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All Posts Tagged as 'Magnetism'
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Del Toro kept me in awe and made imaginative choices. Oscar was an excitable Victor, full of verve, vigor and craft. Mia cast a bright shine whenever she appeared and her dresses were resplendent. Elordi lent the creature beauty and humanity. There were times where I saw the actor underneath but it was only an x-ray. The man was fully invested. The story was inspiring, the style elegant, the horror realistic and the action pulsating. 09-Nov-2025
As scary as the little fucker was, the monkey's structure was undefined. I got most of the gist but a lot of it was fogged up. If it can destroy towns why didn't it do it in the first place? How does the monkey choose who to kill and when it stops? The attacks were coordinated but sense killed a lot of it. It excels in the least likeliest of places: a solid story, emotional balance, talent and imagination. I wanted to stay in their lives and deconstruct the monkey. Theo James wasted no emotion or thought in his performance and was very effective. The young twins blew me away. I didn't know it was one actor portraying both. When they were onscreen together I kept thinking, "they must be fraternal because they don't look that much alike." It was impressive. It had all the elements to elevate itself but the monkey's mythology was weak and very Final Destination. 08-Aug-2025
The performers were in sync hitting their marks allowing co-stars to follow. Dialogue described the pain in loving and surviving after death. The father's illness was not a prop to fit the story but a slice of what he may be experiencing. Once my curiosity peaked I faithfully followed. Boy goes into cave during a storm and his older brother and friend fail to rescue him. 15 years later he returns to town to visit his sick dad and unforgivable mother. A lot of the town resent him for surviving. With girlfriend and child in tow they have to battle the consequences of everyone's actions esp. after another death happens. It is written by people who live life instead of brag about it. The twists and turns throw us off the scent but the reveal played it safe when realizing scary clues would have elevated the heartbreak. The cast were too good to single out. Jessica De Gouw's hair was retro hot. I know I singled her out but only because her hair was so there. How could I keep my mouth shut? 14-Jun-2025
Classic tacky with gusto. 12-Jun-2025
How to live miserably after war. Adrien Brody is a face actor that can establish a film's mood just by expression. He thought his character through and delivered a powerhouse performance. My odd fascination with sound made me hone in on his accent. Nothing peculiar with most of it. It was only when he ended with the letter T. He hit it hard when it needed to fade. The cast played beautiful notes. Guy Pierce was evolved and polished, the film held my interest, the writing was thoughtful and the direction was committing but I couldn't find a reason to care. First. You can't cry rape if you yourself have committed it. She got her husband off when he didn't want to. He cried as she was doing it. Second. That rape scene was so vague that I thought they were doing something else. Third. Why did Atilla accuse Lazlo of flirting with his wife if he pushed him into thinking it was a threesome? Fourth. Why was Lazlo's temper so short after surviving war? He'd be meek, get used and gradually transform into a raging lunatic. Fifth. The niece's silence drove me crazy. She didn't even grunt. I thought I missed a plot point. 30-May-2025
Ralph Fiennes made fucking a priest less criminal. Ditto Tucci. Lithgow reinterpreted De Palma creepiness to great success. I was educated, enlightened, intrigued and delighted. Wow. Penguins see color too. Fred Zinnemann inspirations abound and they were welcomed. Isabella slayed like Nurse Ratchett. It was careful to remain on course, turn gossip sporty and entertain methodically. Religion took a back seat. TG. 11-May-2025
Joe Rosenberg is little boys raised to woo a woman like only a fake prince could. Male awakenings are destructive and mentally detrimental. The premise simplified things to improve characterization. Good choice. A happy marriage to a foreign twat and reunited with a relinquished child, Joe is living the life of a planner, pioneer and romanticist. The wife has secrets and Joe has plenty of funny quips to unlock them. Joe's flubs were used to diminish his endurance as a famous serial killer. He was brushed off. Bringing people back from the dead, unless it's Ripley, Xena or Buffy is detrimental to reality. Women need an army to bring one man down. What a waste of taxpayer's money. Meet and greet with couple psycho could have been more casual, less criminal and more romantic. Ms Camp steals and saves a lot of her scenes because it took me a while to recognize her as another character and because I laughed when I found out. Pen went there and was brilliant. His breakdown was cathartic. The ladies reinforced that what restrains a man isn't himself but a notion. My finale would have consisted of him going Jason Vorhees on everybody without the mask, a bare chest, naked, weopanized and killing to the max. 10-May-2025
