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It needs a serial killer. 13-May-2020
I quit after two episodes for its robotic love story and for making a half, feel like a full hour. If its purpose is to instruct us on how to navigate teen angst, sex and love, I can't empathize. By twelve, I and most of my brethren were already bona fide sluts (thanks, daddies) and my input wasn't necessary. It reeks of social parenting, enforcement and naive privilege. The writers believe that if you preach hard enough, it will spill into reality. Daisy Edgar-Jones is neither ugly, weirdly or enticing enough to elaborate on an inconsistent sketch of a girl who is written to be all of those things. It's hypocritical. Paul Mescal is wasting his beautiful ass, nobody else matters and nothing happens. 05-May-2020
Hollywood magic starts in bed.
A propaganda film correcting past inequalities by imposing modern thoughts and politics into the mouth of history.
It preaches incessantly because we can no longer be inspired by people's lives as they lived it but how we now prefer it. (Good change comes when we learn from past mistakes, not when we erase them.)
Diversity exists as a pulpit, never integrating or understanding their purpose. Brother and sister needed to bring the humility, homework and incandescence that would compel us to believe they deserve the success they aspire to. Ms. Wong (Michelle Krusiec) completed her homework.
Rock Hudson, Vivien Leigh and Tallulah Bankhead portrayals. The ginormity of man beauty that was the Rock, is diminished when his facsimile stands shoulder to shoulder with Mira Sorvino and when he portrays him like a dork. Vivien was a cartoon transformer shifting from beauty to accent in a manic state. She needed to be all of it. Tallulah is actually very simple to study. You watch her one hour episode of I Love Lucy and follow it up with Bette Davis in All About Eve, legitimizing her. Too busy, huh?
The film within a film seemed abysmal.
I found it offensive that a black woman was portraying a white woman's life. It's like a man portraying a trans.
Free rein to rearrange is exciting only if it follows the rules of its generation. 03-May-2020
A propaganda film correcting past inequalities by imposing modern thoughts and politics into the mouth of history.
It preaches incessantly because we can no longer be inspired by people's lives as they lived it but how we now prefer it. (Good change comes when we learn from past mistakes, not when we erase them.)
Diversity exists as a pulpit, never integrating or understanding their purpose. Brother and sister needed to bring the humility, homework and incandescence that would compel us to believe they deserve the success they aspire to. Ms. Wong (Michelle Krusiec) completed her homework.
Rock Hudson, Vivien Leigh and Tallulah Bankhead portrayals. The ginormity of man beauty that was the Rock, is diminished when his facsimile stands shoulder to shoulder with Mira Sorvino and when he portrays him like a dork. Vivien was a cartoon transformer shifting from beauty to accent in a manic state. She needed to be all of it. Tallulah is actually very simple to study. You watch her one hour episode of I Love Lucy and follow it up with Bette Davis in All About Eve, legitimizing her. Too busy, huh?
The film within a film seemed abysmal.
I found it offensive that a black woman was portraying a white woman's life. It's like a man portraying a trans.
Free rein to rearrange is exciting only if it follows the rules of its generation. 03-May-2020
S1E3. I'm neither addicted, intrigued, impressed, or willing to give a shit. 01-Apr-2020
I tuned in out of curiosity and to give its subject, the benefit of the doubt. I wasn't raised in an environment where I thought hooligans were cute and my idea of celebrating such buffoonery leaves me speechless. Not one soul appears to have one and the glorification of fake swagger has me flatlining. I don't believe in fucking with mother nature or God's fucking plan and I don't believe in making a profit from exploiting it.
(If I change my mind I'll expose myself again.) 01-Apr-2020
(If I change my mind I'll expose myself again.) 01-Apr-2020
I delighted in Jason Ritter finally putting those asshole tics to use but the upgrade was for mama. No superhero is flying around her house until she says so! 22-Nov-2019
When mama discusses the mental incarceration of racism to a son that's becoming physically stronger, my negative comments became obliterated. The writers ventured to give us a modern mama willing to be sensitively honest with her child and equip him for life's challenges. Respect. 20-Oct-2019
A subject worth exploring in a culture historically evaded. It moves better when it tightens the reins but it's self awareness, interspersed soundtrack along with sprinkles of bleeding sap, drain it. 18-Oct-2019
An expose of the art world with a horror addendum. It spends too much time characterizing a patronizing society and very little imagination bringing the art and kills to life. Jake wraps his character in queer banality and sexual confusion like the problematic characters of yore (Jodie Dallas from Soap and Steven Carrington from Dynasty.) I'm starting to believe he actually may be straight. 20-Nov-2019
I tuned in as radio while I prepared dinner. I missed the first hour because there was important wine to drink but I tuned at the beginning of the second. Almost everything I hated won. Hollywood creates realistic art but has trouble appearing realistic. Billy added flair and Halsey held my attention, everything else was soap. We need to be convinced that human representation isn't a part-time job. Being politically correct has made everyone boring. The host wasn't the problem. 22-Sep-2019
Histrionic and unfledged bullshit. 02-Sep-2019
Finale. My manhood has been restored. I felt absolutely nothing. 13-Aug-2019
Toxic playpen wherein a woman's suffering and desperation is a man's empowerment. 01-Aug-2019