Movies Posts Tagged as 'Director's Art'
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Over The Moon (2020)
Glen Keane weaves plenty of magic but the story cremates it. The mythology does not resonate as an inspiring fairy tale that would empower a girl by sending her out of the stratosphere. The how to the moon was unbelievable. I know its fantasy but my brain didn't even want to. Doesn't it cost billions to get a man on the moon? The moon is "gummi land" ruled by the protagonist of the mythology. Chang'e is an exquisite piece of animation whose suffering and selfishness make the circumstances obsolete. I liked everything about home. Home is where the magic needed to happen.
(Why are rabbits only cute in animation?) 04-Nov-2020
Little Girl That Lives Down The Lane, The (1976)
Girl home alone. Dying dad bestows his daughter home security and life skills that would allow her to survive until adulthood. Alexis Smith plays the ultimate Karen whose landlady suspicions arise at a most inconvenient time and whose spats with Miss Jodie are powerhouse. (The slap was everything.) Martin Sheen was so realistically slimy as a predator that I had to imagine it was his spawn's "Charlie character" from Two & Half Men. When you acquire power from self reliance, self love and luck, only the broken and the animals will be able to understand you. Miss Jodie doesn't quiver, exudes superior knowledge, bitches like an equal and demands the respect of a girl who wants to live in the house that daddy paid for. 04-Oct-2020
Guess Who's Coming To Dinner (1967)
White liberal tolerance is tested when daughter brings a black man home to marry. Sidney Poitier represented the culture as a man in love with a soul of a different pigmentation that he deserved to engage with. His idea for racial harmony and hopefully acceptance, was to lay the weight and fate of the marriage on white daddy's heart. The script was respectful and contemplative, hitting points from the heart and establishing strong voices for each character. Isabel Sanford hooted as the maid who has lost control of her household and the family she wove herself into. Katherine Hepburn's use of props and legend added quotes to her character, Spencer Tracy's suffering was real, Sidney Poitier had enigmatic charisma with everybody, Dorothy Houghton was a familial delicacy, Beah Richards was luminous and Roy Glenn was growling. It's greatest case isn't about racism but a parent's fear that their child is not choosing the safest life. My favorite speech is Poitier talking to his dad about who owes who. The father who demands payment and racial solidarity for the sacrifices of rearing him or the son who wants release for a choice he didn't make? The father may limit himself by being all about black but the son just wants to be a man. 26-Sep-2020
One Flew Over The Cuckoo's Nest (1975)
There is a threshold of high mentality professionals cannot consume or understand so they isolate, daze and shun the unwell from reality thinking it will make them better but they're just keeping them away from us. The insane asylum is the "soccer mom" equation incorporated as rehabilitive juice. If you keep the child's mind busy life wont hurt it. Nurse Ratched is neither monster or killer. She represents the woman in charge who will do what it takes to chase the crazy out of these fuckers and get herself a promotion. She does her job better than any man or human. Her hate for men keeps her in check as long as she can control them. Louise Fletcher is etched in subtlety. She's discernible, rational and a doctor's prescription. Her murderous thoughts are a delirious read. She spends a short time in the film but her character wafts through every room, corridor and human being begging for a moment's joy. Jack daddy legend is in it to disrupt it and kill her perfect employment record. He is a man with ownership rights and a threat to her profession. He has no mental issues that would require him to be there except that he hates work and wants to coast in a nut house. He is chaos and destruction but not insane. He hates life but he can survive it. He will inhale only the convivial parts of it. Booze, parties, women and trouble. He pretends, he awakens, parades his heart with glee and makes a team of his followers. Jack is there to free them of their haze and enlighten them with the cool parts of reality. But sadness breaks out and explosions erupt endangering their mental situation. Jack smiles, hates the world, speaks our language, slays our speech, breaks our hearts and is one of the funniest sarcastic mother fuckers of all time. Excellent across the board. 21-Sep-2020
Pandemic anxiety coupled with protester violence makes for a scary zombie flick. There is no delineation because the action speaks for itself. The use of modern tech to create a different outcome is brilliant, the zombies are bone crushers and the direction is tireless. The ending from nowhere different prevents greatness because the last missed a master stroke. 14-Sep-2020
Star 80 (1983)
