit for images, videos, or music, except where noted.
Movies Posts Tagged as 'Timid'
Rating key:
Welcome to Errattic! We encourage you to customize the type of information you see here by clicking the Preferences link on the top of this page.
The doll has a name but it's still beyond comprehension. The tidbits where they played with the doll's expressions was a cute opportunity that was underutilized. Making it react to things in a split second that no one is sure to see might have been fun. Owain Yeoman is a daddy water marker. Never too busy for work, the center of the universe, incompetent and not understanding of the language his son and especially his mother talks. Katie Holmes' dug sharply to give mom the suffocation of not being able to save her child from trauma and the burden of spending a lifetime treating him for it. She can't overcome her own because the kid is always reminding her of it. He was a witness. The more obsessed her son gets with the doll, the icier her mothering becomes. I wish there were a scene where she pummels it to death but no such luck. The set-up was too set, the 30's mystery cues didn't work and the next one needs to scrub the story clean. 18-Nov-2020
Lilly James never grows into the character of Mrs. De Winter, married to a beautiful giant with the power of entitlement and a haunted past. She's a bumbler who goes head to head with a stern HOH named Mrs. Danvers whose the only person in charge. Kristin Scott Thomas sinks her teeth into a classic character that was a delightful fright but whose persona has been abbreviated to a devoted staff member. The best manipulations are designated to other characters which kills Mrs. Danvers psychosis and grants Thomas no fun. The story has been fidgeted, the lush is unimpressive, the style is non-existent, James is not the woman for the job and Hammer is a pretty package with no clue as to how to play a rich gorgeous dick. I would have preferred to see Rebecca's story play out. Mrs. Danvers could have pined for her mistress while Rebecca crushed men's spirits. Missed opportunity for some classic lesbian fun and threesomes with the Hammer. 23-Oct-2020
We Have Always Live In The Castle (2018) 
Freak sister with a penchant for magic spells lives high up on a castle with her debutante sibling who has been exonerated for poisoning the parents and a wheelchair bound uncle with mental health splits. The town (downstairs) has granted them human cancellation and have a mass crowd conniption whenever the youngest witch comes down to shop. The debutante is a 50's housewife cloned with a Stepford. They may be the same thing. I don't know. There is no emotional understanding for the characters' overreaction. A whole town, except two people, want to destroy the younglings and their handi-capped uncle. If the town were made up of Janes then maybe I can digest that, maybe. Everybody has a heart, right? Alexandria Dadderio fit perfectly into a suit that was too refined for the story. We never get to see why she's agoraphobic or a robot. Sebastian Stan is Halloween candy, playing a long lost cousin who kindly visits to fuck with them. (Like protests.) Taissa Farmiga was hired because she is accomplished at giving an out of place character its reason for living. She was one oomph away. I didn't get it. 23-Oct-2020
This was an almost horror classic outdistanced by a grip not worthy of its folklore or its marriage to the present it creates for itself. The audio tapes that were assembled to heighten the tension, cartoon's it. Few actors can inhabit different ages or sexual identities with success. Get different voices. It's audio. The men in the present are not quantified for the sins of the past. It chugs along without much corroboration with its history except that the new mental health was once lunacy. 08-Oct-2020
The desecration of humanity is unforgiving. In order to conceptualize fact based savagery onto film you have to be a little nuts. The film goes where Tarantino's wouldn't and exploits it. It doesn't feel like the 60s, the ladies never heard of the 60s, the boys are drunks, stoners and stoopids and the killers remained shadowed like Halloween supervillains. Giving an evil character personality does not grant them humanity. It gives us a clue who to run away from. Make it up and make it real. I was a fan of Sharon Tate and I felt her tragedy. When I read "that" book, I experienced haunts and nightmares, forever. How could people be so inhumane? If the writer brings up the question, he and the director need to answer it. If you're going to make it, let your balls hang real low so the audience can cut them. The crew has regular mental health issues but no psychosis or artistry. It's Lifetime violence with '40s flair. The opener sizzled only because nobody makes Miss Jane look stoopid. 19-Sep-2020
The controversy is unfounded. It is a coming of age story in which a girl realizes that the the only power out of a man's stranglehold is sex. Women, men and religion are not copacetic. Daddy is legally permitted to bring home a second wife and daughter and mother must celebrate it. The girls are reflecting the American pop icons that make female freedom seem so attainable. "Look, they can twerk their asses and shake their tits in public and no one stones them. They are considered queens living in castles above the clouds and everybody loves them. Their husbands are so cute and submissive." Little girls want to be loved and secretly twerk like adults. Parenting 101. Like most of its inspiration, the talent is unjustifiable. They can't dance. (My mother would have hiked up the kid's diaper, turned it into a plastic thong and had baby jiggling her ass for candy and male applause. I did it but only when they got me drunk. No kidding.) The atmosphere is full of enthusiasm with breaths of color. Female muslim prayer is actually represented. Good performances earn it praise but its lack of warmth and resolution hurt. A woman's best weapon is silence. 11-Sep-2020
I didn't wait, I swam back. As soon as I heard gay clones spouting the word "thirsty," I was out. 03-Sep-2020
The inclination to watch was always interrupted by its gaming inspired poster. It looked like something you would play not watch. Obviously, it's description and my boredom tuned us in.
