All Posts Tagged as 'Director's Art'
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Alita: Battle Angel (2019)
As I drowned in amazement the thought of giving Pinocchio this treatment became intriguing...and then it was.
Alita is the child built from dreams of regret, facing a life with limited power in the casings of a girl. She is constantly hounded for parts, in competition, fluttering, fighting and tasting what a child's life has to offer. She'd rather be a woman.
Christoph Waltz is his own animation. His Gepetto flourishes with worry and celebration. Alita's need to grow up is his dissatisfaction and his burden. The doctor brandishes enormous tools protecting a future creation that matters too much.
Creative ideas constantly bounce, widening the eye and accepting the beauty of art.
The pandemic should determine if this is how future movies will look.
Wild One, The (1953)
Life protestors with a penchant for bling, bikes and young things invade suburbia with destruction. The cops are too tired and don't want to get involved, the neighborhood uprises in arms and their little girls arch (they too have things to protest.) Parents are losers, youth is life, old is death.
There are illusions of gang rape and rape.
The women are confidant they can slow one down.
Marlon Brando explodes into both sides of his jeans like the rebel who doth protest too much. He was the untamable man that wanted to be tamed. The epitome of fluidity and all fan desires thereof, he institutionalized the gay man mystique and cis man "rapey" acquiescence. He's an everyman. That Brando granted my celibacy a woody, especially in black and white, speaks of "legendary animal."
The privileged only hate when others are troublesome. Good for them. 16-Jul-2020
Invasion Of The Body Snatchers (1978)
Daddy "pod people" proficiency. I can't imagine a better cast to deliver a concrete, spooky conspiracy. It turns the brain on and our survival mode kicks in as the repetitive blankness coerces the free thinker to scream in frustration. 16-Jul-2020
Wave, The (2015)
The cliches interrupt the strength of the message but papa courageous and mama savage add to the cerebral beauty of chaos. 10-Jul-2020
Monkey Shines (1988)
A fit daddy mentally bound by matriarchy becomes paraplegic. He receives a horrified nurse, mother pseudo, a no nonsense trainer and a mentally enhanced monkey.
The art of training an animal lives in its soul. The monkey represents the current female to determine his life. The monkey is a frighteningly adorable beast.
George A. Romero packs it with Hitchcock simplicity and sensical horror. Each frame a joy to ponder.
Jason Beghe is an addictive force.
The mother/son spar sliced bluntly.
I lurched, I was engrossed and the end was brutally sweet. 07-Jul-2020
Ad Astra (2019)
Universal travel, planet saving and soaring daddy issues.
The director feeds us unique vistas and exhilarating action but makes us feel like we're riding a bullet train. It spins by, it's amazing, I'm glad I saw it but it didn't mean anything. It had no attachment to the story.
Pitt attacks like it's his story to tell. He's exhausted, full of gruff and self analyzation. It was a most personal rendition.
Tommy Lee is "grand" daddy to everything Pitt did. 22-Jun-2020
Miracle Worker, The (1962)
Wild child with disabilities gets reformed by teacher whose demons compel her to impart self reliance. The film's effectiveness relies on protagonist nerve and muscle. Duke and Bancroft, not only slap it, punch it and break it they receive it, just as well. The psychology was that a child that inflicts pain must undergo it to better understand their crime. All the parental rules we dethroned, helped erect the special intelligence of an unidentified child. At end of story, the combatants celebrate the characters and, I hope, each other for a job well-done.
Chosen Ones, The (2015)
Conning underage girls into sex trafficking by boys/men realizing the fairy tale expectations that mothers inculcate. The subject is severe but the director does not exploit it. He keeps it creative with unseen cuts and human sounds that make the heart race. The heroes are also victims of an establishment that will never recognize a woman's purpose and therefore are powerless to do anything but abet the enemy or become one. Real and disturbing. 20-May-2020
Humanoids From The Deep (1980)
Cis sea monsters killing dogs, children and men so they can rape the women. It's pure schlock, WTF and astounding they pulled it off. I was less hesitant to watch because it was helmed by a woman. A woman, Barbara Peeters, would never exploit it. She handles her task, dons a penis cap for the shots and switches to thinking emotion about circumstances. She navigated like a pro. The fight scenes turned out hilarious but the racism, kills and rapes were sharp. All sexes, breeds and races shared the heroism.
(What were these people eating then? Their hair looked terrific.) 08-May-2020
Lighthouse, The (2019)
A psychology whose study is based at its present moment. Dafoe arghs and puffs with superiority and a seasoning of humanity. Pattinson is learning, maturing and blowing things up. A beautiful coupling. 03-May-2020
Extracting a drug lord's boy from the violent clutches of a challenger. Hemsworth is action God with minimal words and a gumption for despair. The writers downplay bravado and sap, injecting touches of humanity and observation to their characters. Director Sam Hargrave meticulously choreographs masterful action, cultural deficiency and human interaction. I was as enervated by the colossal statements as the small. The testosterone shot the action genre sorely needed. 30-Apr-2020
Others, The (2001)
Children and the help, quarantined with a compulsive mother obsessed with the idea of being as great as God. It's made of Hitchcock walls, star quality is legend of old and the understated score unnerves. It's refined spookery. Nic is powerhouse mama alleviator and authoritarian, putting the kids sweetly to bed, one minute and wanting to chop their heads off, the next. The ending is ruined once you know it but the lesson still rings true. Nothing ever is as it seems. 27-Apr-2020
No Way Out (1950)
Black doctor cares for two supremacist thugs. Race riot ensues when one dies. The movie is forthright and balanced with chills of emotions. Poitier is standard upright in a younger package. Widmark splatters the screen with hate like he meant it. Linda Darnel was the damsel in distress with heroic genes. Amanda Randolph deserves loads of cuddles for being. Mildred Joanne Smith was luminous at heart. It's an everlasting battle to fight for what our greater parents started. 20-Apr-2020
Jaws is the ultimate water pandemic. It's misinterpretations no longer matter, because its proven law. We panic, take precautions and find a loophole to reopen. The loophole is that there's always a bigger shark out there. A sentiment for only the purest of heart.
My mother and my sister would call me Spielbergio, every time I would pick-up a camera. They eventually bullied me into putting it down (Thank God.) I thought it was cute but they were being harmful.
Mr. Spielberg opens doors to the imagination like a magician disappears from a box. It's simple, you can figure it out but the trick always works. Where did he go? He wills everything wider, cleaner and funner.
Ultimate daddy squish (Scheider,) a fiery one nighter daddy (Shaw) and a blubber daddy with smarts, cool gadgets and a checking account (Dreyfus,) generate all the magnetism a film needs.
John Williams' score tells it's own story.
I loved every minute of Bruce and the hard work involved to scare us.
A masterpiece because it was never about a shark, it was about us.
This is the conclusion to all the movie pandemics. The easy saves were cliche but the tough stuff was visionary. The sweety darling in danger may be repetitive, but she's so cute. The error asides don't matter if the director envisions a whole. The cure for the virus and the safety of the world is to kill all of the infected. Disaster movie, indeed. 17-Apr-2020