TV Posts Tagged as 'Fun Acting'
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Dead To Me (2019-)
All coincidences aside, its power resonated from the word, the emotion and the performance. Ms. Applegate rocketed to combustion. Good job. 20-May-2020
I was riveted by Christina's triumph in irritation and kickback, profiling an uneventful marriage founded on the success of falsehoods. James Marsden illustrates the beauty of an asshole. 30-May-2019
One Day at a Time (2017-)
I will always have affection for these people but I truly hope they find that thing this season lost. 04-May-2020
S4E3. E1 and E2 had me worried. It was loud and high strung in celebration of a second chance, feeling like a parody of itself. Episode 3 brought masturbation realness and hilarity, peak character delight and mama diva (Moreno) steal moments. The hardest I've laughed all year. 10-Apr-2020
All about relationships. Gracias. 03-Mar-2019
Motivating argument about the rules modern life coerces. Proficiently displayed, adoringly regarded and stamping the sitcom with the purpose TV forgot. 13-Feb-2019
Justina Machado is excellent and Rita Moreno embodies everything we miss about a Golden Girl. They've added superior daddy squish and the support is amiable reinforcement. Cheers. 01-Mar-2018
At first glance, you are inclined to think that this is an exploitation of a classic and respected series with token latino stereotypes. By the fourth episode you realize that it chose this community to depict because it needs updating the most and it feeds right into the original's claim. It's hard raising a latin family when the men are scarce and the women try to empower themselves at the cost of tradition. There are times you will be transported to all those arguments Lear presented between classic characters, fair to each but being persistent that the last word goes to the changing present. Justina Machado plays Penelope Alvarez with the same amount as distraught, parental overprotection and survivor's challenge that Bonnie Franklin's Ann Romano did. Rita Moreno's accent is old fashioned pastiche but she is a full character, beloved and is having a helluva time making us laugh. The kids aspire for realness instead of cute and Schneider is cute without the creep. 30-Jan-2017
In order for a robot to gain more humanity, humans must become more robotic. (I think we're there.) 04-May-2020
Its undoing is its failure to convince us why the robots have so much human emotion. If you can't digitally master it, our brains will not conceive it.
Its spite and success is due to a brilliant presentation, staggering mamas and devastating daddies.
Wood gives Dolores the stature of uniqueness and the stoic elegance necessary to keep her fascinating but it's time for her to get her machine on.
Ed Harris. Daddy cowboy of legend. Gives great face, looks fun in bed and he's a cowboy.
Jeffrey Wright. This is the daddy you get high with. Great ideas and crazy sex.
Thandie Newton. Her act is fit and she'd be the action-figure I would buy if I was twelve.
Luke Hemsworth. A Hemsworth pillow. He's a snuggle daddy with survival skills.
Tessa Thompson. Proud to have her on any team.
Aaron Paul. Delicate daddy with violent tendencies and dedication or Next Door Daddy.
Vincent Cassell. Daddy, "yeah, I'd fuck him."
The fight scenes enlivened, real robots ignited and the future looked bright. (We'll see how they fuck it up.)
We feast on a most delectable future whilst our brains ping pong. Wright daddied up, Wood is glam assassin, Paul does his thing and Newton yums. 17-Mar-2020
After Life (2019-)
Still depressed, funny and sweet. Its heart grew wider. 01-May-2020
Gervais profiles the catabolic generation and spins their sadness into comical whimsy. He is perfect denouncing life and burning it. It's a reality few can see. It talks maturely about aging, death, suicide, loneliness and contempt for the life that bore it. (Ricky's witticisms are wicked clatter.) 17-Feb-2020
Bad Education (2020)
The face of the righteous has a melting soul.
Hugh is big daddy, fulfilling a demanding feat. He teases us with his nice boy swag, making us feel comfortable, ripping layers and gnawing at his mentality. He floors like a man realizing his obsession is a sick heart aching for love of any kind.
Janney's gift is to steal acts, to be good or to be great. She is all.
Ray Romano is the grand daddy of kvetch, owning it with common sense and delivering it like a real person.
Geraldine Viswanathan displayed the smarts and determination the character needed.
The support was a menage of cultural brilliance.