After decimating earth the next boost for humanity is to fuck up space. Away we go with pirates, thieves, anarchists, loveless, lawless and hopeless. Fun fact: I did not know space had crabs and no gays. The monsters are CGI identified on a two sided coin. The dialogue is full of those chemicals we don't want on our meat, the actors eating corn would have had the same effect and the director/editor stumbled by premeditating everything about to occur. The action sequences are as inspired as a preview before a game that never starts. 28-Aug-2020
After decimating earth the next boost for humanity is to fuck up space. Away we go with pirates, thieves, anarchists, loveless, lawless and hopeless. Fun fact: I did not know space had crabs and no gays. The monsters are CGI identified on a two sided coin. The dialogue is full of those chemicals we don't want on our meat, the actors eating corn would have had the same effect and the director/editor stumbled by premeditating everything about to occur. The action sequences are as inspired as a preview before a game that never starts. 28-Aug-2020
A boy and his brother surrender parts of themselves while trying to resurrect their mother through alchemy. A journey ensues to find a philosopher's stone that will return their bodies and relax their souls. The animated series was a dark tragedy with kiddie undertones, celebrating science and magic shows, stupendous mutants with biblical powers, military strategies and coos, cliffhangers and curves while pulling the heartstrings. The introduction is action best, the characters and the costumes click the memory banks but its empathy blubber is unforgivable. 26-Aug-2020
A heartbroken American goes to France to release himself. It is filled with ad lib banter (too many uhs and hmmms,) the sex was accurate (it gives you a woody) but the motivation was incomplete. 26-Aug-2020
Runny episode in the Terminator franchise. There is no verve in watching women do what they never do in real life. ("If I see another Karen dropkick another neighbor, I'll lose my shit.") It has all the ingredients of the best ones with none of its simmer, smarts or pot of humor. Young Arnold impressed but his Terminator mythology was destroyed. The cute brother should have played the Terminator. Sarah Connor is a show off. It talks, it fights, it conquers...story continued on Jane The Virgin. 21-Aug-2020
Family moves into a haunted bargain suburb. I would keep the family charm and dump the frightless horror. 20-Aug-2020
It's about repetition. People like myself have a tolerance for it. My mother kept me isolated like a special demon child that would wreck havoc onto the world if unleashed so repetition was my savior. I could visit safe lands (suburbs) inhabited by future friends (white people) and foretold accomplishments that never happened. The film is about repetition and it never stops. If the why hadn't kept me posted I would have skipped the nightmare. The clarification made sense, its' the what that didn't. 18-Aug-2020
No budget for a decent stage play less a good film but it has substantial ideas for us to ponder. Wifey woke awakens to sudden glam because daddy could do better inherited it. She is not comfortable commanding staff, feels it is beneath the help's heritage and fires them. (It's a mansion.) After an unreasonable time of daddy doing all the hard work he schemes to get her a robot. (Gay holler at the male choice.) The film does not succeed in creating the perfect robot but it creates the illusion of the perfect being. The explanation for maintaining robot/human boundaries is to not reach hoover or vibrator status or worse, love. The daddies whipped strenuous body muscle, the threesome was a two sided tango, the twist was great and it deserves off-off broadway respect. A tighter story and better effects would a Hollywood blockbuster make. 17-Aug-2020
Stephanie is the child that's always in your face that you ignore. Her parents abandoned her to live in isolation during an unknown pandemic and to deal with a monster roaming about. Daddy Frank Grillo and mama Anna Torv were defined as shitty parents so everything they did was spotty and disenfranchised. Shree Crooks discharged unsettling reality to her child. The twist curls into a pretzel, a bone breaking finale poured some salt on it but the whole was artificial cheese dip. 13-Aug-2020