It gassed up, almost made it out of the parking lot, but got blindsided by a food truck. What is the commonality between the women Joe obsesses over? They are very different. At least now he can afford to buy more cages. 12-Mar-2023
S3E9. The dork talks to dead people, now? It's a lazy writing gimmick. Who's bankrolling the fancy cages? Why is the entrance to the cage not padlocked? How do people shit in that cage? Shouldn't they, at least, be wearing diapers? Why do all movie assholes like to be tied up? Greg Kinnear seems to be the only one that understood the assignment. 12-Mar-2023
I heard it gets better but the 2 new episodes I watched seemed like they ran out of gas at the CW parking lot. 12-Mar-2023
It's indifferent to the story. Joe is surrounded by people that are too cliche to make fun of. He is being uncharacteristic, it made me forget what his fetish is and he has no equal match. 19-Feb-2023
Psycho settles into suburban madness. The psychology is rewritten to fit a desperate suburbanite. Pretension is the clarification of ascension. Psychos don't have bouts of good feelings. If they do it's the reason they're killing. Silence as I listened to Penn Badgley make me laugh, hurl and cum. Respect to Victoria Pedretti's restraint as a frustrated woman. Shalita Grant filled her empty cup. Travis Van Winkle enshrined it. Dylan Arnold needed more daddy laps. Tati Gabrielle was feathery. Daddy Speedman needed Dylan Arnold to sit on his lap. The whole was to make a monkey out of me. I love that shit! 02-Nov-2021
Leave it to California ("the Hellmouth") to turn a serial into a romantic victim. The pyschology was bi-polar and the disentanglements were happenstance and charred. I'm not excited to see a third season. 31-Dec-2019
The thrill of the cum trampled by a kick in the balls. The delicacies of love entrenched by intrinsic mind bending. Badgley steals the crown structuring the depth of his humanity and indignation. 20-Apr-2019
It's popcorn fun without the stomach ache or the funny taste but its easily forgotten. There isn't much to a twister film if the effects aren't ready to tackle what could happen inside one. Its parent film created the illusion that a twister was powerful because it could raise a cow. I wanted to see what a human might go through when sucked into a twister. Just because there are no witnesses doesn't mean we can't decipher one. The cast is amiable, the story keeps pumping but the science let me down. 12-Apr-2025
A frown is a smile upside down. 10-Apr-2025
I thought of something. Rebrand it as "The Frown." 09-Apr-2025
Naomi Scott created a character that was easy to understand and interesting to follow. The plot was basic. Many things seemed random. An out of the blue character always appears to explain the rules. The mythology is so vague that explanations became invalid. I still don't know what was real or not. I was committed because Ms. Scott was master tripping on emotions. I concocted many scenarios but I couldn't accept the smile thing (Joker thoughts), the mythology (not Buffy) or the scares (Terrifier-centric.) 09-Apr-2025
Each episode was filmed in one continuous shot. I thought that would distract me from enjoying it. "Oh, shit, I missed out on what they're saying because I was too busy studying shots." There is a short adjustment period but it's worth it. The subject matters. Boys are lost in a world that wants to soften them whilst expecting heroic things. The only way a man can break a woman's power is to rage and destroy. The boy feels inadequate and his audience is judging him. The family are all about honor and doing the right thing. The dad had great reactions, the protagonist frustrated like a real child, I can watch black daddy cop run all day, the psychiatrist's facade crumbling was classic talent, it took me forever to find out what that last word meant and all the support was great. The chase didn't stumble, the cameras kept moving, actors knew their places, writing was thought provoking and it was realistically accurate. It was about adolescence and the adults who shape them. 27-Mar-2025
Angelina Jolie is radiant as the legendary Callas whose last days were riddled with identity issues, loss of art and purpose. Some of the historical tidbits were interesting to discover and the film was as luscious as its protagonist. As soon as Jolie opens her mouth to sing the film establishes the work and the craft it must have taken to complete her transformation. The relationships registered, the melancholy smoked and Angelina Jolie was its greatest effect. 06-Feb-2025
What Happened To Monday (2017) 