Awkward, tricky and... bam!
(Society builds too much pressure in people.)
Invitation To Hell (1984)
It was a film better tolerated in the present but still a victim of its limitations.
There are golden nuggets:
Wes Craven kept it tight. The spacesuit caper and some action sequences spit art
Soleil Moon Frye does a spot-on imitation of Golem, before his time
La Lucci is a playful and committed demonic force. Tacky with hilarity, bitchiness and nerve
Robert Urich was pretty, in charge and in demand.
Witcher, The (2019-)
Daddy is something else but it was the ladies that kept me glued. 18-Jan-2020
Of course, I'm disquieted by the froggish whisper of the Witcher but he delivers comitted action moves and steady alpha charisma. Interspersed characterization maintains the show's freshness. (Is it part of its mythology that all pretty twinks get killed?) 15-Jan-2020
Lost In Space (2018-)
Season 2 served so much syrup it almost drowned the pancakes. The Robinsons' catastrophe meter wriggled so much I wondered why they're not in pieces. Am I supposed to notice that the robot has a big ass? The action rumbles, throttles and shakes you down. Big-screen treatment for a TV mindset. Dr. Smith is a hoot bitchier, the actors are scratching their posts and I'm still in. 05-Jan-2020
Even though the orangutan inspired robot invalidates its predecessor the show succeeded in modern interpretation. There's papi squish, mama force, baby hutzpah and multicultural opportunity. Constructive sci-fi action and Parker Posey's iteration of Dr. Smith as the ultimate lying bitch are its standouts. 29-Jun-2018
Leave it to California ("the Hellmouth") to turn a serial into a romantic victim. The pyschology was bi-polar and the disentanglements were happenstance and charred. I'm not excited to see a third season. 31-Dec-2019
The thrill of the cum trampled by a kick in the balls. The delicacies of love entrenched by intrinsic mind bending. Badgley steals the crown structuring the depth of his humanity and indignation. 20-Apr-2019
The catastrophe of Lost has been redeemed.
Blue is a gorgeous color.
Only Jeremy Irons could snugly fit that suit or that character.
Tim Blake Nelson is trailer park satisfaction.
The greatest thing James Wolk did was strip. His accent almost cut me, it was so sharp.
Lady Trieu was grunge girl effervescence.
It completed, catapulted, respected and reinvented. Brilliant!
I'm excited and afraid. 09-Dec-2019
Acquiring empathy for a dad you hate by reliving his memories was invigorating. (Don't fuck it up!) 03-Dec-2019
Jean Smart and Regina King are glorious. Jeremy Irons is a fantastic beast. The creators name drop comic book fantasy without delivering it. Junk is created for the masses but art heightens its subject. Uncertainty makes the audience walk out. 09-Nov-2019
American Horror Story: 1984 (2019-)
S9E9. The Murphyverse met the Whedonverse and it was magical. 20-Nov-2019
S9E7. Standalone horror perfection. 01-Nov-2019
Am I going to have to take viagra for the rest of the season? I never thought I'd need it, but ok. 26-Sep-2019
Simplicity is the best tailored suit for horror. The mythology is trembly and the franchise is freshening up.
Gus Kentworthy can feed a hungry gay senior trailer park with a strip and a flex. Emma Roberts is making all the right choices. Cody Fern is still holding back a layer. Matthew Morrison's penis is LOL. Leslie Grossman works better alone. Billie Lourd wants to steal it and Papa Murph is initiating another squirt test. 22-Sep-2019
A film practice run. It's hard to gear up for characters minutely defined especially when they easily accept transcendent ideas. We need insight to understand their choices. Debrianna Mansini casts a lustrous presence that established "no other dead need apply" and Theo Rossi squished craftily. 28-Oct-2019
Influence, The (2019)
Mother issues. Granny is scary, child is scarier and even though the threads are incomplete, the kills poke. 21-Oct-2019
Future twink is tortured via experimentation for his better health. All its flaws are abolished by a ludicrous surprise that lashes out at parenting, religion and common sense. I found myself rejoicing at the outcome. 19-Oct-2019
It's exhilarating to watch Armie Hammer unravel but the film's obscurity abandons him. 19-Oct-2019