The tragedy of beauty versus beast. The purpose of beauty is to inspire us. If it touches you, you are beautiful in return. It's that perfect thing that exists like a God smack to the earth. The men want to devour it, the women prefer to absorb it and forget it but the younglings want to marry it at first sight. The sculptor who attempts to shape it, before full bloom, will burn his hands on the coffin he molds around it to keep it safe. A woman will always wake up. Beauty belongs to the world not encapsulated by a man who thinks he's just as beautiful because he licensed it. Fosse snips from Citizen Kane and gives it the hutzpah the classic lacked. Fosse's mastery is beauty, movement, thrill and dash. Eric Roberts gets inside our heads and makes us understand that hot greasy ass motherfucking psycho crooked legged cowboys with great hair have feelings. Fosse resoundingly echos him. Mariel Hemingway is neither thunder or lightning. She is a cloud of beauty that doesn't need announcement. Mariel's innocence allows the tragedy to happen and unfold. It has an ending Tarantino wouldn't touch and the original footage is brutal, salacious and true. Absolutely psycho. 12-Sep-2020
Strange But True (2019)
Boy meets girl, prom virginity loss ensues, dream boy dies and, five years later, the girl is pregnant with his child. The drama is about the reveal and it rolls heavily towards it. There are flaws aplenty. I didn't understand why mama needed to go to the library to get information that seemed readily available on the internet and why they were hesitant to call 911 after evidence deemed it an emergency but the cliches are overwhelmed by mood, taste and bite. Blythe Danner is best actress support, Brian Cox succeeds in being someone else, Margaret Qualley emitted Emma Roberts realness plus hippie control, Allegra Fulton added some magic, Nick Robinson is a twink of the force and Kinnear smashed golden ass. The cast was great and the ending is all. 08-Sep-2020
Conversion therapy for bubble-raised souls. The neighbors smile when you don't and hammer shit in you, when you won't. If you don't belong, they break you til you do. I wanted to scream for the protagonist but HOA/Social Media bills were past due. The first pumped me up, the last deflated me a bit but the whole was encouraging. 23-Aug-2020
John Wick 3 (2019)
Even after siphoning pleasure from the first two I was hesitant to invest in a third. I expected more ugly pup murder vengeance but it was one of the best video games I ever played. Angelica Huston was unrecognizable but still biting. Halle Berry finally delivered dog munching kickass. The horses, the cycles, the players, the stunts, the work. It was exhilarating. It's creation negates all improbability. Daddy cool K represents our aggressions and their release. Flush. 17-Aug-2020
Alita: Battle Angel (2019)
As I drowned in amazement the thought of giving Pinocchio this treatment became intriguing...and then it was.
Alita is the child built from dreams of regret, facing a life with limited power in the casings of a girl. She is constantly hounded for parts, in competition, fluttering, fighting and tasting what a child's life has to offer. She'd rather be a woman.
Christoph Waltz is his own animation. His Gepetto flourishes with worry and celebration. Alita's need to grow up is his dissatisfaction and his burden. The doctor brandishes enormous tools protecting a future creation that matters too much.
Creative ideas constantly bounce, widening the eye and accepting the beauty of art.
The pandemic should determine if this is how future movies will look.
Wild One, The (1953)
Life protestors with a penchant for bling, bikes and young things invade suburbia with destruction. The cops are too tired and don't want to get involved, the neighborhood uprises in arms and their little girls arch (they too have things to protest.) Parents are losers, youth is life, old is death.
There are illusions of gang rape and rape.
The women are confidant they can slow one down.
Marlon Brando explodes into both sides of his jeans like the rebel who doth protest too much. He was the untamable man that wanted to be tamed. The epitome of fluidity and all fan desires thereof, he institutionalized the gay man mystique and cis man "rapey" acquiescence. He's an everyman. That Brando granted my celibacy a woody, especially in black and white, speaks of "legendary animal."
The privileged only hate when others are troublesome. Good for them. 16-Jul-2020
Invasion Of The Body Snatchers (1978)
Daddy "pod people" proficiency. I can't imagine a better cast to deliver a concrete, spooky conspiracy. It turns the brain on and our survival mode kicks in as the repetitive blankness coerces the free thinker to scream in frustration. 16-Jul-2020
Wave, The (2015)
The cliches interrupt the strength of the message but papa courageous and mama savage add to the cerebral beauty of chaos. 10-Jul-2020
Monkey Shines (1988)
A fit daddy mentally bound by matriarchy becomes paraplegic. He receives a horrified nurse, mother pseudo, a no nonsense trainer and a mentally enhanced monkey.
The art of training an animal lives in its soul. The monkey represents the current female to determine his life. The monkey is a frighteningly adorable beast.
George A. Romero packs it with Hitchcock simplicity and sensical horror. Each frame a joy to ponder.
Jason Beghe is an addictive force.
The mother/son spar sliced bluntly.
I lurched, I was engrossed and the end was brutally sweet. 07-Jul-2020
Ad Astra (2019)
Universal travel, planet saving and soaring daddy issues.
The director feeds us unique vistas and exhilarating action but makes us feel like we're riding a bullet train. It spins by, it's amazing, I'm glad I saw it but it didn't mean anything. It had no attachment to the story.
Pitt attacks like it's his story to tell. He's exhausted, full of gruff and self analyzation. It was a most personal rendition.
Tommy Lee is "grand" daddy to everything Pitt did. 22-Jun-2020