Glenn Close deserves to play a bona-fide witch. She'd be unforgettable. Willem Dafoe was cerebral and dominant. Marwan Kenzari is unbuckling. At first I thought it was the slicked back hair until I saw his beard. His beard had shadows. I could smell his smoke. What a beautiful beast. It was hardening. Noomi Rapace added texture to all her personalities and made them unique. Some of her guises were marvelous. The future is overloaded with children and the law has issued that families can only have one. A mother dies giving birth to septuplets and dad inherits the burden of keeping 7 sisters safe. He keeps them alive and they thrive until one goes missing. Action sequences were impactful, set-ups were energetic, the actors delivered and the director kept it interesting. 19-Nov-2024
They saved the best for last and her name was Allison Janney. Calling Keri out on her locks was everything I was mentally bitching about. It was enough to shut me up. The season was a cyclone of talent that kept it grandiose. Giyasi is still fuckable and in-charge, Ato gave Stuart human qualities that rendered the character emotionally available, pretty face returned to play the perfect foil to Keri's harried Kate and I forgot that Ali Ahn can act. She was liquid butter. I normally want to squeeze Kinnear's face but his transformation into a scumbag made me respectfully afraid. Keri was the queen holding court and fighting battles like a mama wrecker. The only politic I need. 07-Nov-2024
Kerri Russell rules, the cast is appeasing and her husband is a beautiful daddy-banana distraction. Keri mama wrecks with intelligence, comic skills and a "who gives a fuck attitude." The sense of humor traverses beyond the obvious and bare feelings are portrayed to fulfillment. We were allowed inside the pocket as opposed to watching from a distance. Bless Keri and David Gyasi for creating sparks out of a modern cliche. Whoa, for Gyasi's fabulous sister entertaining the male wife like Scarlett O'hara. He acted like James Bond. Ali Ahn's ulterior motives are aggressive but sweet to her waring partner. Rory Kinnear adds great face, acting chops and the right amount of Tom foolery. The cast is funny and subscribing, the story is sorting and building. I hope the bombing is a surprise. (It was.) 24-Apr-2023
Monsters: Menendez Brothers (2024)
The end road was chock full of accomplished performances. Mr. Lane tapped into heartache and regret and transmitted it to the audience. It was sheer strength. Leslie Grossman found a character that matched her skills like a glove. She was fun. Chavez built as his character progressed. A little askew, unsure but learning. The "cry" bit was genius. Koch appeared wallflowered but eager to surprise. He wore those glasses like Joan Crawford would, with confidence. A very capable group of actors. A hurricane of thoughts strikes briefly to annihilate jury members' votes. It was compelling. I didn't recognize her but there was something about the voice, legend and talent that felt like home. When I realized it was Ms. Lawrence I applauded. The final flashback back-pedaled all the emotions and perceptions that transpired. My vote didn't matter because they figured it out for us. The idea that the parents were blameless because their crimes were invisible does not free them of guilt, sin or karma. The only fact I'm sure about is that the eggs wouldn't have cracked if the parents hadn't laid them. 26-Sep-2024
S1E6. Art no longer belongs to the creator once someone else experiences it. It evolves, balloons then remains stagnant. The brothers are handsome and well-cast. The constant affection between them signified an unbreakable bond. Paying attention is necessary to reap the benefits of arcs and surprises. Sevigny is so accurate in her portrayal that she becomes as lost in the story as the real mother did in life. Good work. Javier is a beautiful monster that masters gut wrench and authority. Episode 6 was, so far, the best. The sex, abuse, the heritage, the privilege and mental enslavement were given honest and heartfelt consideration. It was the first time in a long time that I felt akin to characters that represented me. (It's not always about color, most of the time it's about shared experiences.) Brilliant direction and colorful words added to the episode's crescendo. 25-Sep-2024
Three working girls put their retirement on speed. The only way a woman could claim early retirement was to meet a man of privilege. The women were protective of each other and the men were perverse. The fate of all three women are different. By the end, the film relinquishes its madcap wit for serious drama. Joan Crawford was the big sister every friend needed. When lady Joan ignited, it was firecracker. Her character seemed to contradict herself, though. She couldn't succumb to a sexy one night stand with her dream date. Really? Dude, he had the most lavish treehouse ever. It had retracting stairs! And a view! Robert Montgomery was a pretty little thing that happenened to be the boss of the store the girls sold and modeled for. They wore new fashion to convince snobby zillas, they were attractive. Acting was pure, the funny had limits, and Lady Joan roared. 14-Aug-2024
