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All Posts Tagged as 'Director's Art'
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Thing From Another World, The (1951) 
Causing terror with good old fashioned Hollywood techniques. The film reboots beautifully because it's brilliant. They delivered a completely terrifying story and trusted the audience to use their imagination. 03-Dec-2019
The film punched a hole in the walls I had built being a mobster's kid which I only recently realized. It deftly displayed the inner workings of what my father's life was as opposed to how I experienced it.
The more the legends stripped to the third layer the more astonishing the outcome. Pacino roared, DeNiro resolved, Pesci divested, Romano rattled, Maniscalco (pants daddy) plundered and Jim Norton was uncanny. The women were prescribed little voice yet supplied haunting images.
Scorcese realized the gangster of today and allowed him to pay for his regrets. 28-Nov-2019
The more the legends stripped to the third layer the more astonishing the outcome. Pacino roared, DeNiro resolved, Pesci divested, Romano rattled, Maniscalco (pants daddy) plundered and Jim Norton was uncanny. The women were prescribed little voice yet supplied haunting images.
Scorcese realized the gangster of today and allowed him to pay for his regrets. 28-Nov-2019
Old feeble men playing dress up. The intensity of the work is evident as is the three hour sacrifice to honor the best of it but most of it is unwarranted. The pros are welcome faces and the force is evident. I'm halfway in and I want to record my experience in parts. The history is concentrated and the genre is foolproof. While I've had highs with many of these men, it feels like they never moved forward or learned from their mistakes. Where's the now gangster? Scorcese masters the downfall of every criminal hero he builds yet the audience always ends up glorifying him. 27-Nov-2019
Gosling boxed his cereal face to grant us a complex and fretful hero and Damien Chazelle hurls us onto a technically pointed and miraculous journey. 24-Nov-2019
Avoiding becoming like our parents by following in their footsteps.
Mother misinformed (Constance Ford) desexualizes and humiliates her daughter because she's afraid of acquiescing to her grunt husband.
The fuckable grunt (Richard Egan) is frustrated but soft wanting to understand the new world while being forced to follow the old.
Graceful mom (Dorothy McGuire) is all want in her eyes of a time passed that has returned.
Drunk daddy (Arthur Kennedy) shovels the truth and blows it in their faces.
Troy Donahue is a dreamy Groot with a slight bigger vocabulary. Beauty is an expression onto itself.
Sandra Dee was the girl next door living in a cloud.
The film was panned but successful. It spoke frankly about sex, it epitomized its time and predestined ours, for each question raised there was a consequence, for every character, a reason. It was a time to question life... the old and the new.
(It deserves restoration.) 13-Nov-2019
Mother misinformed (Constance Ford) desexualizes and humiliates her daughter because she's afraid of acquiescing to her grunt husband.
The fuckable grunt (Richard Egan) is frustrated but soft wanting to understand the new world while being forced to follow the old.
Graceful mom (Dorothy McGuire) is all want in her eyes of a time passed that has returned.
Drunk daddy (Arthur Kennedy) shovels the truth and blows it in their faces.
Troy Donahue is a dreamy Groot with a slight bigger vocabulary. Beauty is an expression onto itself.
Sandra Dee was the girl next door living in a cloud.
The film was panned but successful. It spoke frankly about sex, it epitomized its time and predestined ours, for each question raised there was a consequence, for every character, a reason. It was a time to question life... the old and the new.
(It deserves restoration.) 13-Nov-2019
Space travel, pretty alphas, a lush otherworldly landscape and a progressive robot. A modern Eve (Anne Francis) coming into full sexual bloom to a cavalry of starved men is an intriguing aside. She meanders flirtatiously amongst them until the bull (Leslie Nielsen) that stokes her ire compels a passionate kiss. The effects contain enough creative thought and subtlety to survive its time, the direction goes beyond the page and the words resound with clarity.
(I'd gladly trade an Alexa for a Robby) 10-Nov-2019
(I'd gladly trade an Alexa for a Robby) 10-Nov-2019
Spider-Man: Far From Home (2019) 
It brings enough childhood comic book thrills to life to score. Jake is best when he's romancing and fighting Peter Parker. The Spidey suit fashion show vibrated, Holland owns it and Zendaya purrs it. 09-Nov-2019
Rare Exports: A Christmas Tale (2010) 
It delineates the first Santa, full of godlike vengeance and destruction. The film parodies like a summer blockbuster with striking imagery and a cheerleading score. It chugs along, never delivering the titular monster and rabidly tugging at our hearts. 05-Nov-2019
It's a film out of time in a space that a generation didn't complain about. The first is man's ego and his perception of the ideal woman (she doesn't speak.) The second evokes the woman as she really is (she doesn't stop talking.) The last is a caper that ties the loose bits with a feminine swing in snappy grand style. Shirley is slinky cat to Caine's dastardly bat. 02-Nov-2019
A concoction of horror and sci-fi that dance when married. 01-Nov-2019
In order to be entertained by a Spike Lee movie, you must see it to the end.
The beginning stacks so much hate that it begins to feel uncomfortable especially when our current sensibilities are asserted. I felt like the movie was about switching roles which is not equality but subjugation.
John David Washington kept his Stallworth steady when he needed to grow into him. Mr. Stallworth would have been one of a kind and he would appear grateful and not establish his big dick presence (it's an attitude) so early.
Adam Driver seems alive again. He gave his quiet hero a timber.
The details I will remember are the dumbfuck ones. Somebody needed to check out Driver's dick, a cop shouldn't ever use his real name in an investigation and the black KKKlansman was basically a phone operative.
Every ending was a celebration to cheer, laugh and finally understand Lee's idea.
27-Oct-2019
The beginning stacks so much hate that it begins to feel uncomfortable especially when our current sensibilities are asserted. I felt like the movie was about switching roles which is not equality but subjugation.
John David Washington kept his Stallworth steady when he needed to grow into him. Mr. Stallworth would have been one of a kind and he would appear grateful and not establish his big dick presence (it's an attitude) so early.
Adam Driver seems alive again. He gave his quiet hero a timber.
The details I will remember are the dumbfuck ones. Somebody needed to check out Driver's dick, a cop shouldn't ever use his real name in an investigation and the black KKKlansman was basically a phone operative.
Every ending was a celebration to cheer, laugh and finally understand Lee's idea.
27-Oct-2019
The premise is sold as soon as Hooper snaps everything into place. (What a missed opportunity not giving him a Bat to direct.) 27-Oct-2019
Peculiar family traversing normal obstacles. Toni Collette doesn't just wreck, she explodes. The script challenges the actors and derives tension from emotional disturbance. Ari Aster keeps the scares familial, mysterious and skittish. The more we know the less satisfaction but the work remains solid because it's preceded by excellence. 09-Oct-2019
The more disbelief you suspend the higher the flight when it takes off. Hugh's broadness is wide, Paddington's reasoning wears thin but the artful care keeps it vivid. 06-Oct-2019
Spider-Man: Into The Spiderverse (2018)
The soundtrack doesn't bother to incorporate itself, Peter Parker sounds froggy but the art reaches magnificence. 11-Jul-2019
Amped up but incomplete. 12-Jun-2019
