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Movies Posts Tagged as 'Vague'
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The controversy is unfounded. It is a coming of age story in which a girl realizes that the the only power out of a man's stranglehold is sex. Women, men and religion are not copacetic. Daddy is legally permitted to bring home a second wife and daughter and mother must celebrate it. The girls are reflecting the American pop icons that make female freedom seem so attainable. "Look, they can twerk their asses and shake their tits in public and no one stones them. They are considered queens living in castles above the clouds and everybody loves them. Their husbands are so cute and submissive." Little girls want to be loved and secretly twerk like adults. Parenting 101. Like most of its inspiration, the talent is unjustifiable. They can't dance. (My mother would have hiked up the kid's diaper, turned it into a plastic thong and had baby jiggling her ass for candy and male applause. I did it but only when they got me drunk. No kidding.) The atmosphere is full of enthusiasm with breaths of color. Female muslim prayer is actually represented. Good performances earn it praise but its lack of warmth and resolution hurt. A woman's best weapon is silence. 11-Sep-2020
The inclination to watch was always interrupted by its gaming inspired poster. It looked like something you would play not watch. Obviously, it's description and my boredom tuned us in.
After decimating earth the next boost for humanity is to fuck up space. Away we go with pirates, thieves, anarchists, loveless, lawless and hopeless. Fun fact: I did not know space had crabs and no gays. The monsters are CGI identified on a two sided coin. The dialogue is full of those chemicals we don't want on our meat, the actors eating corn would have had the same effect and the director/editor stumbled by premeditating everything about to occur. The action sequences are as inspired as a preview before a game that never starts. 28-Aug-2020
After decimating earth the next boost for humanity is to fuck up space. Away we go with pirates, thieves, anarchists, loveless, lawless and hopeless. Fun fact: I did not know space had crabs and no gays. The monsters are CGI identified on a two sided coin. The dialogue is full of those chemicals we don't want on our meat, the actors eating corn would have had the same effect and the director/editor stumbled by premeditating everything about to occur. The action sequences are as inspired as a preview before a game that never starts. 28-Aug-2020
The word of Jesus inspires a cult to enact punishment to sinners. The dialogue flows, the cast creates perfect doubt but its obsession of not fucking with new privilege brings no satisfaction to what should have been a riveting revenge movie. We are not allowed to enforce punishment on them or tear them to pieces because it's not politically just. Even if it tries to kill you, only a non sufferer of the same power source can claim payback. The all empowered couldn't take it? Fuck that. It was the victim's job to pummel that... Fail. 15-Aug-2020
Stephanie is the child that's always in your face that you ignore. Her parents abandoned her to live in isolation during an unknown pandemic and to deal with a monster roaming about. Daddy Frank Grillo and mama Anna Torv were defined as shitty parents so everything they did was spotty and disenfranchised. Shree Crooks discharged unsettling reality to her child. The twist curls into a pretzel, a bone breaking finale poured some salt on it but the whole was artificial cheese dip. 13-Aug-2020
Napoleon was so thirsty for power he siphoned it from women. Engaged to be married then dumped to marry someone else, Desiree is the woman whose might didn't impress him. Jean Simmons keeps us following but she doesn't grip the strength of the character until the end. Marlon Brando refused to depict the emperor as a short, with his hand continuously in his pocket, general bore. Brando instead, concocts a Venom accent, swags in unforgiving outfits and mandates our attention. The film is beautiful with impeccable costumes, empirical sets and daddy galleries. Watching is as easy as social media. I was curious and enrapt but I had to search on Wiki what wasn't explained in the script. The bombast was great but who are these people? What I read was absolutely fucked up. I would have filmed that. 10-Aug-2020
Bubble couple are misled into a hellish suburban child rearing nightmare after house shopping.The setting is rife with panic and exasperation which neither characters or the presentation take advantage of. The characters don't react like real people and the story wants no resolution. Phones don't exist, no one attempts to test the gadgets in the house, time passes and the majors look the same, young "Sheldon" is triumphantly maddening, Eisenberg spends too much time digging and Poots rimming. It's about nothing. 26-Jul-2020
Meteor lands on bubble family property and affects change. Nic is allowed full psycho mode but the word and the psychology betray him. One minute he's canoodling with the wife and the next he is lacerating his teenage daughter like there's a history of childhood molestation. There is no consistency of character. All sexual innuendos and racial discrepancies are applied to animals. Thank God. There is a glimmer of an invasion but it's mostly about the effect. Fuck that. I want to see aliens. 14-Jul-2020
Boy suffers the loss of his mom, who dies in an explosion, but gains a piece of priceless art. Sarah Paulson has a moment as a bimbo and Nic adds an elegant presence to an adoptive mom but the characters have no foundation for any actor to stem from. The boy, in particular, acts as the scene needs, not as his character would. Ansel achieves a spark because he's trying to understand it as much as we are. It's a hard sell because the mystery doesn't amount to a life altering choice, it just is. A sweet sentiment with absolutely no sugar. 26-May-2020
Of course, I was going to hate it. Wrecked performances, grave CGI, clipped penises and roach choreography. I couldn't finish it. 09-May-2020
Stagnant study, of a woman and a man sharing a relationship with a twinkster. The rules are the same no matter the generation or the politic. The bird marches on the streets of beauty, protesting the disparity of life while ignoring the feelings of those around him. His fluidity grants him power to cross pollinate and be voraciously welcomed by those of privilege whose lack in life is progressive. To the woman he brings sexual fulfillment and purpose, to the man, a sense of accomplishment and pride. Youth ping pongs between them like the parents he needs right now, not the lovers he'll end up with, later. Birds must fly as parents must contend with surviving on memories. Children and family are an aside that contain the most life. The children annoy as much as delight, smoking drugs, having fits, asking complicated questions, noticing sexual things and killing dogs. 06-May-2020
The adult actors cannot fulfill the innocence and vibrance of the youngsters who established it. They diminish the investment in a fretful conclusion. Skarsgard is a sure thing but Muschietti's insistence in piling disconnected scares that belong to a Freddy Krueger franchise sequel, shoves his monster icon status to the shadows. The mumbo was a jumble, the Spielberg didn't fit and the sap broke the vine. 23-Apr-2020
Attack Of The Fifty Foot Woman (1958) 
Frantic housewife contracts gigantism whilst anguishing about her husband's sexual fluidity. It's a feminist turn that unite the men against her. The Efx burn due to age but also because the star "hand" was atrocious and the giants were transparent sometimes and not others. I rather they hadn't. A man will allow a woman to have big ideas as long as they don't go to her head. 12-Apr-2020
Everything etched to perfection, less the comprehension to make us care. 06-Apr-2020
It makes sense in the confines of the story but it's pretty preposterous without a big world picture. It's vile, claustrophobic and exhausting. 30-Mar-2020
I did a double take when I realized the film wasn't set in the cheesy 60's gothic era. The women are dead ringers for the pristine beauty of that time and the daddies are porn succulence. The witch is a backwards feminist, desperate for love and domination, except her potions and sex stratagems only work precoital. Love turns men into quivering slobbering mush and she becomes vexed and resentful. The film is experimental, nonsensical and devoid of magic. 15-Mar-2020
